I have a collection, ‘Incesticide: Collected Horror’, releasing later this year, which borrows an album title (much like my first collection in that hat-tip). I deliberately designed the cover for the upcoming with an indie-artsy feel in homage to its namesake.
‘Murmur: Collected Horror‘ felt a little out of place since that cover didn’t reflect the feel to the same extent as the newbie. I decided to redesign the jacket. This is what I do when I procrastinate!
Updates are processing with immediate effect on ‘Murmur: Collected Horror‘. I have a small stock of paperbacks (I’ve no hardbacks left) with the original cover. Once they are gone, they are gone! That makes them extremely limited.
Once I check what I have, I’ll update on Facebook and on Instagram — if you want one, you can drop me a DM on one of the socials once posted — first come, first served.
Apologies, for the paperbacks I have remaining in stock it will be UK postage only.
A revisit to what’s on the cards for release and writing this year. First up, is the imminent release of my debut horror novella, Asylum Daughter; this psychological horror hits the shelves on May 8th! The date is significant to the story — I wonder if any of my readers will spot it!
I was also invited to interview with Candace Nola, mother of Uncomfortably Dark for her 2022 Women in Horror feature. We chat about writing, the horror industry, and I share a little insight about influences of the upcoming release. For those who want to have a gander at the chat, head over to Uncomfortably Dark.
Next up, I’m working on a collaboration with another fierce horror author, my sister from across the pond, the formidable Ruthann Jagge! This is special to me as we have shared many pages within the indie horror scene, and we seem to have similar draws to particular elements! When I read her debut novella, The New Girls’ Patient, I could’ve been blown over by a feather with the striking similarities in some of her delightful, diabolical plotting! Have you read it yet?
Our blend of horror will be a magical one for readers! I would love to share a teaser, but my lips are sealed for the time being — maybe come Summer, I’ll spray some of that sweet, irresistible elixir your way. I’ve got the feeling that when our novel is done, we’ll be cooking up something else!
Another compilation of horror shorts will launch later this year. Some stories have been published, and some will be brand new to print! Given my chosen title, Incesticide (yes, the title is a homage to a particular grunge band), I’m aiming for the 14th December release! And, Yes, like the title and cover, the date continues the ‘nod’ — 30 years since that album of B-sides. I will include at least one short inspired by one of the album tracks — which one would you like to see? Feel free to drop me a message with your vote!
I am publishing an exquisite poetry collection, written by Rafik Romdhani, The Crash of Verses. The collection is up for preorder now and releases July 22nd! It’s no secret that I was reluctant to have this much responsibility for another writer’s work, but Rafik is a persuasive wordsmith! And I’m honoured to support another writer in sharing his talent with the world! I’ve read a couple of his pieces over on my YouTube channel. If you fancy getting a feel for his work (which I encourage you to do!), please hop on over to check those out. And, of course, preorder his book!
I have another collaboration scheduled later in the year, with another force of indie horror energy, this one much closer to home, with KJK Publishing’s gaffer, author of Halloween Land (another novella you horror delinquents should read!), Kevin J. Kennedy — more on that when work is underway!
When considering editing services, it’s easy to feel overwhelmed when varying terms, price points, and marketing techniques are at play.
Fiction editing can be funnelled down to two distinct types and the pre-publication quality check of proofreading.
Developmental Editing (Structural Editing or Substantive Editing).
This level of editing historically took place before the writing of the manuscript. Now, it is often the first stage of professional editing once the manuscript is complete. Here your editor will deep dive into the story details and consider various aspects, including structure, pacing, information checking, analysing plot details and execution, the relevance of sub-plots to the entire story, characterisation, setting and delivery.
In most cases, this involves some back and forth between the writer and editor. The editor will offer ‘suggestions’ for the writer to consider to improve the execution — some rewriting may be involved here. Depending on the agreement and relationship, the editor may complete this or support the writer in these changes.
This type of editing requires trust and clear communication between the parties. It is much more involved, therefore denotes more hours of detailed work and a higher fee.
Copy Editing (Line Editing).
This aspect of editing is essential and consists of two key stages. The first is the baseline edit. This aspect focuses on correcting grammar, punctuation usage, spelling corrections, etc. The second stage is the line edit. As the title suggests, this requires the editor to comb and refine the piece line by line, examining specific word choices, sentence structure, clarity, and style. Editors will perform multiple passes on a piece before delivering it back to their client.
