AI & Digital Art – Opinion Post

It all kicked off on social media for a 24-hour period, which turned into outright bullying. It was a witch hunt, and the bandwagon was a disgusting display of how quickly negativity spirals in the digital age. There’s been a lot of it lately. Being new to the Twitter platform, it seems like a source for much of that ‘hate’ energy. Perhaps I’ve just not been exposed to that much (thankfully)! Anyway, I posted my tuppence worth on Facebook and thought I’d share here since it’s topical within book publishing and is unlikely to disappear any time soon.

The advancements in technology are astounding; we can all agree. The changes in my lifetime that have opened doors for global collaborations and distribution of art, music and literature are beyond what we could have imagined only a few decades ago. Technological advances have indeed made as many as it has broken.

From handwriting to typewriters to computers and printers. Pigeons, boats, airmail, fax, email and instant electronic delivery of words and art. And as difficult an adjustment as some changes may be at first, many ultimately embrace them.

We’ve been carving art from rock with stones since man stood upright. How much art and expression have changed is magnificent, and none of the changes takes away from how inspiring those first scratchings of creativity and communication embedded into our history, into the rocks, the bones are and always will be.

I remember turning my nose up at ‘digital cameras’ and ‘digital art’ when they were developed. I admit my attitude then lacked maturity, and there was perhaps a bit of snobbery. Now, I have a digital camera permanently attached to my hand! There’s magic in a dark room and effects that cannot be achieved any other way. You know what, it doesn’t have to be one or the other — I appreciate both art forms. And I like that people can capture crisper ‘memories’ in photos without professional skill. It’s (arguably) more accessible.

Going after AI is like going after anything else that was once ‘new’ before it. No, it’s not the same as paint on canvas or a human digital artist layering and developing elements to create a unique piece. It isn’t supposed to be either!

I don’t think any creative should be threatened by AI technology (at this point).

It seems that folk are so quick (on social media) to jump on the attack. Pitchforks out, ready for the witch hunt, taking it out on someone entirely undeserving. Whatever happened to the old sentiment ‘if you’ve not got anything nice to say, don’t say anything at all’?

And for all of us working in independent/small press publishing, in whatever role, I wonder what we would be doing without technological advancements. Digital artists would not exist. Self/Independent Publishing would not exist as it does now. Haven’t we each experienced archaic attitudes looking down their noses at our work at one point or another? It seems a somewhat hypocritical thing to go on the attack for.

Image generated using text prompted AI

Marching

There’s been some writing and lots of editing on the go this month — one in which my home life has also hiked up the demands. Though that could be the cumulative effect of this year of, well, you know, it’s been mental for many of us! To say a balance has been tricky would be playing down how much of a riot things feel. The execution, thankfully not so much, but certainly my panster and parent brain are on the juggle, with at least one child jumping on top of it incessantly ringing the jester bells on the cap feels out of whack. Who am I kidding — it’s a shambles in there!

Moving on from that shambles ramble…

I was delighted to be enlisted by Kevin J Kennedy to edit his debut solo novella, Halloween Land. For which I also created some supporting promotional graphics and synopsis for the release.

Kennedy’s solo project has been a long time coming! Given how hard he works as an anthologist, engaging and gathering horror voices to present to eager horror fans – this solo piece is eagerly anticipated by fans of his writing.
The super cool cover art was created by François Vaillancourt, internal artwork by Mar Garcia and a closing poem written by James Matthew Byers.

He kindly asked me to write the foreword introducing the book, which I was taken aback by. To introduce such an important work in a writer’s career is a tremendous honour, I was delighted to oblige.

Halloween Land is out now and is available to download worldwide from Amazon, and the paperback will be available in the coming days. If you pick up a copy, please do leave a review! Kennedy loves engaging with readers and fans of the genre — you can reach out to him directly via Facebook, Goodreads or Instagram.

Writing — I have two short stories I’m working on with deadlines looming, which I can’t share much about yet. Both horror, one is extreme, which I am at the idea outline stage — this one will be sleazy and gore-filled. The other is further underway and is an adult-horror spin on a children’s classic. Though the inspiring story, I would debate whether it’s ‘children’s’ at all. Certainly, lots of coming of age issues addressed, particularly the challenges of girlhood and adolescence. The original story is heavy in bizarro / fantasy. If anything, there’s too much inspiration to play with for creating a new short piece. So I am keeping my distance and tipping my mad hat to this beloved literary classic only.

Being invite only opportunities, it’s imperative that they each fit their retrospective bills, which adds a little bit more pressure to the creative process. That time has been more of a challenge than I anticipated this month. It’s getting into the flow with it when batting different characters and plots around. All that being said, I shall get there with them; the engine is revving, I just need a clear stretch to slam down on.

Time being so restricted for longer pieces, I have ended up playing with another writer, David Owain Hughes, this month and co-writing some drabbles, as well as throwing a few solos down. March procrastinating at its finest! Productive down another road, at least. So there’s a bunch of these little bad boys being published with Black Ink Fiction this summer.

I’ve also shared a few free quick-fic pieces right here for those who fancy a gander! That’s it for now. The sirens are wailing, I better skedaddle!

Tease

She’s a tease.

The femme fatale disease.

Gaming with sultry eyes surprise.

Rose lips of fast lies.

Moaning ecstasy in sweet cries.

Throbbing sex lullabies.

She’s a tease to best please.

No sad begging of cheap release.

Call her out, she’ll flagrantly deny.

No longer look you in the eye.

© Natasha Sinclair

Concoction: A mini anthology of shorts

Extract from ‘Bloody Kisses’ by Natasha Sinclair as featured in ‘Concoction’

Available now from Amazon worldwide in eBook and Paperback.

Concoction – Haunted

Exciting Summer Anthology of shorts release!

Concoction – White Sugar

‘White Sugar’ will be featured in ‘Concoction,’ this summer.

This short was first published in ‘The Whisky Stories…A few years on it and still going, a drunk love story’ by Andrew Taylor.