Writing and other such Beasts

A revisit to what’s on the cards for release and writing this year. First up, is the imminent release of my debut horror novella, Asylum Daughter; this psychological horror hits the shelves on May 8th! The date is significant to the story — I wonder if any of my readers will spot it!

See what one early reviewer had to say about the book over on Erica Robyn Reads.

I was also invited to interview with Candace Nola, mother of Uncomfortably Dark for her 2022 Women in Horror feature. We chat about writing, the horror industry, and I share a little insight about influences of the upcoming release. For those who want to have a gander at the chat, head over to Uncomfortably Dark.

Cover for Natasha Sinclair’s ‘Asylum Daughter’. Cover art by Don Noble, Rooster Republic Press.

Next up, I’m working on a collaboration with another fierce horror author, my sister from across the pond, the formidable Ruthann Jagge! This is special to me as we have shared many pages within the indie horror scene, and we seem to have similar draws to particular elements! When I read her debut novella, The New Girls’ Patient, I could’ve been blown over by a feather with the striking similarities in some of her delightful, diabolical plotting! Have you read it yet?

Ruthann Jagge, author of ‘The New Girls’ Patient’. Photo from author’s Instagram @ruthannjaggeauthor

Our blend of horror will be a magical one for readers! I would love to share a teaser, but my lips are sealed for the time being — maybe come Summer, I’ll spray some of that sweet, irresistible elixir your way. I’ve got the feeling that when our novel is done, we’ll be cooking up something else!

Another compilation of horror shorts will launch later this year. Some stories have been published, and some will be brand new to print! Given my chosen title, Incesticide (yes, the title is a homage to a particular grunge band), I’m aiming for the 14th December release! And, Yes, like the title and cover, the date continues the ‘nod’ — 30 years since that album of B-sides. I will include at least one short inspired by one of the album tracks — which one would you like to see? Feel free to drop me a message with your vote!

Cover for Natasha Sinclair’s ‘Incesticide’. Cover art by Natasha Sinclair, ‘Clan Witch’.

I am publishing an exquisite poetry collection, written by Rafik Romdhani, The Crash of Verses. The collection is up for preorder now and releases July 22nd! It’s no secret that I was reluctant to have this much responsibility for another writer’s work, but Rafik is a persuasive wordsmith! And I’m honoured to support another writer in sharing his talent with the world! I’ve read a couple of his pieces over on my YouTube channel. If you fancy getting a feel for his work (which I encourage you to do!), please hop on over to check those out. And, of course, preorder his book!

Cover wrap for Rafik Romdhani’s ‘A Crash of Verses’. Designed by Natasha Sinclair, ‘Clan Witch’.

I have another collaboration scheduled later in the year, with another force of indie horror energy, this one much closer to home, with KJK Publishing’s gaffer, author of Halloween Land (another novella you horror delinquents should read!), Kevin J. Kennedy — more on that when work is underway!

Kevin J. Kennedy, owner of KJK Publishing. Photo from author’s Instagram @kevinjkennedyauthor

Masters of Horror UK

Just a quick share. I was invited to interview over on Masters of Horror U.K. by David Kempf. We chat about writing inspiration, the popularity of horror, publishing and current projects. You can check that out by clicking the link.
Apparently, I can be a bit of a blether! Much thanks to David Kempf, and those who take the time to check it out!

The Best of Indie Horror: Christmas Edition

With a fantastic tracklist of authors, we are gunning for Christmas #1 with KJK Publishing’s The Best of Indie Horror: Christmas Edition.

The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.

The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!

From the back of the book;

There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!

This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.

In this invite-only anthology, KJK Publishing presents 11 new tales of frightful festive horror shenanigans from: Matthew V. Brockmeyer, Eric Butler, Matthew A. Clarke, David Owain Hughes, Lex H Jones, Kevin J. Kennedy, Zoltán Komor, Patrick Reuman, RJ Roles, Veronica Smith and Steve Stred.

Don’t forget the milk and cookies, and be good kids — someone is always watching. Those damn elves are not to be trusted!

The Horror Collection: Extreme Edition – First Review

First review is in! Check out Lisa Lee’s thoughts on KJK Publishing’s The Horror Collection: Extreme Edition!