Following these two types of editing is the pre-publication quality check. Proofreading is often misinterpreted as editing. It is not. The role involves marking corrections that have slipped through the editing process. Proofreading focuses on spelling, punctuation, spacing, consistency of page style, page numeration, etc. Proofreading is not a substitute for editing.
When hiring an editor, it is essential to understand the differences to make an informed decision and expectations are managed. The process of editing a manuscript is highly involved, time-consuming and vital in supporting writers present a piece that appeals to their target audience. The result should be a fully realised story that connects and engages with its target readers. A product that the writer can be proud of having under their name.
The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.
The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!
From the back of the book;
There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!
This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.
Instead of ploughing into the to-do list, which has a terrible habit of expanding, I am writing this. It helps to organise the brain, maybe. I opened up my submission spreadsheet and there’s hardly any writing submissions outstanding! It’s almost dry! This gave me a bit of a ‘must write, must submit’ moment. No, I shouldn’t. I’ve enough to keep going and hope to tie it all up to start 2022 with key priorities from which I will resist deviation. I will resist. I must resist! My wandering eye needs reigned in! Wrapping up 2021, so far, I’ve had stories published with Black Ink Fiction, Books of Horror, Crimson Pinnacle Press, Horror Sleaze Trash, Insignia Stories, Iron Faerie Publishing, KJK Publishing, The Evil Cookie Publishing, The Macabre Ladies, Sirens Call Publications and have published my collection, Murmur: Collected Horror. And I have a few pieces of work pinned — don’t we always?! Writing aside, I’ve been studying, proofread several titles, completed developmental editing work, created promotional materials including written copy and graphics, written forewords, completed interviews, edited KJK Publishing’s 2021 releases (The Horror Collection: Extreme Edition, The Horror Collection: Ruby Edition, The Horror Collection: Yellow Edition and Halloween Land) — with another two scheduled for release by the end of the year, and it’s not over yet! So, I’m back to trying to pull focus into what I MUST tie up, on top of editing before 2022, which includes finishing up a couple of writing projects. With less than three months left it’ll be over before we know it. I am going in firmer in 2022 with what I take on. My novel (that I had hoped to finish this year) didn’t get much attention due to other projects swaying my eye and life doing its curveball of mayhem routine, so that will be at the forefront of my list. I am starting a degree course in January, which will require much attention. I will be collaborating on two projects, one with another (damn talented) woman in horror, Ruthann Jagge (who, if you haven’t, you MUST check out) — I cannot wait to see what we create together. And another exciting collaboration with the one and only Kevin J. Kennedy, another indie story weaver who should be on your reading list. There’s more pencilled in, but the priorities are in bloody ink!
When propositioned to create a story based around an urban legend, I was keen to offer a Scottish framed piece for consideration to this popular anthology theme. With an abundance of folk tales around Scotland and its many isles to inspire, I decided to dip into what I’m more intimately aquatinted — Glasgow. The central belt is brimming with inspiration. Three urban legends immediately sprung to mind. However, when I began drafting a story, I hopped, unfocused between tales and my first attempt got pinned as I had a stronger pull towards another.
Much can spiral from classroom whispers and the imagination and zest of children. The inspiring legend of The Gorbals Vampire (or Ir’n Jenni), which spawned hysteria, climaxing in September 1954, and Alexander Anderson’s poem, Jenny wi’ the Airn Teeth, led the way for my creation. The Gorbals Vampire incident brought much debate about censorship of literary material (from poetry in the classroom to imported American comics) to impressionable children, and the Children and Young Persons (Harmful Publications) Act 1955 was passed through the House of Commons. Censorship is an area that is still very much debated today through the arts, worldwide — and not just with children in mind — this deepened my draw to this particular event.
My story, City of the Dead, was created as a nod to the notorious child vampire hunt of 1954 in Glasgow’s Southern Necropolis and Alexander Anderson’s poem from 1870. I love a good cemetery setting (typical goth, I know), so taking on The Southern Necropolis — which is home to over 250,000 buried souls was a lot of fun. I enjoyed writing this one. It’s always satisfying to weave regional dialect through a piece — bringing authenticity to the characters and reverence to the urban legend’s roots.
I won’t share spoilers beyond the base inspiration for my own story, as City of the Dead was submitted and subsequently accepted by Crimson Pinnacle Press for their Twisted Legends anthology!
