Balanced Discrimination?

In this world of hyped-up political correctness, labelling and the push for artists to emotionally support, woo, and pamper the egos of a (potential) audience even before they have set foot in an exhibition, opened a book or hit play on that movie. Direct Discrimination thrives loud and proud with every cry for mythical balance through forced diversity.

Charades masquerading as ‘discussions’ that only bend one way do nothing but deepen discrimination such cryers profess to want to correct.

I wonder, once the arbitrary scale tips, what would they go for next?

Honestly, in the real world, there are far more significant problems to be concerned with. Still, my little blether to the void here will focus on the area that prompted my little rant- horror literature – eventually.

Before that, though, be warned, according to an online stranger who was ignorantly assumptive, judgmental, sexist and racist towards me, I was also thrown the mighty slur of the day with regard to my input in a ‘discussion’ (see point above. I know better, but we all fuck up sometimes) about female horror authors. The insult that screams (of the thrower) a lack of discussion skills and intellect… a ‘Karen’.

Yes. Because I disagreed, I’m a Karen….

First time I’ve had that one. Which made me ponder, was this nameless individual compounding the sexism they had already expressed? A Karen? Is it like calling someone a Cunt as a slur, specifically for a female? And female to female, that reeks of anti-feminism. Somewhat backwards for folk screaming for ‘progress’.

Anyway, I decided to ‘look it up’. Since it’s slang, I had a wee look on Wikipedia. Given the context, I really had no desire to do any real academic research with this, even as a student of linguistics. Wikipedia describes ‘Karen is a pejorative term for a white woman perceived as entitled or demanding.… The term is often portrayed…depicting white women who use their white privilege to demand their own way.’ It goes on, ‘the term increasingly appeared in media and social media as a general criticism of middle class white women,’ – so racist, sexist and classist! A bit much, eh?

If my name was Karen, I might be extra peeved at this derogatory and discriminatory slang. Since this person made assumptions about my race, class and gender that had the nameless sharpen their pitchfork and wield the mighty ‘Karen’, it says far more about them than it does me.

The insult also reeks of that well-documented American arrogance and ignorance — one that seems indiscriminate of gender, race, socioeconomic status, political and religious affiliation. Breaking news to those that fall into that bracket: your country is not the centre of the universe, the world is bigger than your echo-chamber. Funny, apparently those that disagree must “do better”. Being from one of the most deprived areas of Scotland, where poverty, crime, gang and drug problems flourish and the lifespan of the female is lower than anywhere else in the U.K. Having fought and lived through prejudice and discrimination from both ‘my own’ and beyond, and that’s only a tiny peek of the tip of the iceberg. Well, to say I scoffed would be an understatement. And I’m not going to go into the rest concerning the cultural and sexual trials. Because none of the personal anecdotes should matter in this context, none of it makes one person’s viewpoint more or less valid than another’s when it comes to how we choose art. Such blatant judgment and ignorance certainly detracts credibility; the nameless ‘wordsmith’ made a right fool of themselves. But hey, that’s the majority of social media, right. Hmmm, a scale that needs correcting?

Don’t make the mistake of thinking I’m overly sensitive to name-calling. My history has ensured my thick-skin. I am just a bit of a wormhole thinker. As I mentioned, another term often used in the U.K. is – Cunt, another pejorative. As a slang word for vulva, it naturally wields strong female connotations that are intended to be derogatory. I used to cringe if I read or heard the word ‘cunt’. But that was a long time ago. My consideration and view has changed; being a woman, a feminist and sexual, I can’t see anything derogatory about the female anatomy. It’s a marvel. The cunt is a damn mighty and beautiful piece of our biology. The cunt is to be respected. She is a place of many wonderful things — life’s most intense pleasures and, indeed, a gateway to life itself. In other words, All hail the cunt!

I can’t deny that my turn on the word was also influenced by seeing the Vagina Monologues in Edinburgh many years ago.

The following is a post I shared on social media that echoes the points fuelling the anti-feminist, racist, classist and sexist ‘insult’:

More often than not, when I view a painting — I see the painting BEFORE the artist who created it. This applies to photography, sculpture, literature, music etc.

I want to see what someone is portraying with their art first. Then I may be intrigued to want to know more about the creator behind the art – information that they choose to make available. As a consumer of art, I’m not entitled. None of us are.

I don’t look for the personal details of the creator before deciding if they are worthy for me to look at their art. Most folks don’t. Hell, imagine if we all ‘researched’ every creative involved in a movie before hitting play…

I am not going to seek out an artist based on what they look like, their gender, sex, cultural background, beliefs, heritage, politics, religion, who they fuck…

Now, I’m not saying that these things don’t filter into what is created, but none of those details makes a person’s art ‘good’! Nor does knowing them make you a ‘better’ consumer or person, even if it feeds your ego to think that it does.

Oh, and I am ‘part’ of several ‘marginalised’ groups; I will never use any of that to get eyes on anything I create because not everything is public property.

