Print Price Changes

I do not speak for all independent publishers.

This is my base rationale for why I’ve chosen to utilise POD (Print On Demand) services.

I make no secret that when I began publishing, I never considered the traditional route. Honestly, I like the control and freedom of running a project end-to-end on my timeframe. And I need to understand processes end-to-end as much as possible and practical to do so.

Why print on demand?

Environmental: I don’t have to print more books (and other products) than I need to meet the demand of readers (and merchandise customers).

No stock goes to waste.

Books are shipped direct from printer to customer without the middle person (me) and extra costs.

Practical: As an independent, I don’t have the means to store bulk stock quantities.

Financial: To bulk print is a significant financial outlay avoided with POD.

Surface deductibles from the list price are the print cost plus royalty share shaved off from the distributor. Much more goes into the production of a book than those, of course.

KDP (Kindle Direct Publishing / Amazon) has informed publishers utilising their POD platform for book printing and distribution that print costs are rising from June 2023.

This will directly affect all softcover and hardcover books for publishers and our readers.

Publishers working with the KDP POD service are encouraged to review and amend list prices immediately.

I won’t be increasing list prices until June 7th.

Sorry, it’s outwith the control of us indies.

Thank you all for your continued support, and please continue to support #indepedant writers, artists, editors and businesses.

Natasha )O(

#BeBrazen Saturday

Last week we shared some insight into one of our most loved characters, The Threnody. The character who haunted Ruthann’s dreams, demanding to be …

#BeBrazen Saturday

Jenna McCray’s Taste of Scotland

Jenna McCray’s first drink in Scotland. When the New Yorker find herself in the coastal village of Anand is a pint of Scottish-brewed heather ale, …

Jenna McCray’s Taste of Scotland

The Making of Delevan House #21

Access the playlist Ruthann and Natasha created the first Brazen Folk Horror novel to on Amazon Music or Spotify. Just click! Order Delevan House …

The Making of Delevan House #21

Possessed and Obsessed

I have been immersed in creativity while juggling the craziness of everyday life and spanners. Over on Brazen Folk Horror, Ruthann Jagge and I have been actively sharing updates with readers weekly for five months now. With only three pre-release updates left to go, our novel launch is imminent!

My adrenaline is at full whack. We have joked about being possessed by our characters, but it’s most definitely an obsession at play too.

For readers who may not yet have picked up a title from either of us and you’d like a sample, then a great place to start before our collaborative novel lands is our debut novellas released just last year.

The New Girls’ Patient, Ruthann Jagge

Jamie Carver is an inexperienced young woman eager to change her life.
Recently certified in nursing, she’s the new girl working at a facility for the elderly.
When her favorite patient dies, the frail woman leaves her a handwritten recipe book as a final thank you.
Dark secrets of Elizabeth’s life hide between the pages.
One evening, a pair of dangerous men intent on learning Elizabeth’s secrets to steal her fortune brutally abduct Jamie and two of her girlfriends.
They trap the women deep in the cellar of a crumbling mansion, where their survival depends on each other. They must unravel a shocking family history before sunrise or die.
Can Jamie rely on her friends, or will she resort to calling on unnatural forces to help overcome her captors and stay alive?

Asylum Daughter, Natasha Sinclair

Bella Mills survived the brutal slaughter of her family by a madman.
Only 11-years-old, she was assaulted and left for dead.
Twenty-three years later, the past returns in the form of her devil, free of his chains.
A disturbing family history full of dark secrets and seduction unfolds as Bella seeks answers.
When she discovers the truth about her mother, locked away without mercy in the notorious Lochwood Asylum, Bella realizes that terrible ghosts of the past hold the key to her future.
Can she escape their power over her?
A novel of psychological horror, and poetic intrigue, sprinkled with the supernatural.
Bella Mills is “The Asylum Daughter.”

