May Day

May has, so far, been a fairly empty month as far as writing is concerned. Consciously so, but I still feel like I should be, even with the lack of time — notes and scattered lines to come back to only.

Cover Consideration for ‘Murmur’ ©


I have been dipping into a collection that I was (semi) planning to release this summer and designing some cover-art options to help inspire the project and move it along. The collection (if I release it) will consist of previously published short stories, whose rights have reverted back to me, and a few pieces that haven’t been printed before. I’m still undecided on whether to release it or not when it’s complete. That project is still in the compiling stage.


Since my last post, two of my submissions have sold! Very pleased with those. My short stories, Collector’s Edition and Always Time for Tea, will be published this summer. These were both invite-only opportunities. Even with that faith from the publisher(s), the submission nerves are probably a little more pressurised than those from an open-call — so, yes! I am delighted the stories were each received well!
One is a horror fairytale twist inspired by Alice’s Adventures in Wonderland, and the other was (mildly) inspired by a documentary I watched a while back blended with the habits of a horror-fan collector. I’ll share more about those when the publishers have made their announcements and we have a release date.


Editing work has had my primary focus in May. This has been a good break from writing projects. Editing flexes a different creative muscle and is no less fun — especially when it’s not my own work! It’s nice to have a canoodle inside other creatives’ brains (words) and is an immense privilege, which I am always grateful to be entrusted with — especially developmental work.


Releasing this month is Mythical Creatures of Asia from INSIGNIA STORIES, in which I have three drabbles featured; To Be Unborn, Beneath the Mangoes and Seasoning Earth. I loved writing these little morsels. This eBook is available to pre-order now, dropping live on 10th May.

Mythical Drabbles: ‘Beneath the Mangoes’ by Natasha Sinclair

My drabble, Beneath the Mangoes, written for Insignia Stories upcoming Mythical Creatures of Asia anthology is featured on Insignia Stories site today! Original Post linked below.

Today’s Mythical Creatures of Asia drabble features the kapre, from Filipino mythology. Natasha Sinclair has three drabbles in this anthology, and is…

Mythical Drabbles: ‘Beneath the Mangoes’ by Natasha Sinclair

Marching

There’s been some writing and lots of editing on the go this month — one in which my home life has also hiked up the demands. Though that could be the cumulative effect of this year of, well, you know, it’s been mental for many of us! To say a balance has been tricky would be playing down how much of a riot things feel. The execution, thankfully not so much, but certainly my panster and parent brain are on the juggle, with at least one child jumping on top of it incessantly ringing the jester bells on the cap feels out of whack. Who am I kidding — it’s a shambles in there!

Moving on from that shambles ramble…

I was delighted to be enlisted by Kevin J Kennedy to edit his debut solo novella, Halloween Land. For which I also created some supporting promotional graphics and synopsis for the release.

Kennedy’s solo project has been a long time coming! Given how hard he works as an anthologist, engaging and gathering horror voices to present to eager horror fans – this solo piece is eagerly anticipated by fans of his writing.
The super cool cover art was created by François Vaillancourt, internal artwork by Mar Garcia and a closing poem written by James Matthew Byers.

He kindly asked me to write the foreword introducing the book, which I was taken aback by. To introduce such an important work in a writer’s career is a tremendous honour, I was delighted to oblige.

Halloween Land is out now and is available to download worldwide from Amazon, and the paperback will be available in the coming days. If you pick up a copy, please do leave a review! Kennedy loves engaging with readers and fans of the genre — you can reach out to him directly via Facebook, Goodreads or Instagram.

Writing — I have two short stories I’m working on with deadlines looming, which I can’t share much about yet. Both horror, one is extreme, which I am at the idea outline stage — this one will be sleazy and gore-filled. The other is further underway and is an adult-horror spin on a children’s classic. Though the inspiring story, I would debate whether it’s ‘children’s’ at all. Certainly, lots of coming of age issues addressed, particularly the challenges of girlhood and adolescence. The original story is heavy in bizarro / fantasy. If anything, there’s too much inspiration to play with for creating a new short piece. So I am keeping my distance and tipping my mad hat to this beloved literary classic only.