Having been published in Crimson Pinnacle Press’ (invite only) inaugural anthology, Fairy Tale Horrorshow, I am ecstatic to be accepted into their pages once again! The duo who run the press, RJ Roles and Jason Myers, certainly have the eye for unique, quality indie horror, I promise you that! You’ll have to pick that up to read my take on this urban legend from Scotland and the 12 other twisted legends, launching October 25th. The eBook pre-order is live.
Thanks for reading!
In addition, if you’d like to listen to me reading Anderson’s poem the video is below.
This is a unique anthology of short stories, to say the least. Each invited author was tasked to contribute their twist on a beloved fairy tale.
The Table of Contents includes;
Piper — M Ennenbach Midnight at the Glass Slipper — Ruthann Jagge Always Time for Tea — Natasha Sinclair She Saw Red: Once Upon a Crime part 1 — Jason Myers Swine of Another Kind: Once Upon a Crime part 2 — RJ Roles Pinnochio the Wooden Hoe — Matthew A. Clarke The Vengeful Little Mermaid — Tara Losacano What Goes into the Forest, Never Comes Out — Lance Dale Tonight, Tonight — Denise Hargrove It’s No Fairy Tale Out There — Kevin J. Kennedy
In celebration of the book launch, Crimson Pinnacle Press’ duo, along with a few of the contributing authors, are gathering for a blether live on Horror Talk Radio. It could be chaos — check it out on YouTube.
If you pick up the book, please leave an honest review!
A little bit about my contribution:
Always Time for Tea was inspired by Alice’s Adventures in wonderland. While the inspiring story, by Lewis Carroll, is about the ‘normal’ turbulent journey of a young girl from childhood to adolescence, in whimsical, masterful, metaphorical prose. Always Time for Tea only touches on that theme, along with some intolerance. Though at an older stage, as my MC’s story begins as a teenager and meanders through a journey of change — through a radically more alternative setting and situation. Led by the protagonist, Alicia Liddell’s adventure in a polyamorous, BDSM relationship and her subsequent initiation into the head table (the elite tea party) at a local fetish club. To which she was introduced to by one of her lovers (Red) and met the other (Chess). This piece, as would be expected, does get rather trippy, thanks (in part) to the cornucopia of mushrooms served at the tea party and the eccentric host, Myrick Hatch — if readers get a mild Red Cap nod from him, you would not be wrong. He was a fusion character of lyrical eccentricity for sure, designed to create a little intense discomfort. This story began with an idea I had pinned from a while back about tight-lacing. But almost reverting backwards from the modern use of steel boning to whalebone – though as opposed to whalebone, I considered how this could be fetishised and even cannibalistic in sourcing human ribs to restrain ribs. That was the original idea, but it became something else entirely when I returned to it for Fairy Tale Horrorshow. Nonetheless, it was loads of fun to write, and I felt freedom in writing this piece, thanks to the inspiring story and the awesome publishers who didn’t impose any boundaries on the submission invitation.
Earlier this year (and again this month), I shared that I aimed to release a short story collection this summer. Well, I’ve got major jitters — as always with publishing anything! Since I last posted about it, it’s progressed significantly — printed proofs have landed, and I’ve set up the eBook pre-order to force myself to suck it up and let it go!
The live date for Murmur is Summer Solstice – 21st June. The collection will be available in eBook, paperback and hardback. It consists of 8 short stories; 5 have appeared in print elsewhere, 1 has been published in an eZine, and 2 have never been published before. There is a Summer Solstice story in there to compliment the release date.
It’s been just over a year since I’ve published independently — Jumping back on that again has only heightened my gratitude to those who have accepted and published my work. Book building and formatting is a crazy business!
Just dropping by with a quick 2020 writing (or more subbing) wrap up since it seems to be the thing to do!
On my first year actively subbing and writing for specific calls, this has resulted in 58 pieces accepted for publication. 42 of these have been published this year – 8 Short Stories, 13 Flash Fiction, 20 Drabbles and 1 Poem. The remaining 16 accepts will be out in 2021.
I have been lucky to have my work appear alongside some cool folk from around this wee planet. Thankful and grateful for the opportunities and encouragement from my friends, family and writing community. Writing wise it’s been a pretty fun year — I’ve learned so much and developed some new skills along the way.