I can’t believe it’s been this long since I’ve shared anything here. I’ve meant to, but the intention has slipped several times. Perhaps so often, I thought I had already paid these pages a visit. This year, I’ve not written in solid form beyond spatterings of ideas, character notes, and stray poetry swirls—none shareable in any fashion. I’ve written extracts from things I can’t yet give the time and sustenance to nurture and grow. The spatterings of poetic lines, sequences, and numeric strings from the noises that cause my eyes to fly open from technicolour dreamscapes to muted grey silence. Rest? What is that? The threads make sense in how they weave into knots, and those taut threads melt, strengthening into chain links that rattle the posts. I’m awake! I can see constellations within them just as I do with every inspiring bruise, but they’d be senseless to anyone else. A showcase of some insanity; the hyperactivity of the mind fighting against the bloody dripping bones to focus! Ooo, did you see that pretty bird? I wander off direction, tired of the paths I’ve seen and all those damn arrows. Fuck the arrows. I veer off the tracks of tedium, where all the stories have been over-shared; they’re overtrodden, smooshed into the dirt with so many lost details.
New faces, old eyes, same stories. I’ve heard them before, but I’m quiet while they speak. Sometimes, a word will be yanked from among the twigs with blurry intentions, “It’s new!” they’ll cry. It’s never new. They’ve just jumbled up the old letters and pretended to be founder finders. I yawn, say nothing, smile. They declare titles on their stickers and pins like it means something. A statement of what they are—just children role-playing. I prefer the details—the answers to questions, but they don’t allow space to be asked.
I need the wounds that I can still taste the blood from when I draw the air in and pennies dance on my tongue; my mouth waters for more. That taste shows what you are. What you do when all the words are gone is what you truly are. Maybe that craving is why I’ve been painting with blood again. It’s just mine. The aroma has changed. I need the stories that make my core tingle. I’m listening for that. The details can’t be found on the tracks I’ve seen. And I’ve no interest in walking in anyone else’s shoes. I’ll stick to my bleeding bare feet. I like to feel the mud shift from wet to dry and back again. I like the way she sucks my toes after bleeding them. I am in a bloodthirst right now—something else that was entombed. Then I have some pouring when it shouldn’t—life literally bleeding away—an obvious other factor of distraction. I’m not sure what I’m doing here. I’ve been stung by labels and tags in the ear—too tired and tedious to repeat. They are distractions or some showy bunch of rosettes I’m supposed to wave to be part of a series of communities, cults, some dire, suffocating populous that I’ve never trusted. It’s uninspiring, and I’m bored of looking or more so, I’m bored of seeing since looking implies I’m seeking what I’m not. Perhaps that’s why I can’t write how I want. That, along with the lack of time, too many distractions, and desires weeding out falsehoods and fantasisers to find substance that, perhaps, doesn’t exist.
I’m not publishing anything of note right now; I’ve been undoing things that have undid me. I’ve been unburying myself with one handful of earth at a time, and I’ve been remembering, waking, accepting, breathing, working it out, growing, forgiving, and trying to ‘be’. That’s the most challenging part when life is so busy, and it’s not just mine in my hands—it never was. And my mind is cluttered with so many to-dos and the ever-humming starving pieces that have risen from the dirt I’ve been steadily shifting. I drink, and I drink, and my skin is still dry, but I’m not as dead as I thought I was. They’ve been singing to me in some survival revival—those little canopic jars of my organs thrum. The dirt is under my nails, and I’ll keep digging. I’m an archaeologist, and there are revelations from all these old discarded pieces reforming. It’s all in the details. It’s all in the context. I didn’t intend to lack eloquence quite as much as this, but no one can say it isn’t organic.
I’ll come back with more sense in a few days.

