Now it’s an opinion, a fact of how I consume art. Life is extremely short. When reaching into something such as horror fiction for fun, leisure, enjoyment, and escapism, why is there this sudden expectation to ‘balance my reading list’ for personal attributes of author ‘diversity’ sake? I want to be entertained. Perhaps if I wanted to fuck them, I’d be more concerned with their sex, gender and orientation. Then it would hold relevance.

Perhaps art and artists need anonymity to thrive in a world that feels increasingly entitled to more personal details to feed this absurd mythical ethical balancing act for little egos.

AI & Digital Art – Opinion Post

It all kicked off on social media for a 24-hour period, which turned into outright bullying. It was a witch hunt, and the bandwagon was a disgusting display of how quickly negativity spirals in the digital age. There’s been a lot of it lately. Being new to the Twitter platform, it seems like a source for much of that ‘hate’ energy. Perhaps I’ve just not been exposed to that much (thankfully)! Anyway, I posted my tuppence worth on Facebook and thought I’d share here since it’s topical within book publishing and is unlikely to disappear any time soon.

The advancements in technology are astounding; we can all agree. The changes in my lifetime that have opened doors for global collaborations and distribution of art, music and literature are beyond what we could have imagined only a few decades ago. Technological advances have indeed made as many as it has broken.

From handwriting to typewriters to computers and printers. Pigeons, boats, airmail, fax, email and instant electronic delivery of words and art. And as difficult an adjustment as some changes may be at first, many ultimately embrace them.

We’ve been carving art from rock with stones since man stood upright. How much art and expression have changed is magnificent, and none of the changes takes away from how inspiring those first scratchings of creativity and communication embedded into our history, into the rocks, the bones are and always will be.

I remember turning my nose up at ‘digital cameras’ and ‘digital art’ when they were developed. I admit my attitude then lacked maturity, and there was perhaps a bit of snobbery. Now, I have a digital camera permanently attached to my hand! There’s magic in a dark room and effects that cannot be achieved any other way. You know what, it doesn’t have to be one or the other — I appreciate both art forms. And I like that people can capture crisper ‘memories’ in photos without professional skill. It’s (arguably) more accessible.

Going after AI is like going after anything else that was once ‘new’ before it. No, it’s not the same as paint on canvas or a human digital artist layering and developing elements to create a unique piece. It isn’t supposed to be either!

I don’t think any creative should be threatened by AI technology (at this point).

It seems that folk are so quick (on social media) to jump on the attack. Pitchforks out, ready for the witch hunt, taking it out on someone entirely undeserving. Whatever happened to the old sentiment ‘if you’ve not got anything nice to say, don’t say anything at all’?

And for all of us working in independent/small press publishing, in whatever role, I wonder what we would be doing without technological advancements. Digital artists would not exist. Self/Independent Publishing would not exist as it does now. Haven’t we each experienced archaic attitudes looking down their noses at our work at one point or another? It seems a somewhat hypocritical thing to go on the attack for.

Image generated using text prompted AI

Cancelled!

I wrote my first short story of 2022 and submitted it to a publisher at the weekend.

My aim this year was always to pull away from short story writing (and submitting) to focus on longer works, my coursework and editing.

And I’ve stuck to it pretty rigidly, even when declining offers is painful! But spreading oneself too thin degrades everything.

I’m not going to go into the details of this short story, but I will say that its content, along with recent conversations with other writers, got me thinking; If I had a higher readership, I’d be cancelled.

I know there are many faux pas and taboos that change over time, and my work constantly bears the weight of uncomfortable themes. Horrifying right? One of the reasons I now include content warnings is to support readers sensitive to particular themes. It is not a poor taste marketing strategy. It is genuinely to deter readers that could feel hurt by my work. If I’m doing my job correctly, my work (in horror particularly) should be uncomfortable.

Over the last few years, there has been a notable request for ‘diversity’ from publishers demanding representation from marginalised groups — in a writer’s personal circumstances and in the characters we create to tell our stories. In this quest, many are outright discrimination, the very thing they claim to be trying to ‘correct’. ‘We demand diversity and representation unless you’re a cis white male’ being the most prominent. How dare they! On top of that, these diversity thumpers are dictating the presence of character archetypes in a creative’s work! ‘No LGBTQI+ representation? Better squeeze one in there, to keep everyone happy.’

Well, quite frankly fuck that! I don’t fall in line with any dictatorship! And it has zero place in art of any kind!

I am anti book banning.

I am anti art burning.

I am anti-censorship.

I am anti-dictatorship.

If you don’t like an artist’s material — don’t buy a ticket, don’t read their work and don’t dictate how anyone else should feel about it! Such arrogance is deeply misguided and kills art. It doesn’t promote it; it doesn’t promote equality or diversity. You’re foolish if you think that it does. The great tapestry of creative output is the very definition of diversification and multicultural without a pre-set dictated agenda!