Have you visited TBM Horror lately? Well, it’s a phenomenal platform created and hosted by a dynamic and passionate creative force, lover of all things horror 💀 and metal 🤘, owner of Disturbing Drawings (you MUST check out her artwork), Mar Garcia!
Mar kindly had me over in her space for a blether, shared on TBM’s YouTube channel.
Scoot over to TBM Horror to check out great (regularly updated) content on Horror in creative industries, from articles, books, movies, bands, video games and art!
If you fancy checking out my natter with Mar, the YouTube links are here:
Asylum Daughter, my novella is bouncing off the padded walls to escape!
I present the cover wrap! The blurb was written by the utterly enchanting Author of The New Girls’ Patient, Ruthann Jagge, and the cover image is from the wonderful Rooster Republic Press. What do you think?
Thanks to everyone who has supported the project so far and those who have preordered — I love you, big time!
The eBook can be preordered. Paperback and Hardback editions will go live upon release.
Fancy a little peek inside?
I recorded reading the preface of Asylum Daughter. You can tune in on YouTube. I promise the book is more polished than my awkward speaking!
I was invited to interview with the ever-inspiring D&T Publishing for their Women in Horror Month feature in other writing news. You can check out the interview here.
Or what type of editing service would benefit my manuscript?
As a writer, I empathise with this. With so many variances to choose from and the difference in pricing, it can be tricky to decipher if an editor would benefit your project and for what type of editing service you should fork out hard-earned pennies.
To support this decision-making process, at Word Refinery, I offer clients the option of an Editorial Evaluation.
What should a client expect from an Editorial Evaluation?
For £0.01 per word, clients can submit their complete manuscript or a sample for Editorial Evaluation. The prose will be thoroughly analysed, considering: plot, setting, characterisation, voice/style, dialogue, and marketability
The Editorial Evaluation provides a writer (or publisher) with a solid understanding of what work a manuscript requires before publication through a detailed report. The client can utilise this advice and develop the manuscript independently or appoint a dedicated editor to support this work. This exercise helps clients present the best piece possible to the market confidently. Sometimes we need fresh eyes to iron out the kinks, refine the author’s voice and deepen the story.
The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.
The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!
From the back of the book;
There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!
This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.
Instead of ploughing into the to-do list, which has a terrible habit of expanding, I am writing this. It helps to organise the brain, maybe. I opened up my submission spreadsheet and there’s hardly any writing submissions outstanding! It’s almost dry! This gave me a bit of a ‘must write, must submit’ moment. No, I shouldn’t. I’ve enough to keep going and hope to tie it all up to start 2022 with key priorities from which I will resist deviation. I will resist. I must resist! My wandering eye needs reigned in! Wrapping up 2021, so far, I’ve had stories published with Black Ink Fiction, Books of Horror, Crimson Pinnacle Press, Horror Sleaze Trash, Insignia Stories, Iron Faerie Publishing, KJK Publishing, The Evil Cookie Publishing, The Macabre Ladies, Sirens Call Publications and have published my collection, Murmur: Collected Horror. And I have a few pieces of work pinned — don’t we always?! Writing aside, I’ve been studying, proofread several titles, completed developmental editing work, created promotional materials including written copy and graphics, written forewords, completed interviews, edited KJK Publishing’s 2021 releases (The Horror Collection: Extreme Edition, The Horror Collection: Ruby Edition, The Horror Collection: Yellow Edition and Halloween Land) — with another two scheduled for release by the end of the year, and it’s not over yet! So, I’m back to trying to pull focus into what I MUST tie up, on top of editing before 2022, which includes finishing up a couple of writing projects. With less than three months left it’ll be over before we know it. I am going in firmer in 2022 with what I take on. My novel (that I had hoped to finish this year) didn’t get much attention due to other projects swaying my eye and life doing its curveball of mayhem routine, so that will be at the forefront of my list. I am starting a degree course in January, which will require much attention. I will be collaborating on two projects, one with another (damn talented) woman in horror, Ruthann Jagge (who, if you haven’t, you MUST check out) — I cannot wait to see what we create together. And another exciting collaboration with the one and only Kevin J. Kennedy, another indie story weaver who should be on your reading list. There’s more pencilled in, but the priorities are in bloody ink!
When propositioned to create a story based around an urban legend, I was keen to offer a Scottish framed piece for consideration to this popular anthology theme. With an abundance of folk tales around Scotland and its many isles to inspire, I decided to dip into what I’m more intimately aquatinted — Glasgow. The central belt is brimming with inspiration. Three urban legends immediately sprung to mind. However, when I began drafting a story, I hopped, unfocused between tales and my first attempt got pinned as I had a stronger pull towards another.