Being invite only opportunities, it’s imperative that they each fit their retrospective bills, which adds a little bit more pressure to the creative process. That time has been more of a challenge than I anticipated this month. It’s getting into the flow with it when batting different characters and plots around. All that being said, I shall get there with them; the engine is revving, I just need a clear stretch to slam down on.

Time being so restricted for longer pieces, I have ended up playing with another writer, David Owain Hughes, this month and co-writing some drabbles, as well as throwing a few solos down. March procrastinating at its finest! Productive down another road, at least. So there’s a bunch of these little bad boys being published with Black Ink Fiction this summer.

I’ve also shared a few free quick-fic pieces right here for those who fancy a gander! That’s it for now. The sirens are wailing, I better skedaddle!

The Flow

A Drabble

We fell in love; free-falling into some unknown abyss. Her eyes were like staring into the universe; secrets intrigued, inspired, ghosts whispered. I was entirely enthralled, spinning through the dazzling, cataclysmic void of her soullessness.

Shelley said she was different from the others. When she eventually came out of the metaphorical coffin, I was hardly surprised. She feasted on me for hours when I bled. Thinking it just a kink at first, I went along with the proverbial flow. There are worse things than being with a vegetarian vampire; Shelley loves eating out, I can only oblige, she needs me.

One Shake Too Many

A Drabble

Mothers of sons are queer — boundaryless.

I should’ve known when she barged in, unapologetically, when we were screwing. Kidding myself — it was just another funny little accident? She couldn’t have heard me moan…

It was never going to work while she was still ramming the teat into his wide, open mouth. 

The final straw came at Christmas. I walked into the bathroom to see her shaking it off — too pissed to piss on his own. Marking her territory with pride of her homemade produce; one shake too many.

She’ll do anything for her boy. Quite frankly, she can have him.

A drabble written a while ago. Reading it again made me want to revisit the cast of ‘Psychoville’ . If you know the characters, you know.

Reading, Writing and Subbing 2020

A little update since the sands are sure as hell quickening, if not entirely running away.

Reading this year has been pretty diverse, with an unintentional heavy focus on horror — of all flavours. I’ve also developed a taste for bizzaro horror, I’ve come across a few authors who have tickled me – a new (non) guilty pleasure for sure. If it’s gonna simultaneously grose me out and make me laugh my ass off, it’s a thumbs up!
Outwith proofreading, editing support and competition reading my ‘just for fun’ list, in no particular order, have included:


Richard Laymon – The Beast House Chronicles
Edward Lee – City Infernal (Series)
Kevin J. Kennedy – The Horror Collection (Anthology Series)
Jethro Punter – The Daydreamer Chronicles
Eleanor Merry – Dead Aware (Series)
RJ Roles – Girl’s Best Friend (Tangled Web Series)
Steve Stred – Ritual (Father of Lies Trilogy)
Matt Shaw – Deep Rooted Fetish (Short)
Duncan Ralston – In Every Dark Corner (Shorts Collection)
Darren Tarditi – Neigfrid (Novella)
Natasha Mostert – The Midnight Side (Novel)
Laurel K Hamilton – Anita Blake (Series)
K Trap Jones – Welcome to the Splatter Club (Anthology)
Ernest Cline – Ready Player One
Ernest Cline – Armada
Christine Morgan – Lakehouse Infernal
Insignia Stories – Japanese Fantasy Drabbles
Liian Varus – Is Stranged
John Black – Growlers
Iron Faerie Publishing – Hawthorn & Ash (Anthology Series)
Iron Faerie Publishing – The Best of Iron Faerie Publishing 2019
Andrew Lennon – Life to Waste
Tim Lebbon – Eden
Saemund Sigfussion, Snorri Sturluson – The Poetic Edda & The Prose Edda

Writing wise, as per my previous posts, I’ve been subbing work out this year. When it comes to responding to open-calls and invites it can be a bit like having free time (which I never do) and swanning into a well stocked library – it’s easy to get lost and devoured by the stacks! Or, maybe a more precise analogy is the old ‘kid in a sweet shop!’

The submission opportunities out there are plentiful and you can’t write or, indeed, get accepted into them all.

