Delevan House

This week, we’re coming out of the stacks! We are letting the other book out of the bag and sharing a COVER REVEAL (that may be subject to slight changes) for a truly exceptional project with my magical mistress of folklore and mayhem, the lady in red, Ruthann Jagge! We are co-authoring a spectacular world for you. As the wheel turns to the darker side of 2022, you are invited to ‘Delevan House’. Here is the sneak peek of the cover art designed by the talented Don Noble of Rooster Republic Press.

Coming in 2022

We are a red-hot fusion that is guaranteed to create major waves; that is a promise!

Watch this space. You won’t want to miss a thing.

Writing to Music

Music is such a profound part of my writing process and always has been. With the imminent release of my novella, Asylum Daughter, I wanted to share the music that formed the soundtrack to the writing of this piece.

Art influences art, and I couldn’t create without music. Every piece I write has its own playlist. Sometimes, those playlists are unexpected and not my taste, but the characters have their styles. I can’t argue. The soundtrack to Asylum Daughter was ‘80s heavy and all good by me.

I can’t wait to hear what you think! And feel free to check out some of the early readers thoughts on Goodreads.

Soundtrack to writing Asylum Daughter:

Tears for Fears – Head Over Heels

Tears For Fears – Shout

Tears For Fears – Mad World

Tears For Fears – Sowing The Seeds Of Love

Kate Bush – Wuthering Heights

Kate Bush – Running Up That Hill

Placebo – Without You I’m Nothing

The Jam – Down In The Tube Station At Midnight

The Jam – Going Underground

The Jam – Town Called Malice

Depeche Mode – Strange Love

Depeche Mode – World In My Eyes

New Order – Blue Monday

New Order – Age Of Consent

The Cure – Pictures Of You

The Cure – Prayers For Rain

The Cure – The Hanging Garden

The Cure – Lovesong

The Cure – Fascination Street

The Cure – The Same Deep Water As You

The Clash – Rock The Casbah

The Cure – A Forest

Blue Oyster Cult – Shooting Shark

Blue Oyster Cult – (Don’t Fear) The Reaper

Dave Navarro – Hungry

Dave Navarro – Rexall

Dave Navarro – Slow Motion Sickness

Bauhaus – Ziggy Stardust

Bauhaus – She’s At Parties

Bauhaus – Dark Entities

David Bowie – China Girl

Patti Smith – Birdland

Patti Smith – Because The Nighy

Patti Smith – Smells Like Teen Spirit

The Lemonheads – My Drug Buddy

The Undertones – Teenage Kicks

Mortiis- Sins Of Mine

Korn – Coming Undone

Pixies – Here Comes Your Man

Garbage – I Think I’m Paranoid

A Flock of Seagulls – Space Age Live Song

Sonic Youth – Teen Age Riot

Mazzy Star – Into Dust

The Psychedelic Furs – Pretty In Pink

Urge Overkill – Girls You’ll Be A Woman Soon

Mental Health in Horror

A while ago, I shared a bit about mental health in my writing, inspired by a panel I had taken part in with Mothers of Mayhem. Although naturally nerve-racking and coupled with technical glitches on my end, it was a wonderful experience, and I’m grateful to Marian and Christina (MoM) for the opportunity. This episode of Mothers of Mayhem’s Hidden Voices in Horror has now aired. You can tune in on YouTube to this particular episode featuring me (Natasha Sinclair), Lucas Milliron, Allisha McAdoo, R.E. Shambrook and Gerhard Jason Geick. There is an excellent variety of episodes building — follow MoM to get notified when new episodes drop!

My original post here.

Woodworm

I visualise the tiny holes
Secretly infesting,
Weakening bones
Like woodworm.
I’m on one of their backs;
A voyeur
In inner space.
Woodworm cancer
Speckling the
Skeleton,
Spreading spots
Eroding this life’s vessel.
He says he’s fine
When he late
Returns,
Reluctant—
Like a child
Pushed towards
Their failure,
Their mistake,
Disgrace.
He says he’s fine
When he lies to me—
Face blue,
Faceless
Digital alphabets
Thrown together,
A string
For a stranger—
Loveless.
I keep making
Peace with the
Distance;
Goldfish swimming
In circles.
The no return
Excuses,
The rot in
My soul,
The hole
He created
With another falsity!
It’s ok.
I’ve made peace—
I lie to myself too.
The damnation
Of Genetics.