THE HORROR COLLECTION:Extreme EditionKJK Publishing Extreme Horror Fans Only . Synopsis The Horror Collection: Extreme Edition, KJK Publishing …

The Horror Collection: Extreme Edition

Murmur: Collected Horror

And the next release

Summer Solstice Book launch!
My solo collection of 9 short stories, Murmur: Collected Horror — the paperback and hardback are available now, the eBook lands tomorrow, 21st June!
For an indie, I am generally pretty reserved about sharing and shouting about my work. It is a form of absolute introvert torture but I’m trying to work through that — it’s a slow process!
Some of the contents have been published previously, these are spliced with a few never been printed pieces.
Writers are often asked where ideas come from or what prompted a story, so each piece in the collection is followed by a few brief words about that. This little personal touch has been received positively by my pre-readers — I hope you enjoy that little insight too.
I would love to share a read from the collection in the coming weeks. So, if you read it and have a favourite story — let me know in a review and/or by dropping me a message here, on Facebook or Instagram and I’ll pick the reader’s favourite to share!
In time I would love to build on my ARC (Advanced Reader Copy) team for future releases, who would receive a free ARC of my books to read and review before public release. If you read and enjoy my work and this is of interest to you — please drop me a message. I want to hear from you!


My next (tentatively planned) solo release will be that of my debut novel, working title, Backyard Asylum, this may very well change. I’ve been swamped with other projects this year, so it hasn’t had as much attention as I’d hoped by this point. Projects with deadlines have taken president over the novel, but I hope to delve back into this come Autumn and at least have a completed first draft by the end of the year. Genre wise, it’s working out to be a blend of horror sub-genres, with definite elements of psychological and extreme. The working title may suggest the Asylum being a main (trope) feature but it is merely a backdrop at certain points within the story.

That’s a wrap for just now, if you pick up Murmur, I truly hope you are entertained! Thank you for reading and supporting this wee Scottish indie writer!

Natasha )O(

Update 23rd June 2021

As well as being available via Amazon, linked above, my new release can also be found on Smashwords, Apple, Barnes & Noble, Kobo and Scribd!

Juicy June

A quick update on this busy month!

My solo collection, Murmur: Collected Horror, is up for pre-order. The paperback and hardback are set and will be available on 21st June! I am stoked that Kevin J. Kennedy, one of the UK’s most prominent horror anthologists, was kind enough to write the Foreword for the collection!

Pre-orders for several books that I have stories featured in have landed all at once, including Black Ink Fiction‘s first two books in their Legends of Night series — Infection and Bloodlust. I have ten drabbles between these two books, including my first time co-writing these micro-flash morsels with David Owain Hughes. How on earth do you go about co-writing a drabble?! Yes, I too wondered that — it was surprisingly fun and a touch addictive. Infection is officially released on 29th June, with Bloodlust at its heels on 13th July.

Next up to be available for pre-order is the highly anticipated, Gorefest from The Evil Cookie Publishing. This extreme anthology promises gross, humourous brutality — as a reader I cannot wait to read it! My contribution, Fuckin’ Maggots, is included in the line-up.

As the editor for KJK Publishing, I have also been working with Kennedy on finalising the next two The Horror Collection books, Ruby Edition and Extreme Edition. Some favourite contributors from previous THC books make the invite-only line-up, alongside some newer voices in the field. As always, Kennedy has his finger on the pulse of Indie Horror talent – if you’re a fan of horror and short fiction, these should absolutely be on your summer reading list! Release dates to be confirmed soon.

Murmur: Collected Horror

Earlier this year (and again this month), I shared that I aimed to release a short story collection this summer. Well, I’ve got major jitters — as always with publishing anything! Since I last posted about it, it’s progressed significantly — printed proofs have landed, and I’ve set up the eBook pre-order to force myself to suck it up and let it go!

The live date for Murmur is Summer Solstice – 21st June. The collection will be available in eBook, paperback and hardback. It consists of 8 short stories; 5 have appeared in print elsewhere, 1 has been published in an eZine, and 2 have never been published before. There is a Summer Solstice story in there to compliment the release date.