I’ve naturally had a preference for small press/indie publishers. Responding to these opportunities is rather nice as it takes the work out of the book building/formatting side – which is an immense amount of work on the publishing side. I massively appreciate the work that goes on behind the scenes of a quality publication and am truly grateful to a part of each one who’ve warmly accepted my (often) warped little terrors into their fold.

Designing stories with specific open calls as a target has helped reign in the ideas by having a set genre or word count to meet. It’s been beneficial as I oftentimes overwhelm myself with too many ideas that get scattered around as notes and poetry that may evolve, or not. Needless to say, responding to some of the opportunities has put my other WIPs on pause, that’s not necessarily a bad thing, it gives those stories and characters more time to prove and maybe keeps the demon, Writers’ Block, at bay.

Some of my published (and to be published work) can be found within the catalogue of the below Publishers:

KJK Publishing: http://www.kevinjkennedy.co.uk/
The Macabre Ladies: https://macabreladies.wixsite.com/website
Books of Horror: https://www.facebook.com/groups/526308964218819
Insignia Stories: https://insigniastories.com/
Iron Faerie Publishing: https://ironfaeriepublishing.com/
Sirens Call Publications: http://www.sirenscallpublications.com/
The Reanimated Writers: https://www.reanimatedwriters.com/

Those currently available are updated on my ‘Books’ page and links for those to come will make an appearance in due course. The below two titles are releasing in September 15th (Dark Celebration) and September 28th (Southeast Asian Fantasy Drabbles.) I am grateful to have two pieces in each alongside a TOC of talented international writers. Both anthologies are available to preorder now from Amazon, worldwide.

Southeast Asian Fantasy

I came across this open call, quite near the end of closing, and I couldn’t pass it up. After a busy day with the family, that night, I could not sleep, which is fairly typical once an idea slithers through my head; the worm in my ear. Giving in to the noise, I fired up the laptop and tried my hand at writing Southeast Asian Fantasy Drabbles.

I wrote and submitted two; ‘Unity’ and ‘Dragon of Krakatau’ to Insignia Stories enticing call and both were accepted. I’m pleased to be included in this line-up of multinational Drabblers, including and compiled by Kelly Matsuura!

Release date to be announced very soon.

More details of Insignia Stories work, open calls and future releases can be found on their site; https://insigniastories.com/

Writing – 2020 so far

It’s been a little while since I’ve posted an update here so thought I should swing by!
The writing priority for 2020 was really to release Concoction V2 and focus on submitting pieces to other anthologies.
Subbing out is still very new for me, it’s been going well, considering all the hurdles 2020 has thrown so far!

Below are titles published in 2020 containing some of my short stories and drabbles. I’ve, naturally, been writing predominantly in the horror genre this year, and loving it.

Out with the already published works, including the 19 within the anthologies above, I have another 14 accepted pieces and 4 awaiting a response. A few of these are drabbles which will appear in Iron Faerie Publishing’s Four Horsemen of the Apocalypse series and a flash fiction dark fantasy tale in their Hexed Anthology.

I have also been dipping back into two ongoing pieces that seem to be continually evolving, so will have to see how they play out – they may evolve into an interconnected collection or novel. Their journeys are still being designed to the crazy soundtrack in my head!

Posts are more frequent on Facebook and Instagram, so feel free to pop over there; https://www.facebook.com/NatashaSinclair or https://www.instagram.com/clan_witch/

Natasha x

Door Number Nine

Halloween was dead-quiet in the morgue, just me. Tonight, a treat behind door number nine. I didn’t need to know why she was exhumed. They were done with her now.

Doors wide open, the dark creeped in around stark light. The sound of night magic dancing through the dead. Waiting; my rotting beauty lay on her steel gurney.

Moving inside her was a sensational treat. She was underground long enough for the crawlies to move in. A localised thrill of erratic movement around my hard dick buried inside my frozen cold seductress.

I always bag up, of course, I’m no sicko.

© Natasha Sinclair. 2019.

Tease

She’s a tease.

The femme fatale disease.

Gaming with sultry eyes surprise.

Rose lips of fast lies.

Moaning ecstasy in sweet cries.

Throbbing sex lullabies.

She’s a tease to best please.

No sad begging of cheap release.

Call her out, she’ll flagrantly deny.

No longer look you in the eye.

© Natasha Sinclair