Mid Year Update

Talk about curveball 2022! Another year of madness! There were plans. Big beautiful plans! And while those plans still exist, there has been movement because of those unexpected transitions life has her way of throwing. Personally, I’ve had some family upsets which I predominantly have to deal with and process alone (my partner, of course, has supported as much as one can). I’ve angered, been frustrated, hurt, grieved, run myself in circles, hurt some more, and accepted. Because sometimes that’s all we can do. Accept to find crumbs of peace and carry on. It just takes a little time. It’s a process many are familiar with. It’s been heavy.

Following the acceptances of a triple-pronged hit, I’ve another unexpected ‘bump’, who made himself known in a dream. My kids are excited about another sibling to teach and get up to extra mischief with. Since I have complicated pregnancies, and this one has already given us some wobbles, I’m (again) doing everything within my control to keep this little one inside until late 2022, ideally early 2023. My cervix needs a mantra, and this is the last! The instant physical hit means I’ve been heavily fatigued, and as of that wasn’t enough, I’ve been hammered with mine and the kids’ second bout of Covid of 2022. Because I wasn’t wiped enough by the heavy graft underway in my uterus, I am zapped because my lungs are in battle, and my body feels like it’s been used as a punchbag.

Moving in from all of that, onto the writing front update:

My novella, Asylum Daughter, released on 8th May 2022.

Redesigned the cover art for Murmur: Collected Horror.

Launched Clan Witch Etsy store for book related merchandise and signed copies.

My short story collection Incesticide: Collected Horror is available for preorder, releasing on 14th December 2022.

My sassy, immensely talented, and inspiring co-author, Ruthann Jagge and I launched our website, BrazenFolkHorror.com, for our upcoming 2022 release, Delevan House and future projects. Ruthann also released her fantastic solo debut novella in January 2022, The New Girls’ Patient; if you haven’t read her, this is an excellent example of her extraordinary work that should be on any horror fan’s reading list.

I’ve still been editing work for other writers and publishers via Word Refinery and also published poet Rafik Romdhani’s collection, The Crash of Verses.

I am working on my degree course too.

The latest developments has zapped my study schedule. I hope to recover enough to make up for that soon. Deadlines are looming! Anthology wise, unlike in the previous two years, I have not responded to any open calls. My dance card has been packed. I have gratefully received several invite opportunities but unfortunately had to decline several. One that I was able to submit a piece to was with KJK Publishing’s The Horror Collection: Nightmare Edition, which has just been released. It’s the biggest collection of the twelve-book series and worth picking up for a good flavour of many popular independent horror authors currently putting our new materiel.

More still to come for 2022, and 2023 is also beginning to fill up with a couple of accepted invites, continued work with my brazen co-author in crime and at least one (hopefully two) solo release(s). One of which will be a collection of poetry and drabbles, Clan Witch: Found Shadows.

The Crash of Verses

Rafik Romdhani

This week welcomes the release of Rafik Romdhani’s second poetry collection, The Crash of Verses. A hearty congratulations to this exemplary wordsmith on his newest release! Working with the author in developing his manuscript to present digital and print editions to the public was a pleasure.

The book is available to purchase via this universal link.
Early reviews have been shared on Goodreads, which have been excellent so far (and well deserved). If you pick up the book, please consider leaving an honest review on your prefered platform. These are incredibly valuable to other readers and independent creators alike.

About Rafik Romdhani

Rafik Romdhani was born to Salah Romdhani and Mbarka Romdhani in Rakada Kairouan, Tunisia in 1981. He grew up on a large farm, where like many Tunisian children, he undertook years of heavy, back-breaking work. He is a poet by nature and an English teacher by profession. He studied English Language and Literature in the Faculty of Arts, University of Kairouan and started teaching in 2006 in Tunisia. From 2012 he taught English in the Sultanate of Oman before returning to work again in Tunisian schools in 2016.

Romdhani began writing poetry in 2000. His influences include Charles Baudelaire, Herbert Zbiginiew, T. S. Eliot, Dylan Thomas, Seamus Heaney, and Sghaier Aouled Ahmed. His debut collection, Dance of the Metaphors, released in 2021, represents an authentic outpouring of his long-suppressed desire to share his poetry with a wider audience. His second collection, The Crash of Verses, hits global audiences in 2022.

Romdhani’s work tackles themes from his observations of nature, politics, culture, society and humanity. His prose is exquisitely conceived and presented in a form as elegantly classical as it is strikingly modern. In his prose, readers are guaranteed a journey never to be forgotten.

Cancelled!

I wrote my first short story of 2022 and submitted it to a publisher at the weekend.

My aim this year was always to pull away from short story writing (and submitting) to focus on longer works, my coursework and editing.

And I’ve stuck to it pretty rigidly, even when declining offers is painful! But spreading oneself too thin degrades everything.

I’m not going to go into the details of this short story, but I will say that its content, along with recent conversations with other writers, got me thinking; If I had a higher readership, I’d be cancelled.

