Balanced Discrimination?

In this world of hyped-up political correctness, labelling and the push for artists to emotionally support, woo, and pamper the egos of a (potential) audience even before they have set foot in an exhibition, opened a book or hit play on that movie. Direct Discrimination thrives loud and proud with every cry for mythical balance through forced diversity.

Charades masquerading as ‘discussions’ that only bend one way do nothing but deepen discrimination such cryers profess to want to correct.

I wonder, once the arbitrary scale tips, what would they go for next?

Honestly, in the real world, there are far more significant problems to be concerned with. Still, my little blether to the void here will focus on the area that prompted my little rant- horror literature – eventually.

Before that, though, be warned, according to an online stranger who was ignorantly assumptive, judgmental, sexist and racist towards me, I was also thrown the mighty slur of the day with regard to my input in a ‘discussion’ (see point above. I know better, but we all fuck up sometimes) about female horror authors. The insult that screams (of the thrower) a lack of discussion skills and intellect… a ‘Karen’.

Yes. Because I disagreed, I’m a Karen….

First time I’ve had that one. Which made me ponder, was this nameless individual compounding the sexism they had already expressed? A Karen? Is it like calling someone a Cunt as a slur, specifically for a female? And female to female, that reeks of anti-feminism. Somewhat backwards for folk screaming for ‘progress’.

Anyway, I decided to ‘look it up’. Since it’s slang, I had a wee look on Wikipedia. Given the context, I really had no desire to do any real academic research with this, even as a student of linguistics. Wikipedia describes ‘Karen is a pejorative term for a white woman perceived as entitled or demanding.… The term is often portrayed…depicting white women who use their white privilege to demand their own way.’ It goes on, ‘the term increasingly appeared in media and social media as a general criticism of middle class white women,’ – so racist, sexist and classist! A bit much, eh?

If my name was Karen, I might be extra peeved at this derogatory and discriminatory slang. Since this person made assumptions about my race, class and gender that had the nameless sharpen their pitchfork and wield the mighty ‘Karen’, it says far more about them than it does me.

The insult also reeks of that well-documented American arrogance and ignorance — one that seems indiscriminate of gender, race, socioeconomic status, political and religious affiliation. Breaking news to those that fall into that bracket: your country is not the centre of the universe, the world is bigger than your echo-chamber. Funny, apparently those that disagree must “do better”. Being from one of the most deprived areas of Scotland, where poverty, crime, gang and drug problems flourish and the lifespan of the female is lower than anywhere else in the U.K. Having fought and lived through prejudice and discrimination from both ‘my own’ and beyond, and that’s only a tiny peek of the tip of the iceberg. Well, to say I scoffed would be an understatement. And I’m not going to go into the rest concerning the cultural and sexual trials. Because none of the personal anecdotes should matter in this context, none of it makes one person’s viewpoint more or less valid than another’s when it comes to how we choose art. Such blatant judgment and ignorance certainly detracts credibility; the nameless ‘wordsmith’ made a right fool of themselves. But hey, that’s the majority of social media, right. Hmmm, a scale that needs correcting?

Don’t make the mistake of thinking I’m overly sensitive to name-calling. My history has ensured my thick-skin. I am just a bit of a wormhole thinker. As I mentioned, another term often used in the U.K. is – Cunt, another pejorative. As a slang word for vulva, it naturally wields strong female connotations that are intended to be derogatory. I used to cringe if I read or heard the word ‘cunt’. But that was a long time ago. My consideration and view has changed; being a woman, a feminist and sexual, I can’t see anything derogatory about the female anatomy. It’s a marvel. The cunt is a damn mighty and beautiful piece of our biology. The cunt is to be respected. She is a place of many wonderful things — life’s most intense pleasures and, indeed, a gateway to life itself. In other words, All hail the cunt!

I can’t deny that my turn on the word was also influenced by seeing the Vagina Monologues in Edinburgh many years ago.

The following is a post I shared on social media that echoes the points fuelling the anti-feminist, racist, classist and sexist ‘insult’:

More often than not, when I view a painting — I see the painting BEFORE the artist who created it. This applies to photography, sculpture, literature, music etc.

I want to see what someone is portraying with their art first. Then I may be intrigued to want to know more about the creator behind the art – information that they choose to make available. As a consumer of art, I’m not entitled. None of us are.

I don’t look for the personal details of the creator before deciding if they are worthy for me to look at their art. Most folks don’t. Hell, imagine if we all ‘researched’ every creative involved in a movie before hitting play…

I am not going to seek out an artist based on what they look like, their gender, sex, cultural background, beliefs, heritage, politics, religion, who they fuck…

Now, I’m not saying that these things don’t filter into what is created, but none of those details makes a person’s art ‘good’! Nor does knowing them make you a ‘better’ consumer or person, even if it feeds your ego to think that it does.

Oh, and I am ‘part’ of several ‘marginalised’ groups; I will never use any of that to get eyes on anything I create because not everything is public property.

