Pour

For always
Never important
Never priority
Subordinate
Subprime
Back burner
Bottom of the list
I’ll grab hold
Take responsibility
Accountability
Hold space
The short straw
Give time; life; my life
They need time
Time to decide
Time to process
Time to grow
Time to transmit data
I’ll wait in line—
Be quiet
Patient
Cradled in shadows
With the stone on my throat
Making silent melody with the stab in my belly
I feel it, no one need see
Been well trained to hold my breath anyway
With my head shoved under water
A well-conditioned good fucking girl
Like my parents taught me
Everyone and everything else first
I’ll make the calls
Reply to the letters
Sweep crumbs
Stitch the damage—
I’m handy with a needle ‘n’ thread
Make the appointments
Make the sacrifices
Oh, you need to change that? No problem (just mine, and the inconvenience)
No passive aggression, it’s just that thing they say—it is what it is, right?
I have an abundance of acceptance
Another letter through the mailbox
Hits the floor with a thud
Cracks the concrete
They want more blood
To be sure? Another vile
Chemical markers spelling suspicion in code
I’ve to chase another system
While smiling reassuring to a stranger
‘I’ll take care of you’
Natalie, was it? No, Nicola
Sure, my name doesn’t matter either
I’ll wait again
Until doors open
Queues thieve more time
Window B for blood
More waiting in line
Another process
Chasing a letter they’ll claim not to have—
Again
Like that text—
It all feels the same
More blood
More time
More life (mine)
And I remember the lover who gifted their blood to me—
That was a far gone yesterday
The eyes lied like love does
Those are running out
I’m drowning
I’ll continue to tread water
Like those eggshells
Cutting my soul
I should have fucking gills by now
From all the slices
The little fishes gnaw
We’re intimately acquainted
Maybe I’d feel lonely if they weren’t pulling
Little chunks from my flesh
It tickles when they tear skin
With tiny pinching teeth—
I laugh - nervous - must be fine
How could I ever be alone
With them there
Grazing my ribs,
Drawing blood that colours the ocean
I’m filling up the tub
Making rainbows
And watching stars die.
It’s ok; it’s always ok; or is that fine?
—The fine line.
I don’t need a thing.
Why am I here again?
Not sure it was printed in the letter.
Dying to be free
Maybe that’s the missing line.
A conclusion
Because I should have said something sooner, right?

Sandcastles

I tried to cut it out—to stop the rapids from rushing the empty. A tsunami simmered beneath tiny ripples, I said, ‘Let’s stop’, and goodbyes in other words. Because saying it caught like barbed wire in my soft throat, “I feel for you”. I knew you felt nothing. Goodbyes stuttered at the ends of my thumbs because I felt what I considered long dead…. Until we kissed…I was a dead thing, perhaps a mirror of you. Tattered fragments scattered across the basin, worn and ground, fine and sharp after too many storms, too much friction, too much pain, fleshless broken bones—just sand.
Then my heart woke, and my soul burst in Aurora—electromagnetic, chemical awakening—
I was powerless. But I was just a child with her imaginary friend making sandcastles. I have a habit of loving those that can’t love me back—dead things too shattered to fly. I thought I was one of them….Then we kissed. I tried to say goodbyes in too many other words when I realised what you were between the lines, when the flowers I laid upon you withered and your pretence slipped. You were bored and I was a fidget toy within your reach. The sweetness masking the bitter fast dissolved. I tried to accept the end of your mornings and silence of nights, then you’d say, ‘Let’s do’ but we never did—you’d bail because of some unforeseen that I foresaw every time I said with hope, “yes”. I accepted your literal words to my catastrophe.
Now I’m hurt by the inevitable absence—the ghost I knew you’d become but hoped you wouldn’t. I foresaw it through the hope I was encouraged to dress in. You never really existed.

—Natasha )O(

Original photo, Natasha Sinclair.