2022: The Year of Birds

Hogmanay nears, as does what can barely be avoided — the annual consolidation, the ‘review’ as we step over the next threshold.

It’s been another year of tumultuous news and events stabbing the air in-house and in close proximity. Health issues have arisen in many, some near and dear, some farther but no less dear to me—several with fatal implications, where time somehow runs faster on the clock. My heart has shattered a few times. Such is the way it goes.

Covid hit my house with a bang. I was pregnant, and the baby, Averey, died inside my womb when I had the worst symptoms. Since our second bout in July, long Covid symptoms have persisted, including with my young children. The year that we hoped to grab some social normality has demanded much push.

One of the many benefits of home educating (not home-schooling) is that the pressure and stress on children not to ‘fall behind’ on a prescribed curriculum and being ‘marked’ by ‘poor attendance’ due to health issues beyond control is absent, avoiding undue pressure on my kids’ mental health, to which almost anyone who has been schooled and has health issues can relate. All public services in the U.K., including schools, seem to be on a steep downward slope, faster than ever before. The unrest is palpable. That being said, home educating isn’t all skipping through the daisies! Many days have their challenges, and being the literal full-time parent and educator is tiring — and that was before the long-covid fatigue. Still, we get each other through, and the alternative isn’t an option.

As always, writing has been a constant. Separate from my creative writing, it’s been my introvert-central-management system since childhood. Sketching is too.

Professionally, I have had the pleasure of editing works by some fantastic writers this year — some serious jaw-dropping, inspiring talent. One of the last short stories I edited had me reaching for my inhaler! That author painted a vivid anxiety, paranoia-ridden piece in their protagonist — I felt it all! The subversive angle of the work while playing off the backdrop was skilfully moving. I was in awe. In the massive catalogue of literary genres, the immense skill some horror writers portray is hugely underrated, all due to that simple label ‘horror’. You’ll find the asthma attack-inducing story in KJK Publishing’s The Horror Collection: Sapphire Edition.

This year Ruthann Jagge and I joined forces and created Brazen Folk Horror to share our collaborative works. We have been sharing weekly updates there and have many more ideas for the future. As with this site, readers can subscribe to receive those updates directly in their mailbox. The debut collaborative novel under our exclusive in-house imprint, Delevan House, releases on the 1st of February 2023, and the second book in that series is underway. I’ve shared before about how I adore working with her. We’ve each had much to contend with this year. At times, we’ve both been swimming against a ferocious tide, but we have prevailed and have created something unique from Scottish and Celtic folk inspiration. You better believe my girl and I are indeed Brazen as fuck.

Getting back into academic study has been challenging to make space for, but somehow It’s been working out, in sacrifice of sleep! I passed my first module and started my second towards my English Language and Literature degree. The second part has been immensely inspiring. I am enjoying it far more than I anticipated. It’s ignited old and new passions for my own language, those that I’ve been surrounded with and the broader scope of the world. I’ve been evaluating how this entwines cultural and individual identity. This leg of the course has lit a few fires.

Onto the books published under Clan Witch this year:

Asylum Daughter — my psychological horror novella set in Glasgow, Scotland. I’m proud of how this piece turned out. I loved writing it and got to exorcise the asylum.

The Crash of Verses by Rafik Romdhani — this is Romdhani’s second published collection. His poetry is among my favourites of recent years. If you have not read him, pick up this book. He is an exceptionally skilled modern poet.

Incesticide: Collected Horror — my second collection of short horror fiction. It includes nine stories featuring urban folk horror, a touch of splatterpunk and fairytale horror twisted with BDSM, among other assorted flavours for those who enjoy a taste of different things.

Clan Witch: Found Shadows, my collection of free verse poetry and drabbles. This brings together small pieces scattered with other publishers and some never before published poems. Not all truth and not all fiction.

There have been other written pieces published throughout 2022 in the form of short stories, poetry, articles, forewords and copy for other titles.

What about the birds? Birds have been a significant and symbolic component in my year. Before the baby was born, magpies started frequenting my garden. They never had before. In truth, I was never a fan of the species. (Largely due to a childhood memory or a magpie killing sparrow chicks in a neighbour’s garden. It was such a brutal attack, not for a meal or anything. It seemed to enjoy causing the suffering and instigating horror in the flock of sparrows screaming at the beautiful beastly creature.) Other corvids, such as their cousin, jackdaws, yes. But never the magpie. Of course, going through pregnancy and loss again, this felt strikingly symbolic. For the longest time, there would be one—a dark omen. One for sorrow… as the months have passed, groups of them now frequent the garden along with the smaller birds, which have their daily routines flying in for a feed and natter. Adopting ex-commercial laying hens scheduled to be slaughtered has been tremendously healing. We brought them home less than two weeks after our loss. Building for them and supporting their transition to domestic retirement felt like a productive and helpful use of grief energy. Then the hens have taken in robins. The birds have been inescapable and have become a significant feature of Delevan House too.

Life and creativity can be inseparable, at least elements of each. Twisting tendrils that reach out to be touched and woven into new patterns.

I am wrapping up, as I didn’t intend on doing this kind of update this year! There you have it, a wee mixed-bag summary of 2022. I best be off again, I’m currently hauled up with an unwell small. Her feverish chattering dreams spill out into the dark in a torrent, and I wish, as many parents do — I wish I could soak up the fever and take all the pains away, for always. But life has so much more of that in store. I will have to be content with holding her for as long as I can and as long as she needs.

The darkness is drawing in, approaching the longest of nights, and I wish for what I always do here and the world over, peace.

