Co-conspirators

The thing about finding a partner to share the intricate and often messy process of life and or creation with is that there has to be a level of mutuality that bends and blends with something that could be conflicting but ultimately becomes complimentary to the other’s process. We come together to share and intertwine ideas to make new colours in life and in art. Colours that would never be without the other. The coalition becomes a new entity separate from the singular. And it thrums to its own drum, which exists inside each of us. Sending electrical impulses of ideas that invade our dreams as we (attempt to) rest and seize our minds at the most unexpected moments. We have much work to do, and the muse grows each day.

I’ve always been fiercely private when I’m ‘creating’. Yes, I was that child in nursery who would hunch quietly behind the easel with one arm hiding my recycled, crunchy foolscap paper. I didn’t want or be copied, ridiculed or questioned. What if they saw something through paint strokes that I don’t want to share? What if someone took a piece I wasn’t ready or willing to give up?

I’m not original. We’re all just unconscious copies, in a way. I know many of us have that feeling I had back then and carry it somewhat into adulthood, especially if we continue on or rediscover a creative path—a fear of being unpicked and someone else discovering something or disappointment of there being nothing. Exposure or emptiness?

With my BFH sister, Ruthann Jagge, I have found that I’m no longer anxious and scared of either of these things. I share my creative process with her as if we cohabit the same space. (I’m not embarrassed by the mess I make as we build.) Because of this, we are creatively bound for as long as that mutual muse whispers and screams—and oh, the muse certainly does that! Sometimes I can’t get the words down fast enough. Honestly, I never thought I could do that with anyone. It’s an intimacy that supersedes the distance—the sharing of minds, passions, drives, triggers, ideas, and art!

It’s still new, and it’s all so exciting! For updates on our first release and those that follow, tune in to Brazen Folk Horror.

Peace & Love—Natasha )O(

Delevan House, Ruthann Jagge & Natasha Sinclair

The Making of Delevan House #6

How does a writer living in Texas, USA and another living in North Lanarkshire, Scotland, write books together? We’re not on brooms; we’re on zoom! …

The Making of Delevan House #6

Mid Year Update

Talk about curveball 2022! Another year of madness! There were plans. Big beautiful plans! And while those plans still exist, there has been movement because of those unexpected transitions life has her way of throwing. Personally, I’ve had some family upsets which I predominantly have to deal with and process alone (my partner, of course, has supported as much as one can). I’ve angered, been frustrated, hurt, grieved, run myself in circles, hurt some more, and accepted. Because sometimes that’s all we can do. Accept to find crumbs of peace and carry on. It just takes a little time. It’s a process many are familiar with. It’s been heavy.

Following the acceptances of a triple-pronged hit, I’ve another unexpected ‘bump’, who made himself known in a dream. My kids are excited about another sibling to teach and get up to extra mischief with. Since I have complicated pregnancies, and this one has already given us some wobbles, I’m (again) doing everything within my control to keep this little one inside until late 2022, ideally early 2023. My cervix needs a mantra, and this is the last! The instant physical hit means I’ve been heavily fatigued, and as of that wasn’t enough, I’ve been hammered with mine and the kids’ second bout of Covid of 2022. Because I wasn’t wiped enough by the heavy graft underway in my uterus, I am zapped because my lungs are in battle, and my body feels like it’s been used as a punchbag.

Moving in from all of that, onto the writing front update:

My novella, Asylum Daughter, released on 8th May 2022.

Redesigned the cover art for Murmur: Collected Horror.

Launched Clan Witch Etsy store for book related merchandise and signed copies.

My short story collection Incesticide: Collected Horror is available for preorder, releasing on 14th December 2022.

My sassy, immensely talented, and inspiring co-author, Ruthann Jagge and I launched our website, BrazenFolkHorror.com, for our upcoming 2022 release, Delevan House and future projects. Ruthann also released her fantastic solo debut novella in January 2022, The New Girls’ Patient; if you haven’t read her, this is an excellent example of her extraordinary work that should be on any horror fan’s reading list.

I’ve still been editing work for other writers and publishers via Word Refinery and also published poet Rafik Romdhani’s collection, The Crash of Verses.

I am working on my degree course too.

The latest developments has zapped my study schedule. I hope to recover enough to make up for that soon. Deadlines are looming! Anthology wise, unlike in the previous two years, I have not responded to any open calls. My dance card has been packed. I have gratefully received several invite opportunities but unfortunately had to decline several. One that I was able to submit a piece to was with KJK Publishing’s The Horror Collection: Nightmare Edition, which has just been released. It’s the biggest collection of the twelve-book series and worth picking up for a good flavour of many popular independent horror authors currently putting our new materiel.