From those and those who are already familiar with us as individual writers, you will see that we are wildly different in style. You’ll be amazed how we’ve come together to create our co-written Brazen Folk Horror debut novel with Delevan House. We each brought something new out in the other, creating a collective voice we hope our readers will enjoy. It’s all for you!

The work has been constant, and neither of us has been able to ‘switch gears’ for long from our feisty cast. The anticipated release of Delevan House is only just the beginning.

Now, I really should study! Badb village has unleashed a storm in my head. It needs tae haud its wheelset! Just for a wee while.

In the meantime! Read! Follow! And if you are inclined, please share your thoughts in a review.

Much love and a bit of mayhem!

Natasha )O(

2022: The Year of Birds

Hogmanay nears, as does what can barely be avoided — the annual consolidation, the ‘review’ as we step over the next threshold.

It’s been another year of tumultuous news and events stabbing the air in-house and in close proximity. Health issues have arisen in many, some near and dear, some farther but no less dear to me—several with fatal implications, where time somehow runs faster on the clock. My heart has shattered a few times. Such is the way it goes.

Covid hit my house with a bang. I was pregnant, and the baby, Averey, died inside my womb when I had the worst symptoms. Since our second bout in July, long Covid symptoms have persisted, including with my young children. The year that we hoped to grab some social normality has demanded much push.

One of the many benefits of home educating (not home-schooling) is that the pressure and stress on children not to ‘fall behind’ on a prescribed curriculum and being ‘marked’ by ‘poor attendance’ due to health issues beyond control is absent, avoiding undue pressure on my kids’ mental health, to which almost anyone who has been schooled and has health issues can relate. All public services in the U.K., including schools, seem to be on a steep downward slope, faster than ever before. The unrest is palpable. That being said, home educating isn’t all skipping through the daisies! Many days have their challenges, and being the literal full-time parent and educator is tiring — and that was before the long-covid fatigue. Still, we get each other through, and the alternative isn’t an option.

As always, writing has been a constant. Separate from my creative writing, it’s been my introvert-central-management system since childhood. Sketching is too.

Professionally, I have had the pleasure of editing works by some fantastic writers this year — some serious jaw-dropping, inspiring talent. One of the last short stories I edited had me reaching for my inhaler! That author painted a vivid anxiety, paranoia-ridden piece in their protagonist — I felt it all! The subversive angle of the work while playing off the backdrop was skilfully moving. I was in awe. In the massive catalogue of literary genres, the immense skill some horror writers portray is hugely underrated, all due to that simple label ‘horror’. You’ll find the asthma attack-inducing story in KJK Publishing’s The Horror Collection: Sapphire Edition.

This year Ruthann Jagge and I joined forces and created Brazen Folk Horror to share our collaborative works. We have been sharing weekly updates there and have many more ideas for the future. As with this site, readers can subscribe to receive those updates directly in their mailbox. The debut collaborative novel under our exclusive in-house imprint, Delevan House, releases on the 1st of February 2023, and the second book in that series is underway. I’ve shared before about how I adore working with her. We’ve each had much to contend with this year. At times, we’ve both been swimming against a ferocious tide, but we have prevailed and have created something unique from Scottish and Celtic folk inspiration. You better believe my girl and I are indeed Brazen as fuck.

Getting back into academic study has been challenging to make space for, but somehow It’s been working out, in sacrifice of sleep! I passed my first module and started my second towards my English Language and Literature degree. The second part has been immensely inspiring. I am enjoying it far more than I anticipated. It’s ignited old and new passions for my own language, those that I’ve been surrounded with and the broader scope of the world. I’ve been evaluating how this entwines cultural and individual identity. This leg of the course has lit a few fires.

Onto the books published under Clan Witch this year:

Asylum Daughter — my psychological horror novella set in Glasgow, Scotland. I’m proud of how this piece turned out. I loved writing it and got to exorcise the asylum.

The Crash of Verses by Rafik Romdhani — this is Romdhani’s second published collection. His poetry is among my favourites of recent years. If you have not read him, pick up this book. He is an exceptionally skilled modern poet.