I know there are many faux pas and taboos that change over time, and my work constantly bears the weight of uncomfortable themes. Horrifying right? One of the reasons I now include content warnings is to support readers sensitive to particular themes. It is not a poor taste marketing strategy. It is genuinely to deter readers that could feel hurt by my work. If I’m doing my job correctly, my work (in horror particularly) should be uncomfortable.

Over the last few years, there has been a notable request for ‘diversity’ from publishers demanding representation from marginalised groups — in a writer’s personal circumstances and in the characters we create to tell our stories. In this quest, many are outright discrimination, the very thing they claim to be trying to ‘correct’. ‘We demand diversity and representation unless you’re a cis white male’ being the most prominent. How dare they! On top of that, these diversity thumpers are dictating the presence of character archetypes in a creative’s work! ‘No LGBTQI+ representation? Better squeeze one in there, to keep everyone happy.’

Well, quite frankly fuck that! I don’t fall in line with any dictatorship! And it has zero place in art of any kind!

I am anti book banning.

I am anti art burning.

I am anti-censorship.

I am anti-dictatorship.

If you don’t like an artist’s material — don’t buy a ticket, don’t read their work and don’t dictate how anyone else should feel about it! Such arrogance is deeply misguided and kills art. It doesn’t promote it; it doesn’t promote equality or diversity. You’re foolish if you think that it does. The great tapestry of creative output is the very definition of diversification and multicultural without a pre-set dictated agenda!

Writing to Music

Music is such a profound part of my writing process and always has been. With the imminent release of my novella, Asylum Daughter, I wanted to share the music that formed the soundtrack to the writing of this piece.

Art influences art, and I couldn’t create without music. Every piece I write has its own playlist. Sometimes, those playlists are unexpected and not my taste, but the characters have their styles. I can’t argue. The soundtrack to Asylum Daughter was ‘80s heavy and all good by me.

I can’t wait to hear what you think! And feel free to check out some of the early readers thoughts on Goodreads.

Soundtrack to writing Asylum Daughter:

Tears for Fears – Head Over Heels

Tears For Fears – Shout

Tears For Fears – Mad World

Tears For Fears – Sowing The Seeds Of Love

Kate Bush – Wuthering Heights

Kate Bush – Running Up That Hill

Placebo – Without You I’m Nothing

The Jam – Down In The Tube Station At Midnight

The Jam – Going Underground

The Jam – Town Called Malice

Depeche Mode – Strange Love

Depeche Mode – World In My Eyes

New Order – Blue Monday

New Order – Age Of Consent

The Cure – Pictures Of You

The Cure – Prayers For Rain

The Cure – The Hanging Garden

The Cure – Lovesong

The Cure – Fascination Street

The Cure – The Same Deep Water As You

The Clash – Rock The Casbah

The Cure – A Forest

Blue Oyster Cult – Shooting Shark

Blue Oyster Cult – (Don’t Fear) The Reaper

Dave Navarro – Hungry

Dave Navarro – Rexall

Dave Navarro – Slow Motion Sickness

Bauhaus – Ziggy Stardust

Bauhaus – She’s At Parties

Bauhaus – Dark Entities

David Bowie – China Girl

Patti Smith – Birdland

Patti Smith – Because The Nighy

Patti Smith – Smells Like Teen Spirit

The Lemonheads – My Drug Buddy

The Undertones – Teenage Kicks

Mortiis- Sins Of Mine

Korn – Coming Undone

Pixies – Here Comes Your Man

Garbage – I Think I’m Paranoid

A Flock of Seagulls – Space Age Live Song

Sonic Youth – Teen Age Riot

Mazzy Star – Into Dust

The Psychedelic Furs – Pretty In Pink

Urge Overkill – Girls You’ll Be A Woman Soon

New Cover Art

Murmur: Collected Horror

I have a collection, ‘Incesticide: Collected Horror’, releasing later this year, which borrows an album title (much like my first collection in that hat-tip). I deliberately designed the cover for the upcoming with an indie-artsy feel in homage to its namesake.

Murmur: Collected Horror‘ felt a little out of place since that cover didn’t reflect the feel to the same extent as the newbie. I decided to redesign the jacket. This is what I do when I procrastinate!

Updates are processing with immediate effect on ‘Murmur: Collected Horror‘. I have a small stock of paperbacks (I’ve no hardbacks left) with the original cover. Once they are gone, they are gone! That makes them extremely limited.

Once I check what I have, I’ll update on Facebook and on Instagram — if you want one, you can drop me a DM on one of the socials once posted — first come, first served.

Apologies, for the paperbacks I have remaining in stock it will be UK postage only.

Previous eBook cover, 2021 (left), New eBook cover, 2022 (right)
New print cover wrap, 2022, Murmur: Collected Horror

TBM Horror

Interview: Horror and upcoming release chat

Have you visited TBM Horror lately? Well, it’s a phenomenal platform created and hosted by a dynamic and passionate creative force, lover of all things horror 💀 and metal 🤘, owner of Disturbing Drawings (you MUST check out her artwork), Mar Garcia!