More still to come for 2022, and 2023 is also beginning to fill up with a couple of accepted invites, continued work with my brazen co-author in crime and at least one (hopefully two) solo release(s). One of which will be a collection of poetry and drabbles, Clan Witch: Found Shadows.

TBM Horror

Interview: Horror and upcoming release chat

Have you visited TBM Horror lately? Well, it’s a phenomenal platform created and hosted by a dynamic and passionate creative force, lover of all things horror 💀 and metal 🤘, owner of Disturbing Drawings (you MUST check out her artwork), Mar Garcia!

Mar kindly had me over in her space for a blether, shared on TBM’s YouTube channel.

Scoot over to TBM Horror to check out great (regularly updated) content on Horror in creative industries, from articles, books, movies, bands, video games and art!

If you fancy checking out my natter with Mar, the YouTube links are here:

Part 1 / 3
Part 2 / 3
Part 3 / 3

Summer 2022 Release

Asylum Daughter, my novella is bouncing off the padded walls to escape!

I present the cover wrap! The blurb was written by the utterly enchanting Author of The New Girls’ Patient, Ruthann Jagge, and the cover image is from the wonderful Rooster Republic Press. What do you think?

Print Cover

Thanks to everyone who has supported the project so far and those who have preordered — I love you, big time!

The eBook can be preordered. Paperback and Hardback editions will go live upon release.

Digital Cover

Fancy a little peek inside?

I recorded reading the preface of Asylum Daughter. You can tune in on YouTube. I promise the book is more polished than my awkward speaking!

I was invited to interview with the ever-inspiring D&T Publishing for their Women in Horror Month feature in other writing news. You can check out the interview here.

What If I Can’t Decide If I Need An Editor?

Or what type of editing service would benefit my manuscript?

As a writer, I empathise with this. With so many variances to choose from and the difference in pricing, it can be tricky to decipher if an editor would benefit your project and for what type of editing service you should fork out hard-earned pennies.

To support this decision-making process, at Word Refinery, I offer clients the option of an Editorial Evaluation.

What should a client expect from an Editorial Evaluation?

For £0.01 per word, clients can submit their complete manuscript or a sample for Editorial Evaluation. The prose will be thoroughly analysed, considering: plot, setting, characterisation, voice/style, dialogue, and marketability

The Editorial Evaluation provides a writer (or publisher) with a solid understanding of what work a manuscript requires before publication through a detailed report. The client can utilise this advice and develop the manuscript independently or appoint a dedicated editor to support this work. This exercise helps clients present the best piece possible to the market confidently. Sometimes we need fresh eyes to iron out the kinks, refine the author’s voice and deepen the story.

Flash Sale

My collection Murmur: Collected Horror is price dropped to just 0.99! 

It can be picked up from Smashwords at that price between now and December 10th!

I enjoyed writing each of the stories in this book. Each piece is followed by a few words about how it came to be. If you pick it up, I hope it brings you some entertainment!

Thank! )o(

The Best of Indie Horror: Christmas Edition

With a fantastic tracklist of authors, we are gunning for Christmas #1 with KJK Publishing’s The Best of Indie Horror: Christmas Edition.

The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.

The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!

From the back of the book;

There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!

This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.

In this invite-only anthology, KJK Publishing presents 11 new tales of frightful festive horror shenanigans from: Matthew V. Brockmeyer, Eric Butler, Matthew A. Clarke, David Owain Hughes, Lex H Jones, Kevin J. Kennedy, Zoltán Komor, Patrick Reuman, RJ Roles, Veronica Smith and Steve Stred.

Don’t forget the milk and cookies, and be good kids — someone is always watching. Those damn elves are not to be trusted!