It’s been just over a year since I’ve published independently — Jumping back on that again has only heightened my gratitude to those who have accepted and published my work. Book building and formatting is a crazy business!

Publishing: Which Way?

Indie April

Self-Publishing and submitting; what I’ve learned so far, which admittedly, may not be much. It is what it is.

I’ve never considered traditional publishing, potentially because I can be a bit of a control freak (I hate waiting) coupled with a (sometimes stubborn) passion for self-learning and autonomy. In my view, it seems that there’s a lot of faff down the traditional route to wade through; from finding an agent and/or finding publishers that align with your style/genre/concepts. Jumping through many hoops for potential (likely) repeat rejection. Not that rejection is a bad thing, that too can be a very useful, if not utterly essential, learning and evolution tool. Then there’s if you’re accepted, you may have to change your writing significantly to fit into someone else’s ideals and target audience — a form of censorship and creative dilution, absolutely. Of course, I’m sure when (if) you get through the hoops, the potential for higher earnings and being considered a reputable writer because you’ve been approved and accepted by a higher power may well be worth the faff and hoops. Personally, all that feels like an elitist, bureaucratic headache for the most part.

Self-publishing has a lot of stigma thanks to the structure and standards set by publishing powerhouses. It’s a reflection of many of the institutions of life; be approved by the institution to be accepted by the masses, or you’re worthless. Music is like that too right. I don’t buy it, do you? I’ve read my fair share of tripe churned out by traditional publishers (sometimes due to who the author knows more than what they write), I’ve worked with highly educated fools who think their PhD gives them superiority even with a gross lack of real-life or business experience. They got approved, though. Better than you off the bat, right? Nope, I’m not buying that either. It filters right down through parenting as well — inescapable — must tick the boxes. All a despicable institutionalised, ritualised validation process, a façade that ignores the real nitty-gritty and that thing again — autonomy, passion, grit and authentic nurturing, in life as indeed art. Like the paper, age does not always bring wisdom, especially when one is stunted in their sole path and idealised view, selectively dismissing poorer choices. Or indeed highly institutionalised, even when it comes straight from the patriarchy (or matriarchy in some instances).

To self-publish, there are more and more platforms arising to help support and facilitate those with the desire to do this. There’s a load of work involved, even with a decent host. One must consider the writing, first and foremost, then, of course, there is editing, cover design (eBook/audio/paperback/hardback), book design, formatting, layout (yes, there are some basic standards for that, in respect of front-matter, back-matter, copyright declaration and numbering), narrator/producer (if producing audio). Sure some make it appear easy, but it’s far more involved than many may expect – it’s seen as the easy route to publication after all, right? Wrong. All of this takes time, dedication, learning and money. Of course, corners can be trimmed, but that will affect the end product. And we cannot forget attracting readers and reviewers to the work once it is out there — marketing really is another beast in itself. No, self-publishing is not easy by any stretch. Accessible — yes, easy — no.

I started self-publishing to get to know the process, and while I do love it, I’ve found much value to be gained in submitting pieces to small press and indie publishers. Gaining contacts, connecting with different audiences and driving creativity by rising to challenges I may not have considered solely. I’m not driven by pressure, and much prefer to go with the proverbial flow. There’s no cut and dry Pro-forma of right and wrong when it comes to art, creating it, and sharing it. It comes down to trying different things, and seeing which one resonates and fits with your flow best. In dealing with other publishers, I have quickly established in mind traits that I like and those which are huge turn-offs for me as a (submitting) writer. It’s fair to say once you begin submitting, you’d be mad not to have a ‘list’. Here are a few things that have landed publishers on mine after submission, which ultimately boils down to etiquette and communication:

  • Poor communication. Submission guidelines are not only a way for publishers to outline what they want and specify the format, but it’s also a key component for publishers to manage writer’s expectations upfront. What I find massively disrespectful is publishers who don’t respond to a submission – it doesn’t have to be big; a quick ‘thanks but no thanks’ is better than zilch. That’s just rude.
  • I don’t like arrogance and indie publishers mimicking traditional publishers – if I wanted that, I’d chase traditional.
  • When a call says ‘No simultaneous submissions’ but a publisher holds a piece too long, only to reject it, thus removing opportunities for the work to be considered elsewhere. If ‘No simultaneous’ is stipulated – considerations and responses should be swift.
  • Editorial changes and queries – I’ve had pieces published with errors that were not present when I submitted, and the queries ignored. Again, poor communication adds to the uphill battle many indies (writers and publishers alike) face. Sometimes support is as simple as acknowledging and owning mistakes.