Much can spiral from classroom whispers and the imagination and zest of children. The inspiring legend of The Gorbals Vampire (or Ir’n Jenni), which spawned hysteria, climaxing in September 1954, and Alexander Anderson’s poem, Jenny wi’ the Airn Teeth, led the way for my creation. The Gorbals Vampire incident brought much debate about censorship of literary material (from poetry in the classroom to imported American comics) to impressionable children, and the Children and Young Persons (Harmful Publications) Act 1955 was passed through the House of Commons. Censorship is an area that is still very much debated today through the arts, worldwide — and not just with children in mind — this deepened my draw to this particular event.
My story, City of the Dead, was created as a nod to the notorious child vampire hunt of 1954 in Glasgow’s Southern Necropolis and Alexander Anderson’s poem from 1870. I love a good cemetery setting (typical goth, I know), so taking on The Southern Necropolis — which is home to over 250,000 buried souls was a lot of fun. I enjoyed writing this one. It’s always satisfying to weave regional dialect through a piece — bringing authenticity to the characters and reverence to the urban legend’s roots.
I won’t share spoilers beyond the base inspiration for my own story, as City of the Dead was submitted and subsequently accepted by Crimson Pinnacle Press for their Twisted Legends anthology!
Having been published in Crimson Pinnacle Press’ (invite only) inaugural anthology, Fairy Tale Horrorshow, I am ecstatic to be accepted into their pages once again! The duo who run the press, RJ Roles and Jason Myers, certainly have the eye for unique, quality indie horror, I promise you that! You’ll have to pick that up to read my take on this urban legend from Scotland and the 12 other twisted legends, launching October 25th. The eBook pre-order is live.
Thanks for reading!
In addition, if you’d like to listen to me reading Anderson’s poem the video is below.
Gorefest is one of the most anticipated projects I’ve been part of this year. From The Evil Cookie Publishing, 14 authors carve their path through the muck and grime to celebrate the art of gore!
The book is still with the editor, but I cannot wait to get stuck into reading this extreme anthology soon! My contribution was written specifically for the Gorefest call. To say that I was keen to be considered would be an understatement. I called upon one of the most beloved music venues in my hometown of Glasgow to set the scene and ambience for a literal gorefest in my story, Fuckin’ Maggots. I was listening to a lot of Slipknot when I wrote this. The line, ‘and the rain will kill us all,’ from their track, Psychosocial was looping in my head, driving me nuts, my brain can get a touch obsessive — Fuckin’ Maggots helped purge the loop! I am sure other metal fans will note various nods to the scene within the piece. One of those — if you know, you know! I had a blast writing this, I hope readers enjoy it as much as I did.
Gorefest can be pre-ordered now via Amazon at a lower pre-release price. Given the talent in this line-up, I am confident this will be one book that fans of extreme horror will be buzzing about this year. Get it now! \m/
It’s out and to further add to the excitement of this release, an EXCLUSIVE — GOREFEST GODLESS EDITOR’S CHOICE EDITION is also available ONLY at GODLESS! This edition features handwritten commentary and doodles throughout the book from the editor, K. Trap Jones! It’s an absolute must buy!
Collector’s Edition is a short story written specifically for The Horror Collection: Extreme Edition, featuring a character who appears in another piece of mine releasing later this year. This one introduces Lexie in the setting of the parent story, which readers can delve into in October. Being Extreme, readers can expect graphic sex and a fair amount of bloodshed. The inspiration for Collector’s Edition was ignited by a documentary I had seen about a porn actor suspected of (knowingly) transmitting an STD to a string of professional and personal sexual partners. With that spark, I went down a more alternative path with what was being transmitted and the motivations. Horror buff collectors can be somewhat out of the box in how they cumulate their pieces, and Dave has his kink to feed. I had fun with this one. I tend to stick to the U.K. as far as locations. This is the first published story that’s taken place largely overseas (I think)! Though my reoccurring character, Lexie, is from Glasgow, which is where this one opens. If you’re a gig-goer in Scotland, maybe you’ll recognise the venue? I don’t want to give much away, so I’ll leave it there – check out my story along with extreme horror helpings from my fellow TOC buddies in The Horror Collection: Extreme Edition. Featuring all-new original works from; Nic Brady, Matthew A. Clarke, David Owain Hughes, Kevin J. Kennedy, Kyle M. Scott, and Matt Shaw.