Dead Waltz

A ghost waltzed through me
When I slept deathly deep
Slumber disrupted
Taking advantage
As he did with my
Friendship, my loyalty
My trust, my body

A ghost waltzed through me
Like I was his to enter
No choice but surrender
And I welcomed his touch
Through disgust
Distaste, mistrust
Did I lay down the mat?

A ghost waltzed through me
Did I invite him inside?
An open window, door ajar
In a tongue unknown
A serenade degrade
Billows clouding smoke
Butt of some joke

A ghost waltzed through me
I played dead

Don’t move
Don’t whimper
Quiet heart
Don’t breathe
Don’t stir

A ghost waltzed through me
I lay still.

Writing and other such Beasts

A revisit to what’s on the cards for release and writing this year. First up, is the imminent release of my debut horror novella, Asylum Daughter; this psychological horror hits the shelves on May 8th! The date is significant to the story — I wonder if any of my readers will spot it!

See what one early reviewer had to say about the book over on Erica Robyn Reads.

I was also invited to interview with Candace Nola, mother of Uncomfortably Dark for her 2022 Women in Horror feature. We chat about writing, the horror industry, and I share a little insight about influences of the upcoming release. For those who want to have a gander at the chat, head over to Uncomfortably Dark.

Cover for Natasha Sinclair’s ‘Asylum Daughter’. Cover art by Don Noble, Rooster Republic Press.

Next up, I’m working on a collaboration with another fierce horror author, my sister from across the pond, the formidable Ruthann Jagge! This is special to me as we have shared many pages within the indie horror scene, and we seem to have similar draws to particular elements! When I read her debut novella, The New Girls’ Patient, I could’ve been blown over by a feather with the striking similarities in some of her delightful, diabolical plotting! Have you read it yet?

Ruthann Jagge, author of ‘The New Girls’ Patient’. Photo from author’s Instagram @ruthannjaggeauthor

Our blend of horror will be a magical one for readers! I would love to share a teaser, but my lips are sealed for the time being — maybe come Summer, I’ll spray some of that sweet, irresistible elixir your way. I’ve got the feeling that when our novel is done, we’ll be cooking up something else!

Another compilation of horror shorts will launch later this year. Some stories have been published, and some will be brand new to print! Given my chosen title, Incesticide (yes, the title is a homage to a particular grunge band), I’m aiming for the 14th December release! And, Yes, like the title and cover, the date continues the ‘nod’ — 30 years since that album of B-sides. I will include at least one short inspired by one of the album tracks — which one would you like to see? Feel free to drop me a message with your vote!

Cover for Natasha Sinclair’s ‘Incesticide’. Cover art by Natasha Sinclair, ‘Clan Witch’.

I am publishing an exquisite poetry collection, written by Rafik Romdhani, The Crash of Verses. The collection is up for preorder now and releases July 22nd! It’s no secret that I was reluctant to have this much responsibility for another writer’s work, but Rafik is a persuasive wordsmith! And I’m honoured to support another writer in sharing his talent with the world! I’ve read a couple of his pieces over on my YouTube channel. If you fancy getting a feel for his work (which I encourage you to do!), please hop on over to check those out. And, of course, preorder his book!

Cover wrap for Rafik Romdhani’s ‘A Crash of Verses’. Designed by Natasha Sinclair, ‘Clan Witch’.

I have another collaboration scheduled later in the year, with another force of indie horror energy, this one much closer to home, with KJK Publishing’s gaffer, author of Halloween Land (another novella you horror delinquents should read!), Kevin J. Kennedy — more on that when work is underway!

Kevin J. Kennedy, owner of KJK Publishing. Photo from author’s Instagram @kevinjkennedyauthor