Now it’s an opinion, a fact of how I consume art. Life is extremely short. When reaching into something such as horror fiction for fun, leisure, enjoyment, and escapism, why is there this sudden expectation to ‘balance my reading list’ for personal attributes of author ‘diversity’ sake? I want to be entertained. Perhaps if I wanted to fuck them, I’d be more concerned with their sex, gender and orientation. Then it would hold relevance.

Perhaps art and artists need anonymity to thrive in a world that feels increasingly entitled to more personal details to feed this absurd mythical ethical balancing act for little egos.

The Making of Delevan House #12

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The Making of Delevan House #11

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Writing and other such Beasts

A revisit to what’s on the cards for release and writing this year. First up, is the imminent release of my debut horror novella, Asylum Daughter; this psychological horror hits the shelves on May 8th! The date is significant to the story — I wonder if any of my readers will spot it!

See what one early reviewer had to say about the book over on Erica Robyn Reads.

I was also invited to interview with Candace Nola, mother of Uncomfortably Dark for her 2022 Women in Horror feature. We chat about writing, the horror industry, and I share a little insight about influences of the upcoming release. For those who want to have a gander at the chat, head over to Uncomfortably Dark.

Cover for Natasha Sinclair’s ‘Asylum Daughter’. Cover art by Don Noble, Rooster Republic Press.

Next up, I’m working on a collaboration with another fierce horror author, my sister from across the pond, the formidable Ruthann Jagge! This is special to me as we have shared many pages within the indie horror scene, and we seem to have similar draws to particular elements! When I read her debut novella, The New Girls’ Patient, I could’ve been blown over by a feather with the striking similarities in some of her delightful, diabolical plotting! Have you read it yet?

Ruthann Jagge, author of ‘The New Girls’ Patient’. Photo from author’s Instagram @ruthannjaggeauthor

Our blend of horror will be a magical one for readers! I would love to share a teaser, but my lips are sealed for the time being — maybe come Summer, I’ll spray some of that sweet, irresistible elixir your way. I’ve got the feeling that when our novel is done, we’ll be cooking up something else!

Another compilation of horror shorts will launch later this year. Some stories have been published, and some will be brand new to print! Given my chosen title, Incesticide (yes, the title is a homage to a particular grunge band), I’m aiming for the 14th December release! And, Yes, like the title and cover, the date continues the ‘nod’ — 30 years since that album of B-sides. I will include at least one short inspired by one of the album tracks — which one would you like to see? Feel free to drop me a message with your vote!

Cover for Natasha Sinclair’s ‘Incesticide’. Cover art by Natasha Sinclair, ‘Clan Witch’.

I am publishing an exquisite poetry collection, written by Rafik Romdhani, The Crash of Verses. The collection is up for preorder now and releases July 22nd! It’s no secret that I was reluctant to have this much responsibility for another writer’s work, but Rafik is a persuasive wordsmith! And I’m honoured to support another writer in sharing his talent with the world! I’ve read a couple of his pieces over on my YouTube channel. If you fancy getting a feel for his work (which I encourage you to do!), please hop on over to check those out. And, of course, preorder his book!

Cover wrap for Rafik Romdhani’s ‘A Crash of Verses’. Designed by Natasha Sinclair, ‘Clan Witch’.

I have another collaboration scheduled later in the year, with another force of indie horror energy, this one much closer to home, with KJK Publishing’s gaffer, author of Halloween Land (another novella you horror delinquents should read!), Kevin J. Kennedy — more on that when work is underway!

Kevin J. Kennedy, owner of KJK Publishing. Photo from author’s Instagram @kevinjkennedyauthor

Masters of Horror UK

Just a quick share. I was invited to interview over on Masters of Horror U.K. by David Kempf. We chat about writing inspiration, the popularity of horror, publishing and current projects. You can check that out by clicking the link.
Apparently, I can be a bit of a blether! Much thanks to David Kempf, and those who take the time to check it out!

Things I ‘Should’ Be Doing

The End of 2021 is Beckoning

Instead of ploughing into the to-do list, which has a terrible habit of expanding, I am writing this. It helps to organise the brain, maybe. I opened up my submission spreadsheet and there’s hardly any writing submissions outstanding! It’s almost dry! This gave me a bit of a ‘must write, must submit’ moment. No, I shouldn’t. I’ve enough to keep going and hope to tie it all up to start 2022 with key priorities from which I will resist deviation. I will resist. I must resist! My wandering eye needs reigned in!
Wrapping up 2021, so far, I’ve had stories published with Black Ink Fiction, Books of Horror, Crimson Pinnacle Press, Horror Sleaze Trash, Insignia Stories, Iron Faerie Publishing, KJK Publishing, The Evil Cookie Publishing, The Macabre Ladies, Sirens Call Publications and have published my collection, Murmur: Collected Horror. And I have a few pieces of work pinned — don’t we always?!
Writing aside, I’ve been studying, proofread several titles, completed developmental editing work, created promotional materials including written copy and graphics, written forewords, completed interviews, edited KJK Publishing’s 2021 releases (The Horror Collection: Extreme Edition, The Horror Collection: Ruby Edition, The Horror Collection: Yellow Edition and Halloween Land) — with another two scheduled for release by the end of the year, and it’s not over yet!
So, I’m back to trying to pull focus into what I MUST tie up, on top of editing before 2022, which includes finishing up a couple of writing projects. With less than three months left it’ll be over before we know it.
I am going in firmer in 2022 with what I take on. My novel (that I had hoped to finish this year) didn’t get much attention due to other projects swaying my eye and life doing its curveball of mayhem routine, so that will be at the forefront of my list. I am starting a degree course in January, which will require much attention. I will be collaborating on two projects, one with another (damn talented) woman in horror, Ruthann Jagge (who, if you haven’t, you MUST check out) — I cannot wait to see what we create together. And another exciting collaboration with the one and only Kevin J. Kennedy, another indie story weaver who should be on your reading list. There’s more pencilled in, but the priorities are in bloody ink!