Incesticide: Collected Horror — my second collection of short horror fiction. It includes nine stories featuring urban folk horror, a touch of splatterpunk and fairytale horror twisted with BDSM, among other assorted flavours for those who enjoy a taste of different things.

Clan Witch: Found Shadows, my collection of free verse poetry and drabbles. This brings together small pieces scattered with other publishers and some never before published poems. Not all truth and not all fiction.

There have been other written pieces published throughout 2022 in the form of short stories, poetry, articles, forewords and copy for other titles.

What about the birds? Birds have been a significant and symbolic component in my year. Before the baby was born, magpies started frequenting my garden. They never had before. In truth, I was never a fan of the species. (Largely due to a childhood memory or a magpie killing sparrow chicks in a neighbour’s garden. It was such a brutal attack, not for a meal or anything. It seemed to enjoy causing the suffering and instigating horror in the flock of sparrows screaming at the beautiful beastly creature.) Other corvids, such as their cousin, jackdaws, yes. But never the magpie. Of course, going through pregnancy and loss again, this felt strikingly symbolic. For the longest time, there would be one—a dark omen. One for sorrow… as the months have passed, groups of them now frequent the garden along with the smaller birds, which have their daily routines flying in for a feed and natter. Adopting ex-commercial laying hens scheduled to be slaughtered has been tremendously healing. We brought them home less than two weeks after our loss. Building for them and supporting their transition to domestic retirement felt like a productive and helpful use of grief energy. Then the hens have taken in robins. The birds have been inescapable and have become a significant feature of Delevan House too.

Life and creativity can be inseparable, at least elements of each. Twisting tendrils that reach out to be touched and woven into new patterns.

I am wrapping up, as I didn’t intend on doing this kind of update this year! There you have it, a wee mixed-bag summary of 2022. I best be off again, I’m currently hauled up with an unwell small. Her feverish chattering dreams spill out into the dark in a torrent, and I wish, as many parents do — I wish I could soak up the fever and take all the pains away, for always. But life has so much more of that in store. I will have to be content with holding her for as long as I can and as long as she needs.

The darkness is drawing in, approaching the longest of nights, and I wish for what I always do here and the world over, peace.

Natasha )O(

Incesticide: Collected Horror

NEW RELEASE

Incesticide: Collected Horror has almost emerged! Due to some interruptions within the industry and the panic rumour mills spinning, I decided to get things placed early to ensure the print edition launched in time with the digital. Well, this strike was swift, and the print editions are now (quietly) available ahead of the official release of December 14th.

The collection features nine unique short stories, each followed by a few words on how they came to be.

I painted the artwork for the book. Taking loose inspiration from the book’s namesake – Nirvana’s Incesticide cover art by Kurdt Cobain. I was delighted with how the painting turned out, and have created some exclusive products featuring the print available on my Etsy store.
Thank you to everyone who had preordered. I hope you enjoy my little morsels of horror.

If you fancy a listening to me reading a story from the book, Fuckin’ Maggots is featured on my Youtube.

Co-conspirators

The thing about finding a partner to share the intricate and often messy process of life and or creation with is that there has to be a level of mutuality that bends and blends with something that could be conflicting but ultimately becomes complimentary to the other’s process. We come together to share and intertwine ideas to make new colours in life and in art. Colours that would never be without the other. The coalition becomes a new entity separate from the singular. And it thrums to its own drum, which exists inside each of us. Sending electrical impulses of ideas that invade our dreams as we (attempt to) rest and seize our minds at the most unexpected moments. We have much work to do, and the muse grows each day.

I’ve always been fiercely private when I’m ‘creating’. Yes, I was that child in nursery who would hunch quietly behind the easel with one arm hiding my recycled, crunchy foolscap paper. I didn’t want or be copied, ridiculed or questioned. What if they saw something through paint strokes that I don’t want to share? What if someone took a piece I wasn’t ready or willing to give up?