Things I ‘Should’ Be Doing

The End of 2021 is Beckoning

Instead of ploughing into the to-do list, which has a terrible habit of expanding, I am writing this. It helps to organise the brain, maybe. I opened up my submission spreadsheet and there’s hardly any writing submissions outstanding! It’s almost dry! This gave me a bit of a ‘must write, must submit’ moment. No, I shouldn’t. I’ve enough to keep going and hope to tie it all up to start 2022 with key priorities from which I will resist deviation. I will resist. I must resist! My wandering eye needs reigned in!
Wrapping up 2021, so far, I’ve had stories published with Black Ink Fiction, Books of Horror, Crimson Pinnacle Press, Horror Sleaze Trash, Insignia Stories, Iron Faerie Publishing, KJK Publishing, The Evil Cookie Publishing, The Macabre Ladies, Sirens Call Publications and have published my collection, Murmur: Collected Horror. And I have a few pieces of work pinned — don’t we always?!
Writing aside, I’ve been studying, proofread several titles, completed developmental editing work, created promotional materials including written copy and graphics, written forewords, completed interviews, edited KJK Publishing’s 2021 releases (The Horror Collection: Extreme Edition, The Horror Collection: Ruby Edition, The Horror Collection: Yellow Edition and Halloween Land) — with another two scheduled for release by the end of the year, and it’s not over yet!
So, I’m back to trying to pull focus into what I MUST tie up, on top of editing before 2022, which includes finishing up a couple of writing projects. With less than three months left it’ll be over before we know it.
I am going in firmer in 2022 with what I take on. My novel (that I had hoped to finish this year) didn’t get much attention due to other projects swaying my eye and life doing its curveball of mayhem routine, so that will be at the forefront of my list. I am starting a degree course in January, which will require much attention. I will be collaborating on two projects, one with another (damn talented) woman in horror, Ruthann Jagge (who, if you haven’t, you MUST check out) — I cannot wait to see what we create together. And another exciting collaboration with the one and only Kevin J. Kennedy, another indie story weaver who should be on your reading list. There’s more pencilled in, but the priorities are in bloody ink!

2022 Collaboration Tease.
2022 Collaboration Tease.
Landing in 2021.

City of the Dead

Twisted Legends: Crimson Pinnacle Press

When propositioned to create a story based around an urban legend, I was keen to offer a Scottish framed piece for consideration to this popular anthology theme. With an abundance of folk tales around Scotland and its many isles to inspire, I decided to dip into what I’m more intimately aquatinted — Glasgow. The central belt is brimming with inspiration. Three urban legends immediately sprung to mind. However, when I began drafting a story, I hopped, unfocused between tales and my first attempt got pinned as I had a stronger pull towards another.

Children playing in Glasgow’s Southern Necropolis. Circa early 1950’s

Much can spiral from classroom whispers and the imagination and zest of children. The inspiring legend of The Gorbals Vampire (or Ir’n Jenni), which spawned hysteria, climaxing in September 1954, and Alexander Anderson’s poem, Jenny wi’ the Airn Teeth, led the way for my creation. The Gorbals Vampire incident brought much debate about censorship of literary material (from poetry in the classroom to imported American comics) to impressionable children, and the Children and Young Persons (Harmful Publications) Act 1955 was passed through the House of Commons. Censorship is an area that is still very much debated today through the arts, worldwide — and not just with children in mind — this deepened my draw to this particular event.

Sunday Mail article 26th September 1954

My story, City of the Dead, was created as a nod to the notorious child vampire hunt of 1954 in Glasgow’s Southern Necropolis and Alexander Anderson’s poem from 1870. I love a good cemetery setting (typical goth, I know), so taking on The Southern Necropolis — which is home to over 250,000 buried souls was a lot of fun. I enjoyed writing this one. It’s always satisfying to weave regional dialect through a piece — bringing authenticity to the characters and reverence to the urban legend’s roots.

I won’t share spoilers beyond the base inspiration for my own story, as City of the Dead was submitted and subsequently accepted by Crimson Pinnacle Press for their Twisted Legends anthology!

The book received a high volume of submissions of twisted takes on urban legends from around the globe. The editors chose the top 13 offerings, and I am thrilled to have made the cut, alongside; Thomas R Clark, Lance Dale, Lance Harkers, Stephen Johnson, Ruthann Jagge, Jae Mazer, Jason Myers, Pamela A. Parish, Chris Puzak, RJ Roles, Vic Kerry, and Robb T. White.

Graphic created by Lance Dale.

Having been published in Crimson Pinnacle Press’ (invite only) inaugural anthology, Fairy Tale Horrorshow, I am ecstatic to be accepted into their pages once again! The duo who run the press, RJ Roles and Jason Myers, certainly have the eye for unique, quality indie horror, I promise you that! You’ll have to pick that up to read my take on this urban legend from Scotland and the 12 other twisted legends, launching October 25th. The eBook pre-order is live.

Thanks for reading!

In addition, if you’d like to listen to me reading Anderson’s poem the video is below.