2022 Collaboration Tease.
2022 Collaboration Tease.
Landing in 2021.

Murmur: Collected Horror

And the next release

Summer Solstice Book launch!
My solo collection of 9 short stories, Murmur: Collected Horror — the paperback and hardback are available now, the eBook lands tomorrow, 21st June!
For an indie, I am generally pretty reserved about sharing and shouting about my work. It is a form of absolute introvert torture but I’m trying to work through that — it’s a slow process!
Some of the contents have been published previously, these are spliced with a few never been printed pieces.
Writers are often asked where ideas come from or what prompted a story, so each piece in the collection is followed by a few brief words about that. This little personal touch has been received positively by my pre-readers — I hope you enjoy that little insight too.
I would love to share a read from the collection in the coming weeks. So, if you read it and have a favourite story — let me know in a review and/or by dropping me a message here, on Facebook or Instagram and I’ll pick the reader’s favourite to share!
In time I would love to build on my ARC (Advanced Reader Copy) team for future releases, who would receive a free ARC of my books to read and review before public release. If you read and enjoy my work and this is of interest to you — please drop me a message. I want to hear from you!


My next (tentatively planned) solo release will be that of my debut novel, working title, Backyard Asylum, this may very well change. I’ve been swamped with other projects this year, so it hasn’t had as much attention as I’d hoped by this point. Projects with deadlines have taken president over the novel, but I hope to delve back into this come Autumn and at least have a completed first draft by the end of the year. Genre wise, it’s working out to be a blend of horror sub-genres, with definite elements of psychological and extreme. The working title may suggest the Asylum being a main (trope) feature but it is merely a backdrop at certain points within the story.

That’s a wrap for just now, if you pick up Murmur, I truly hope you are entertained! Thank you for reading and supporting this wee Scottish indie writer!

Natasha )O(

Update 23rd June 2021

As well as being available via Amazon, linked above, my new release can also be found on Smashwords, Apple, Barnes & Noble, Kobo and Scribd!

Beltane Creeps

Write, edit, send, wait…

This year, I vowed to drabble less and invest more time in short story writing and my two novels (in slow progress). In all honesty, with health and life’s curveballs I’ve struggled to find time, space and concentration. Running on empty as far as creativity is concerned, my general focus is pretty fragile and easily shattered — drowning in a sea of noise and clutter…
At least that’s how it’s felt, and I’ve beaten myself up about that. I didn’t want to respond to any drabble calls, but found myself veering over to that corner a fair bit since the start of 2021, with around 30 accepted drabbles in 2021 and a few blogged pieces. I’ve not yet decided if these are a comfortable micro distraction or kryptonite towards my brain’s ability to focus on bigger pieces. Regardless — if you enjoy micro-fiction, my little horrors will feature in upcoming publications from INSIGNIA STORIES, Black Ink Fiction and Raven & Drake, all to be released this year.

I currently have several short story submissions sitting in the hands of publishers, including two invite-only opportunities. Though that send button has been hit, I’m never nervous about rejections. If truth be told, I anticipate those more than acceptance — it’s the waiting that drives me slightly loopy! I hope to share more about these stories once responses are in, as the creation of each one was rather fun! For now, just a few of the titles in wait! 😉

D&T Publishing – Interview

Interview for ‘Women in Horror’ month

Recently I was asked to interview with the wonderful D&T Publishing for Women in Horror (WIH) month – February 2021.
At first, I was, admittedly, taken aback because I live with a serious case of imposter syndrome — I mean ‘Women in Horror’, why would I be asked?! Why would anyone be interested in what I have to say? Then it dawned on me, Hey, yeah, I am one of those – a woman who writes horror!
Needless to say, I agreed happily, in support of a wonderful publishing house run by wife and husband duo, Dawn and Timothy, who do so very much for the indie horror community. They even warmly accepted one of my little dark tales, ‘Neighbours’, into their dark fiction anthology ‘After the Kool-Aid is Gone’ last year.

With a massive line-up of planned publications this coming year, they are a publisher to put on your ‘to watch’ list for sure!
Check them out by visiting their website and socials:

Home | D&T Publishing


You can catch my little interview, along with other WIH chat featured on D&T’s Facebook:

https://www.facebook.com/DT-Publishing-105199147804217/