Your Heaven is a Lie

A Poem

The poignant print
Has pressed itself
Upon my cerebrum
Sepia ink bleeding
The cells we share
Scream in anguish
Silenced, winded
Controlled by them
Another whisper
Her Faint voice 
Only heads his own.
Him
There’s always
A him
First under
Their skins
Like they belonged
To him
And each after
Many faces
The same demon
Chancers
Gypsies
Faux gentlemen
Had his way
Abusing bodies
Manipulating minds
Like no crime
Captive strangled
His God-given right
Blind eyes
Sightless
Mindless
The perverse
Protected
It’s the mad
Talking
No one hears
Gibberish
Gobbledygook
Drivel
Swept under
Bulging rug
Give it a wide-berth
The unstable
Weave weathers
Fraying weakening 
The boards
Beneath creak
Like her voice
Cognitive dissonance
Ignorant until
It’s too late…
Another coffin
How many now?
Hold hands
Ersatz repentance
Hypocrisy reigning
Sins of the
Self-righteous
Self-proclaimed 
Unchallenged patriarch
The worst of them
Self-made god(s)
Bitten tongues
My open eyes
See through
The shoddy charade
That he parades
With every dial
Every smile 
Clink of glass
The heart haemorrhages
In silent solitude
There’s no truce
With these
Truths
Your Heaven is
A lie and your
Hell awaits
When you
Fucking die.

What If I Can’t Decide If I Need An Editor?

Or what type of editing service would benefit my manuscript?

As a writer, I empathise with this. With so many variances to choose from and the difference in pricing, it can be tricky to decipher if an editor would benefit your project and for what type of editing service you should fork out hard-earned pennies.

To support this decision-making process, at Word Refinery, I offer clients the option of an Editorial Evaluation.

What should a client expect from an Editorial Evaluation?

For £0.01 per word, clients can submit their complete manuscript or a sample for Editorial Evaluation. The prose will be thoroughly analysed, considering: plot, setting, characterisation, voice/style, dialogue, and marketability

The Editorial Evaluation provides a writer (or publisher) with a solid understanding of what work a manuscript requires before publication through a detailed report. The client can utilise this advice and develop the manuscript independently or appoint a dedicated editor to support this work. This exercise helps clients present the best piece possible to the market confidently. Sometimes we need fresh eyes to iron out the kinks, refine the author’s voice and deepen the story.

What Kind of Editing do I Need?

Word Refinery

When considering editing services, it’s easy to feel overwhelmed when varying terms, price points, and marketing techniques are at play.

Fiction editing can be funnelled down to two distinct types and the pre-publication quality check of proofreading.

Developmental Editing (Structural Editing or Substantive Editing).

This level of editing historically took place before the writing of the manuscript. Now, it is often the first stage of professional editing once the manuscript is complete. Here your editor will deep dive into the story details and consider various aspects, including structure, pacing, information checking, analysing plot details and execution, the relevance of sub-plots to the entire story, characterisation, setting and delivery.

In most cases, this involves some back and forth between the writer and editor. The editor will offer ‘suggestions’ for the writer to consider to improve the execution — some rewriting may be involved here. Depending on the agreement and relationship, the editor may complete this or support the writer in these changes.

This type of editing requires trust and clear communication between the parties. It is much more involved, therefore denotes more hours of detailed work and a higher fee.

Copy Editing (Line Editing).

This aspect of editing is essential and consists of two key stages. The first is the baseline edit. This aspect focuses on correcting grammar, punctuation usage, spelling corrections, etc. The second stage is the line edit. As the title suggests, this requires the editor to comb and refine the piece line by line, examining specific word choices, sentence structure, clarity, and style. Editors will perform multiple passes on a piece before delivering it back to their client.

Proofreading (Proofing).

Following these two types of editing is the pre-publication quality check. Proofreading is often misinterpreted as editing. It is not. The role involves marking corrections that have slipped through the editing process. Proofreading focuses on spelling, punctuation, spacing, consistency of page style, page numeration, etc. Proofreading is not a substitute for editing.

When hiring an editor, it is essential to understand the differences to make an informed decision and expectations are managed. The process of editing a manuscript is highly involved, time-consuming and vital in supporting writers present a piece that appeals to their target audience. The result should be a fully realised story that connects and engages with its target readers. A product that the writer can be proud of having under their name.

Tugging

I’m struggling to write this post today, but I need to sprinkle a little something outward. There are many positive and productive things going on professionally and personally. And I want to lean into all that spring light. But other strings are being tugged; tugged into the dark. And as much as I’d like to ignore the pull, sometimes it’s impossible. Balance?
This pendulum is in perpetual motion until the inevitable, the only inevitable.
I stood among the trees this morning; their music in the thundering gale pulled me into the centre of their organic choreography. The chorus spun through my mind, a rustling melody among the lace of interlocking branches. The hypotonic sway nullified the nightmares; my existence among them was silent, serene.
Then I pulled back, time to begin this day, now that dawn winds have cleared.