I’m not original. We’re all just unconscious copies, in a way. I know many of us have that feeling I had back then and carry it somewhat into adulthood, especially if we continue on or rediscover a creative path—a fear of being unpicked and someone else discovering something or disappointment of there being nothing. Exposure or emptiness?

With my BFH sister, Ruthann Jagge, I have found that I’m no longer anxious and scared of either of these things. I share my creative process with her as if we cohabit the same space. (I’m not embarrassed by the mess I make as we build.) Because of this, we are creatively bound for as long as that mutual muse whispers and screams—and oh, the muse certainly does that! Sometimes I can’t get the words down fast enough. Honestly, I never thought I could do that with anyone. It’s an intimacy that supersedes the distance—the sharing of minds, passions, drives, triggers, ideas, and art!

It’s still new, and it’s all so exciting! For updates on our first release and those that follow, tune in to Brazen Folk Horror.

Peace & Love—Natasha )O(

Delevan House, Ruthann Jagge & Natasha Sinclair

The Making of Delevan House #6

How does a writer living in Texas, USA and another living in North Lanarkshire, Scotland, write books together? We’re not on brooms; we’re on zoom! …

The Making of Delevan House #6

Mid Year Update

Talk about curveball 2022! Another year of madness! There were plans. Big beautiful plans! And while those plans still exist, there has been movement because of those unexpected transitions life has her way of throwing. Personally, I’ve had some family upsets which I predominantly have to deal with and process alone (my partner, of course, has supported as much as one can). I’ve angered, been frustrated, hurt, grieved, run myself in circles, hurt some more, and accepted. Because sometimes that’s all we can do. Accept to find crumbs of peace and carry on. It just takes a little time. It’s a process many are familiar with. It’s been heavy.

Following the acceptances of a triple-pronged hit, I’ve another unexpected ‘bump’, who made himself known in a dream. My kids are excited about another sibling to teach and get up to extra mischief with. Since I have complicated pregnancies, and this one has already given us some wobbles, I’m (again) doing everything within my control to keep this little one inside until late 2022, ideally early 2023. My cervix needs a mantra, and this is the last! The instant physical hit means I’ve been heavily fatigued, and as of that wasn’t enough, I’ve been hammered with mine and the kids’ second bout of Covid of 2022. Because I wasn’t wiped enough by the heavy graft underway in my uterus, I am zapped because my lungs are in battle, and my body feels like it’s been used as a punchbag.

Moving in from all of that, onto the writing front update:

My novella, Asylum Daughter, released on 8th May 2022.

Redesigned the cover art for Murmur: Collected Horror.

Launched Clan Witch Etsy store for book related merchandise and signed copies.

My short story collection Incesticide: Collected Horror is available for preorder, releasing on 14th December 2022.

My sassy, immensely talented, and inspiring co-author, Ruthann Jagge and I launched our website, BrazenFolkHorror.com, for our upcoming 2022 release, Delevan House and future projects. Ruthann also released her fantastic solo debut novella in January 2022, The New Girls’ Patient; if you haven’t read her, this is an excellent example of her extraordinary work that should be on any horror fan’s reading list.

I’ve still been editing work for other writers and publishers via Word Refinery and also published poet Rafik Romdhani’s collection, The Crash of Verses.

I am working on my degree course too.

The latest developments has zapped my study schedule. I hope to recover enough to make up for that soon. Deadlines are looming! Anthology wise, unlike in the previous two years, I have not responded to any open calls. My dance card has been packed. I have gratefully received several invite opportunities but unfortunately had to decline several. One that I was able to submit a piece to was with KJK Publishing’s The Horror Collection: Nightmare Edition, which has just been released. It’s the biggest collection of the twelve-book series and worth picking up for a good flavour of many popular independent horror authors currently putting our new materiel.

More still to come for 2022, and 2023 is also beginning to fill up with a couple of accepted invites, continued work with my brazen co-author in crime and at least one (hopefully two) solo release(s). One of which will be a collection of poetry and drabbles, Clan Witch: Found Shadows.