Mar kindly had me over in her space for a blether, shared on TBM’s YouTube channel.

Scoot over to TBM Horror to check out great (regularly updated) content on Horror in creative industries, from articles, books, movies, bands, video games and art!

If you fancy checking out my natter with Mar, the YouTube links are here:

Part 1 / 3
Part 2 / 3
Part 3 / 3

What If I Can’t Decide If I Need An Editor?

Or what type of editing service would benefit my manuscript?

As a writer, I empathise with this. With so many variances to choose from and the difference in pricing, it can be tricky to decipher if an editor would benefit your project and for what type of editing service you should fork out hard-earned pennies.

To support this decision-making process, at Word Refinery, I offer clients the option of an Editorial Evaluation.

What should a client expect from an Editorial Evaluation?

For £0.01 per word, clients can submit their complete manuscript or a sample for Editorial Evaluation. The prose will be thoroughly analysed, considering: plot, setting, characterisation, voice/style, dialogue, and marketability

The Editorial Evaluation provides a writer (or publisher) with a solid understanding of what work a manuscript requires before publication through a detailed report. The client can utilise this advice and develop the manuscript independently or appoint a dedicated editor to support this work. This exercise helps clients present the best piece possible to the market confidently. Sometimes we need fresh eyes to iron out the kinks, refine the author’s voice and deepen the story.

YouTube Readings

Playing with another platform

I’ve considered doing some reading videos for a while now but only recently began sharing a few online. So far, I have shared a handful of poetry and short stories over on YouTube. Only one is a reading of one of my pieces. The rest are shares of other writers work that I enjoy.
All are welcome to drop by, subscribe, share. Open to requests too, if you have a piece you’d like me to read, drop me a DM. I can’t guarantee I’ll do it or when, but I’ll be in touch nonetheless.

Murmur: Collected Horror

And the next release

Summer Solstice Book launch!
My solo collection of 9 short stories, Murmur: Collected Horror — the paperback and hardback are available now, the eBook lands tomorrow, 21st June!
For an indie, I am generally pretty reserved about sharing and shouting about my work. It is a form of absolute introvert torture but I’m trying to work through that — it’s a slow process!
Some of the contents have been published previously, these are spliced with a few never been printed pieces.
Writers are often asked where ideas come from or what prompted a story, so each piece in the collection is followed by a few brief words about that. This little personal touch has been received positively by my pre-readers — I hope you enjoy that little insight too.
I would love to share a read from the collection in the coming weeks. So, if you read it and have a favourite story — let me know in a review and/or by dropping me a message here, on Facebook or Instagram and I’ll pick the reader’s favourite to share!
In time I would love to build on my ARC (Advanced Reader Copy) team for future releases, who would receive a free ARC of my books to read and review before public release. If you read and enjoy my work and this is of interest to you — please drop me a message. I want to hear from you!


My next (tentatively planned) solo release will be that of my debut novel, working title, Backyard Asylum, this may very well change. I’ve been swamped with other projects this year, so it hasn’t had as much attention as I’d hoped by this point. Projects with deadlines have taken president over the novel, but I hope to delve back into this come Autumn and at least have a completed first draft by the end of the year. Genre wise, it’s working out to be a blend of horror sub-genres, with definite elements of psychological and extreme. The working title may suggest the Asylum being a main (trope) feature but it is merely a backdrop at certain points within the story.

That’s a wrap for just now, if you pick up Murmur, I truly hope you are entertained! Thank you for reading and supporting this wee Scottish indie writer!

Natasha )O(

Update 23rd June 2021

As well as being available via Amazon, linked above, my new release can also be found on Smashwords, Apple, Barnes & Noble, Kobo and Scribd!

Juicy June

A quick update on this busy month!

My solo collection, Murmur: Collected Horror, is up for pre-order. The paperback and hardback are set and will be available on 21st June! I am stoked that Kevin J. Kennedy, one of the UK’s most prominent horror anthologists, was kind enough to write the Foreword for the collection!

Pre-orders for several books that I have stories featured in have landed all at once, including Black Ink Fiction‘s first two books in their Legends of Night series — Infection and Bloodlust. I have ten drabbles between these two books, including my first time co-writing these micro-flash morsels with David Owain Hughes. How on earth do you go about co-writing a drabble?! Yes, I too wondered that — it was surprisingly fun and a touch addictive. Infection is officially released on 29th June, with Bloodlust at its heels on 13th July.

Next up to be available for pre-order is the highly anticipated, Gorefest from The Evil Cookie Publishing. This extreme anthology promises gross, humourous brutality — as a reader I cannot wait to read it! My contribution, Fuckin’ Maggots, is included in the line-up.

As the editor for KJK Publishing, I have also been working with Kennedy on finalising the next two The Horror Collection books, Ruby Edition and Extreme Edition. Some favourite contributors from previous THC books make the invite-only line-up, alongside some newer voices in the field. As always, Kennedy has his finger on the pulse of Indie Horror talent – if you’re a fan of horror and short fiction, these should absolutely be on your summer reading list! Release dates to be confirmed soon.