What Kind of Editing do I Need?

Word Refinery

When considering editing services, it’s easy to feel overwhelmed when varying terms, price points, and marketing techniques are at play.

Fiction editing can be funnelled down to two distinct types and the pre-publication quality check of proofreading.

Developmental Editing (Structural Editing or Substantive Editing).

This level of editing historically took place before the writing of the manuscript. Now, it is often the first stage of professional editing once the manuscript is complete. Here your editor will deep dive into the story details and consider various aspects, including structure, pacing, information checking, analysing plot details and execution, the relevance of sub-plots to the entire story, characterisation, setting and delivery.

In most cases, this involves some back and forth between the writer and editor. The editor will offer ‘suggestions’ for the writer to consider to improve the execution — some rewriting may be involved here. Depending on the agreement and relationship, the editor may complete this or support the writer in these changes.

This type of editing requires trust and clear communication between the parties. It is much more involved, therefore denotes more hours of detailed work and a higher fee.

Copy Editing (Line Editing).

This aspect of editing is essential and consists of two key stages. The first is the baseline edit. This aspect focuses on correcting grammar, punctuation usage, spelling corrections, etc. The second stage is the line edit. As the title suggests, this requires the editor to comb and refine the piece line by line, examining specific word choices, sentence structure, clarity, and style. Editors will perform multiple passes on a piece before delivering it back to their client.

Proofreading (Proofing).

Following these two types of editing is the pre-publication quality check. Proofreading is often misinterpreted as editing. It is not. The role involves marking corrections that have slipped through the editing process. Proofreading focuses on spelling, punctuation, spacing, consistency of page style, page numeration, etc. Proofreading is not a substitute for editing.

When hiring an editor, it is essential to understand the differences to make an informed decision and expectations are managed. The process of editing a manuscript is highly involved, time-consuming and vital in supporting writers present a piece that appeals to their target audience. The result should be a fully realised story that connects and engages with its target readers. A product that the writer can be proud of having under their name.

KJK Publishing

Editorial News

KJK Publishing is the company behind Amazon best-selling horror anthology collections such as ‘100 Word Horrors’ and ‘The Horror Collection’.

Owner and Author, Kevin J. Kennedy, recently invited me on-board as Editor of KJK’s successful ‘The Horror Collection’ series! As a fan of these collections, I couldn’t say no — delighted to be part of Kennedy’s team.

These books are a great pick up for fans of the genre, or as an introduction to the many flavours of global indie horror. Hosting a hugely diverse selection of horror voices across the spectrum of the genre, these books are a great way to find a new author or stir your appetite for a sub-genre you maybe wouldn’t have picked up otherwise. Connecting readers to emerging and seasoned voices in indie horror, THC books should be on your books to read — if you haven’t already that is. With eight books in the series so far, book nine is due for release this month, and the next two are in progress — including a special ‘Extreme Edition’, it’s fair to say KJK Publishing has started 2021 sprinting with all manner of sharp objects straight at your eyeballs!

The newest book in the series — ‘The Horror Collection: Yellow Edition’ features stories from; JC Michael, Kyle M. Scott, Lex H. Jones, Mike Duke, Sarah Tantlinger and Zoltan Komor. This lot promise spine-tingling, haunting chills, and a good heap of ‘What the fuck did I just read?’ bizarro. Love it! All wrapped in the signature THC cover created by Michael Bray.

*Update 18/02/2021 — Book nine is out now!

Check out the first published review of the collection on Erica Robyn Reads; [Book Review] The Horror Collection: Yellow Edition | Erica Robyn Reads

Its predecessors can be purchased individually or as a set. All of these books are also available to read free to Amazon Kindle Unlimited subscribers.

Next in the series will be ‘The Horror Collection: Ruby Edition’ and ‘The Horror Collection: Extreme Edition’. Invited Authors have been propositioned, and submissions are rolling in! This is going to be lots of bloody fun!

As ever, shares and reviews are massively important in this crazy game, especially to indie writers and publishers. Please, if you take the time to read — leaving an honest review on your preferred platform is appreciated by ourselves and other readers. We love to hear what readers think — Thank you! Happy reading!

What’s Happening

It’s only heading towards the end of January, and I’ve too many ideas for this year! That being said, channelling one at a time and arranging my notes into some semblance of order is the (lifelong) personal challenge. Unless it’s for someone else my sense of organisation, with my own creative projects, can be chaotic.

On the well-organised side (the joy of the Gemini), I have opened the doors and made Word Refinery public! If you haven’t already, feel free to check out Word Refinery pages. I am opening up my editorial and proofreading diary to new clients. More info here:

Word Refinery: Editorial & Creative Support

Word Refinery: Terms & Conditions 

About 

Writing has been slow burn this month, with the exception of one completed short story – which, hands up, I love. It’s wicked — I can’t wait for folk to read it. It’s parked for an upcoming submission, but if it doesn’t make the cut (I really hope it does!), it will be published this year, I may even squirrel it away for my solo collection.

On that front, it’s been a year since I’ve personally published. In remedy of this I am collating some short stories with a couple of unpublished pieces to put out a collection this year – potentially in the summer, depending on editorial commitments, which take priority.