While I can’t speak for traditional from any sort of experience, other than a reader, it is clear that one size does not fit all — in writing, publishing and indeed life. Sometimes one has to stop dreaming and just do it. Leaving expectations at the door. Jump in, flail around a bit, get over the panicked shock of ice-cold and learn to swim — however that looks. Jump back out and watch by the edge for a bit if you have to breathe again.

But don’t be afraid to at least try. As a good friend of mine often says — fuck it!

What’s Happening

It’s only heading towards the end of January, and I’ve too many ideas for this year! That being said, channelling one at a time and arranging my notes into some semblance of order is the (lifelong) personal challenge. Unless it’s for someone else my sense of organisation, with my own creative projects, can be chaotic.

On the well-organised side (the joy of the Gemini), I have opened the doors and made Word Refinery public! If you haven’t already, feel free to check out Word Refinery pages. I am opening up my editorial and proofreading diary to new clients. More info here:

Word Refinery: Editorial & Creative Support

Word Refinery: Terms & Conditions 

About 

Writing has been slow burn this month, with the exception of one completed short story – which, hands up, I love. It’s wicked — I can’t wait for folk to read it. It’s parked for an upcoming submission, but if it doesn’t make the cut (I really hope it does!), it will be published this year, I may even squirrel it away for my solo collection.

On that front, it’s been a year since I’ve personally published. In remedy of this I am collating some short stories with a couple of unpublished pieces to put out a collection this year – potentially in the summer, depending on editorial commitments, which take priority.

Books Releasing in October

First up is Dark Halloween, the 5th book in Macabre Ladies Holiday Horror Collection. With the eBook available for preorder now, it goes live October 6th. My 3 flash stories; ‘Interspecies Relations,’ ‘Painted Black’ and ‘Bloody Eels’ will feature among a host of Autumn/Halloween themed horror.

‘Interspecies Relations’ was inspired by some reading and artwork I was taking in around mythological creatures – particularly that of Cecaelia from Asian and North American mythology. Writing this also inspired my ‘Tentacles’ painting.

‘Painted Black’ is a little flash inspired by my youngest daughter, who rather chillingly asked me why the shadows were looking at her at bedtime one evening.

‘Bloody Eels’ is a Drabble that came from two interlinked short stories of mine ‘The Night is Mine’ and ‘Phantasmagoria.’ It is a view from a trapped spirit of the character Amy when she is in a disembodied, limbo-like state after death.

Next up is Books of Horror Community Anthology Volume 2 from the wonderful Books of Horror Publishing. Another book that can be preordered now, for October 16th release. My new short story ‘Sacrifice’ will feature alongside a mix across the spectrum of Horror.

‘Sacrifice’ was originally an idea I intended to write as a flash piece that centred around Summer Solstice. It sprouted and became a little more with some nostalgic elements entwined with themes of manipulation and betrayal.

I gained a spot with D&T Publishing, with their anthology, After the Kool-Aid is Gone. This one promises to be a ‘heavy-hitting collection’ of political horror / dark fiction. My short story, ‘Neighbours’ will feature.  preorder now for October 26th release.

‘Neighbours’ is another new story, one born during the 2020 global pandemic. Led by the MC’s internal narrative over his frustrations with the hypocrisies and selfishness of mankind, while his family-life is shattered, irreparably during ‘lockdown.’ This story is one man’s journey over the edge in suburbia.

Finally, as far as books I have stories in this October is Iron Faerie Publishing’s anthology, Hexed. Here my flash story ‘Hard Shades’ will appear. Preorder now for October 31st release.

‘Hard Shades’ came from a mind spiral evolving from ‘Painted Black’ marrying with thoughts of the theatre of vampires – though this piece is not vampiric. The dance and chase between light and dark is a classic that I enjoy playing with.