Visiting my Asylum

Did you know I grew up in the place that inspired the primary settings for the book Asylum Daughter?

The building I lived in no longer stands. Like much of Easterhouse, it has been flattened. Unlike other parts of the suburb, nothing has been built on that site. The land remains derelict, forgotten. Woodland sprawls behind where blocks of flats once stood. Bishop Loch stretches out within the woodland, then a little behind the loch stands the blackened sandstone twin towers of the old, foreboding, gothic administration building of Gartloch Asylum.

Bishop’s Loch, with the towers of Gartloch’s administration building.
Bishop’s Loch, with the towers of Gartloch’s administration building on the left.

Since its establishment between the 1950s and 1960s, the suburb of Easterhouse is, unfortunately, more known now for drugs, gangs and poverty. Still, the area is historically significant to Glasgow (and Monklands), though being on the outskirts, it may seem unlikely. Bishop Loch (Bishop’s Loch of Bishoploch) was home to Iron Age communities. During medieval times, it was part of a vast estate owned by the Bishops of Glasgow. Check out the historic environment record of the site here.

Gartloch Asylum (inspired the fictional Lochwood Asylum in Asylum Daughter) was located by Bishop Loch, between Gartcosh Village and Easterhouse. Glasgow Council acquired Gartloch estate in 1889 to build the hospital. Receiving its first patients in 1896, after that, a tuberculosis sanitarium, and nurses’ home were built on the estate. The hospital supported the war efforts during WWII and then became part of the National Health Service when it was established in 1948. The hospital declined from the 1980s and closed in 1996, one year before her centennial. In her almost 100 years as a functioning asylum, Gartloch has stories to tell. Just before the closure, the hospital was used as the fictional setting of St Jude’s Hospital in the Scottish drama. ‘Takin’ Over the Asylum’ (staring one of my favourite doctors as a patient!). Explore the historic environment record for the hospital here.

In the present day, the estate is known as Gartloch Village. Several buildings were converted into homes and apartments, with new housing built around the site. The grade A listed Administration building still stands looking over the village, though derelict, it continues to deteriorate year-on-year.

Until the development of Gartloch village (and for some, even now), the spot was favoured by urban explorers and those who love the thrill of the mysterious and abandoned with the enticing ‘do not enter’ signs.

If you fancy exploring how I used this estate as my setting, pick up a copy of my psychological horror, Asylum Daughter, and let me know what you think! Bishop Loch also inspired the stage for two of the stories featured in A Life of Suicides.

October Markets

These are the markets where you can find me loitering behind a table this month. If you fancied picking up a wee book or two direct from me, you know where to find me. I’ll have some framed art prints and a few original framed OOAK pieces as well. As always, I carry limited hardcovers to events, so if you want any of those, you are welcome to order in advance to avoid disappointment. Just drop me a direct message / email.

Titles that I’ll have on hand:

  • #BeBrazen Autumn Equinox Edition
  • #BeBrazen Summer Solstice Edition
  • Delevan House
  • Clan Witch: Found Shadows
  • Incesticide: Collected Horror
  • Murmur: Collected Horror
  • Asylum Daughter
  • A Life of Suicides
  • Concoction V1
  • Concoction V2
  • One Step Forward, Two Steps Back: A story of love & survival through NICU

I don’t carry any threads except for those who have pre-ordered to collect, so if you fancy a cool Tee or hoodie, visit my Etsy.

Glasgow Markets

This is where you can find me in Glasgow between July and December for signed books, art prints, proverb pins and a wee blether. Come chat me up!

Special market-only prices for these 2023 dates are listed here. ⬇️

If you are attending any of the dates and fancy a shirt or hoodie as shown in my Etsy store, order in advance, and I’ll have your goodies ready to collect on the day! The quality is excellent and all garments are vegan and made in the U.K..

Market Price List 2023

The last date to secure clothing orders being picked up on the 22nd or 23rd of July @ Merchant City Craft & Design Fair, Glasgow, the 3rd of July.

If visiting me at The Gothic Market, Trades Hall, Glasgow on the 6th of August, the cut-off date for these orders is the 17th of July.

Hardcovers are heavy! I’ll have limited stock of these at my tables, but if you are coming to one or two of those, you can order in advance for collection.

I can’t wait to see you there!

Slàinte Mhath!

Natasha )O(

Print Price Changes

I do not speak for all independent publishers.

This is my base rationale for why I’ve chosen to utilise POD (Print On Demand) services.

I make no secret that when I began publishing, I never considered the traditional route. Honestly, I like the control and freedom of running a project end-to-end on my timeframe. And I need to understand processes end-to-end as much as possible and practical to do so.

Why print on demand?

Environmental: I don’t have to print more books (and other products) than I need to meet the demand of readers (and merchandise customers).

No stock goes to waste.

Books are shipped direct from printer to customer without the middle person (me) and extra costs.

Practical: As an independent, I don’t have the means to store bulk stock quantities.

Financial: To bulk print is a significant financial outlay avoided with POD.

Surface deductibles from the list price are the print cost plus royalty share shaved off from the distributor. Much more goes into the production of a book than those, of course.

KDP (Kindle Direct Publishing / Amazon) has informed publishers utilising their POD platform for book printing and distribution that print costs are rising from June 2023.

This will directly affect all softcover and hardcover books for publishers and our readers.

Publishers working with the KDP POD service are encouraged to review and amend list prices immediately.

I won’t be increasing list prices until June 7th.

