Time was not a construct in existence for the great Anantaboga. Her presence always was and always would be; aeons of sacred serenity. Beyond ‘time,’ beyond language — she the source of many a cosmic destiny. Hers was of pure, concentrated magic. Weaving and swirling through the universe — a serpent’s dance of divine grace; goddess in motion, the essence from which worlds would emerge. Moving in timeless transitions among spinning rocks of magnificent technicolour spender, among black holes that fractured into other universes from the booming demise of stars. Magic surrounded her — a goddess of gliding splendiferous, viridescence. Diamond-tipped scales adorned her muscled physique, wisps of feathered flame framed her face — Anantaboga sailed through infinities of dark, accented with pocketed explosions of monumental colour flanking her sophisticated dance of eternities.
In the pit of the great Naga Jawa’s incandescent, glowing soul…forlornness of being the universal guardian gnawed. A profound ache for which no language could ever convey. Drawing on her effervescence, a poison ebbed in, speckling her colour with despair. Furious to fill the void slowly sucking at this exquisite being, transcendent meditations intensified from new desperate obsession, splitting the deity from herself. Sonic eruptions thundered through the universe from the Naga Jawa as her soul ruptured. Tremors cracked, tearing the ether pouring a new gift into physical being; Bedawang Nala, The World Turtle — Anantaboga’s offering unto herself. Baring a world upon his back, a blue globe — the delicate marbled sphere complete with its own underworld and heavens — a living breathing entity in its own right, teeming with yet more life.
All the gifts of balance were bestowed upon this new world, including precious creation itself — immortality through soul and seed a generous promise to all. An embodiment of the heavens it would thrive in cyclical motion. Each organism imbued with unique qualities to contribute essential elements to the delicate bountiful ecosystems. Time was created within the confines of the precious orb and so it turned. Light and shadow graced the blue and green, atop the ship of gods guiding her among the cosmos.
Man quickly lost his way. The Deities warned in quakes, rumblings, heat, clearing out pockets, gifting opportunities to shift course, begin anew.
Alas, the little marble spiralled so very far, flagrantly destroying celestial given serenity, waging wars in the face of peace. Greed drained. Even as it still perched upon Bedawang Nala’s shell, the rising tumult permeated through to her, corroding. Corruption reigned on the back of The World Turtle. Warnings were given no hied; dismissed by the ever plundering populace of man. As his neglect runs rampant as an infection perfusing the little globe, Anantaboga sees she must release her beloved Bedawang Nala of the burden of the marble.
The Naga Jawa meditates encircling her creation, jaw stretching around the new rock; within, discomfort rises — her scorching breath quickens the heat rising. Sporadic bouts of flood, fire and new disease litter the green and blue. The great serpents jaw is closing in, no more warnings.
© Natasha Sinclair, 2020
This piece was inspired by the fascinating and magical stories of Javanese / Indonesian mythology. The Javanese creation theme was blended with the devastating environmental damage being caused to our planet. How would our actions be seen through the eyes of gods?
Thank you for reading! If you would like to read more Asian inspired fantasy and horror fiction – check out Insignia Stories, who are presenting and hosting Horror Matsuri throughout October 2020!
2 thoughts on “Goddess in Motion”
Really great story, Natasha! Thanks so much for participating in Horror Matsuri and for supporting Insignia Stories this year 🙂
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Thank you Kelly! It’s been my pleasure, likewise thank you for accepting me into Insignia Stories this year – your work and themes have been inspiring.
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