Natasha )O(

Mythical Drabbles: ‘Beneath the Mangoes’ by Natasha Sinclair

My drabble, Beneath the Mangoes, written for Insignia Stories upcoming Mythical Creatures of Asia anthology is featured on Insignia Stories site today! Original Post linked below.

Today’s Mythical Creatures of Asia drabble features the kapre, from Filipino mythology. Natasha Sinclair has three drabbles in this anthology, and is…

Mythical Drabbles: ‘Beneath the Mangoes’ by Natasha Sinclair

Southeast Asian Fantasy

I came across this open call, quite near the end of closing, and I couldn’t pass it up. After a busy day with the family, that night, I could not sleep, which is fairly typical once an idea slithers through my head; the worm in my ear. Giving in to the noise, I fired up the laptop and tried my hand at writing Southeast Asian Fantasy Drabbles.

I wrote and submitted two; ‘Unity’ and ‘Dragon of Krakatau’ to Insignia Stories enticing call and both were accepted. I’m pleased to be included in this line-up of multinational Drabblers, including and compiled by Kelly Matsuura!

Release date to be announced very soon.

More details of Insignia Stories work, open calls and future releases can be found on their site; https://insigniastories.com/

The Macabre Ladies – Drabbles of Dread

Upcoming release from the Devilishly Devine ‘Macabre Ladies’ is their Anthology ‘Drabbles of Dread.’

As listed in my Books page, it is live for Pre-order from Amazon now, for release on the 15th July 2020!

This will be the 4th Anthology from the talented duo – Eleanor Merry and Cassandra Angler, and I’m excited to be a contributing author in 3 of these; Dark Valentine, Dark Solstice and this upcoming Drabbles of Dread. From all accounts this one promises to be the Darkest yet! So, if you enjoy dark micro horror check out this collection (and their back catalogue!)

If you’re a writer and have a dark drabble you’re itching to share with the world, then submissions are still open for a few more days – check out their website or Facebook for details on how to submit!

https://macabreladies.wixsite.com/website

Damaged Goods


Discarded; damaged goods.

The lone whore bore foul, tainted, bastard fruit.

Shunned while still stunned from her whalers desertion.

Black lamb of the snow-white flock.

Abandoned for the call of the sea; another she.

Betty bid to follow suit with that ill seeded fruit.

As waves began to pour down her choking throat; peace called in tortured unforgiving song.

The final forbidden promise.

Lungs of fire burning; as blackened shadow blotted the sun.

A selfish rescue placed her back in hell; pulled from the mother’s largest well.

Need the ruined to give rest their good grace; a blinding disgrace.



© Natasha Sinclair. 2019.

Snapped

Laying the last body down on the bed, I studied them both, side by side. My beautiful loyal white pups. They looked as if they were peacefully sleeping. Dreaming still. You’d never know by this sight that I had snapped their necks. Still warm, the serenity of death. My wrist hurt. It was almost over now. There was nothing left to hold me back. I stepped up on to the vintage blue weaved wooden stool. Reaching above I put the prepared noose over my head to my neck and jump forward. Swinging and choking, why didn’t my neck just snap?

©Natasha Sinclair

Organic Steak

Firm steady grasp, I pulled the trigger. Proud and shaking from this first stun. The bolt punched hard at the confused bovine’s thick meat and skull. Dopamine rush from power. It’s a man’s job this; the provider, the killer. I’m the modern hunter in my murder house. Pupils dilate, silent screams from its desperate dying mouth. Just reflexes. Much too dumb to feel. Electrical impulses explode through this soon to be cadaver as it collapses. An almost dead weight thuds to the opening side of the cold steel box. Sticked, skinned, and disembowelled. High welfare organic steaks. It’s BBQ season.

© Natasha Sinclair

Game boy

I wish I had a touch of you.
Your swagger, your play.
The sense to stay away.
A fraction of your zingy zest.
Never put those dreams to rest.
Slick, street and charm.
Even nullifying the alarm.
Player boy, fake plastic toy.
Playing the loyalty game.
Making them insane.
Lost words and lyrics.
Legendary mimics.
Nothing real to add to the wheel.
Round and round.
Pound to the pound.
Replaying the old sound.
New spunk and old funk.
Taking the heat in every re-beat.
Corpse warming ‘til the harsh light of mourning.
You should’ve come with a fucking warning.

© Natasha Sinclair

Subway

One cannot avoid eye contact when entombed within the old musky tube. Dank, dark. As if being underground wasn’t torture enough. Everything so close. Restricted air flow, foot flow, low flow. All so close to burying you alive. Suffocating amongst concrete, dirt, strangers and metal. Any second it could all cave in and one of them could catch my eye…

© Natasha Sinclair

“Just One More”

Early flight; foreign daze too bright.
Night draws with a bang.
Curtains closed, skirts up.
Old streets buzz with pimps and cheats .
Sex in the air; for a fair fare.
Her tired mouth, his wallet.
A classy bar, a sleazy toilet.
Part of the play, trip away.
Any old dud feels like a stud.
Pussy on the wind.
Setting up for good grind.
Getting low so you can’t go.
She lays her head to rest.
Holiday urge starts to spread.
He pushed her ‘til she was sunned down.
“Just one more."
Pretends he's not off to score.
Whore behind another door.
Sleepy head all tore with gore.
Slips in hours too late...
Stinking and slick from a professional date.
“Just one more,” he said.
Wet with mixed sweat.
A foreign scent had him spent.
Deceit on the forgotten receipt.
Deceit cheat never sleeps.
It’s always just one more…
Score.

© Natasha Sinclair 2019