Sorry, it’s outwith the control of us indies.

Thank you all for your continued support, and please continue to support #indepedant writers, artists, editors and businesses.

Natasha )O(

The Making of Delevan House #15

Converging Paths BrazenFolkHorror I share many old and new stories at home. As a family, we love to read aloud together. A habit I’ve shared and …

The Making of Delevan House #15

The Making of Delevan House #8

The Art of Seductive Reasoning Some may consider life and all of its complexities purely deductive, where two or more ideas come together to form a …

The Making of Delevan House #8

Clan Witch: Found Shadows

I’m sweeping the circle. The bones and remnants of word fusions are being expelled to make way for new spells. This collection is set for release in Hogmanay 2022. The preorder is live now.

Digital ARCs will be available well in advance of release, if you are a reviewer who’d love a first look at Clan Witch: Found Shadows, my mailbox is open for enquiries to be added to my priority early reader list.

Clan Witch: Found Shadows, releasing December 31st 2022

Synopsis (subject to tweaking)

Do readers buy poetry from undead poets?

There’s nothing quite like picking the prose and verses of the dead like vultures. There’s freedom in that unpicking, with no one alive to contest, at least not the mind which birthed them.

Sinclair consumes written and spoken as she does in its lyrical form, dressed in music and paint. Dancing to the beat or screaming into the voids of despair. Here, Sinclair presents Clan Witch: Found Shadows, no music, no paint, just words. A mix-tape of drabbles and anarchic free verse poetry..

The writer still lives. Perhaps you’ll read her unruly verse before the witch is dead.

Cover image from Christy Aldridge of Grim Poppy Designs

Mid Year Update

Talk about curveball 2022! Another year of madness! There were plans. Big beautiful plans! And while those plans still exist, there has been movement because of those unexpected transitions life has her way of throwing. Personally, I’ve had some family upsets which I predominantly have to deal with and process alone (my partner, of course, has supported as much as one can). I’ve angered, been frustrated, hurt, grieved, run myself in circles, hurt some more, and accepted. Because sometimes that’s all we can do. Accept to find crumbs of peace and carry on. It just takes a little time. It’s a process many are familiar with. It’s been heavy.

Following the acceptances of a triple-pronged hit, I’ve another unexpected ‘bump’, who made himself known in a dream. My kids are excited about another sibling to teach and get up to extra mischief with. Since I have complicated pregnancies, and this one has already given us some wobbles, I’m (again) doing everything within my control to keep this little one inside until late 2022, ideally early 2023. My cervix needs a mantra, and this is the last! The instant physical hit means I’ve been heavily fatigued, and as of that wasn’t enough, I’ve been hammered with mine and the kids’ second bout of Covid of 2022. Because I wasn’t wiped enough by the heavy graft underway in my uterus, I am zapped because my lungs are in battle, and my body feels like it’s been used as a punchbag.

Moving in from all of that, onto the writing front update:

My novella, Asylum Daughter, released on 8th May 2022.

Redesigned the cover art for Murmur: Collected Horror.

Launched Clan Witch Etsy store for book related merchandise and signed copies.

My short story collection Incesticide: Collected Horror is available for preorder, releasing on 14th December 2022.

My sassy, immensely talented, and inspiring co-author, Ruthann Jagge and I launched our website, BrazenFolkHorror.com, for our upcoming 2022 release, Delevan House and future projects. Ruthann also released her fantastic solo debut novella in January 2022, The New Girls’ Patient; if you haven’t read her, this is an excellent example of her extraordinary work that should be on any horror fan’s reading list.

I’ve still been editing work for other writers and publishers via Word Refinery and also published poet Rafik Romdhani’s collection, The Crash of Verses.

I am working on my degree course too.

The latest developments has zapped my study schedule. I hope to recover enough to make up for that soon. Deadlines are looming! Anthology wise, unlike in the previous two years, I have not responded to any open calls. My dance card has been packed. I have gratefully received several invite opportunities but unfortunately had to decline several. One that I was able to submit a piece to was with KJK Publishing’s The Horror Collection: Nightmare Edition, which has just been released. It’s the biggest collection of the twelve-book series and worth picking up for a good flavour of many popular independent horror authors currently putting our new materiel.

More still to come for 2022, and 2023 is also beginning to fill up with a couple of accepted invites, continued work with my brazen co-author in crime and at least one (hopefully two) solo release(s). One of which will be a collection of poetry and drabbles, Clan Witch: Found Shadows.

Flash Sale

My collection Murmur: Collected Horror is price dropped to just 0.99! 

It can be picked up from Smashwords at that price between now and December 10th!

I enjoyed writing each of the stories in this book. Each piece is followed by a few words about how it came to be. If you pick it up, I hope it brings you some entertainment!

Thank! )o(

The Best of Indie Horror: Christmas Edition

With a fantastic tracklist of authors, we are gunning for Christmas #1 with KJK Publishing’s The Best of Indie Horror: Christmas Edition.

The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.

The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!

From the back of the book;

There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!

This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.

In this invite-only anthology, KJK Publishing presents 11 new tales of frightful festive horror shenanigans from: Matthew V. Brockmeyer, Eric Butler, Matthew A. Clarke, David Owain Hughes, Lex H Jones, Kevin J. Kennedy, Zoltán Komor, Patrick Reuman, RJ Roles, Veronica Smith and Steve Stred.

Don’t forget the milk and cookies, and be good kids — someone is always watching. Those damn elves are not to be trusted!