This year, I vowed to drabble less and invest more time in short story writing and my two novels (in slow progress). In all honesty, with health and life’s curveballs I’ve struggled to find time, space and concentration. Running on empty as far as creativity is concerned, my general focus is pretty fragile and easily shattered — drowning in a sea of noise and clutter… At least that’s how it’s felt, and I’ve beaten myself up about that. I didn’t want to respond to any drabble calls, but found myself veering over to that corner a fair bit since the start of 2021, with around 30 accepted drabbles in 2021 and a few blogged pieces. I’ve not yet decided if these are a comfortable micro distraction or kryptonite towards my brain’s ability to focus on bigger pieces. Regardless — if you enjoy micro-fiction, my little horrors will feature in upcoming publications from INSIGNIA STORIES, Black Ink Fiction and Raven & Drake, all to be released this year.
I currently have several short story submissions sitting in the hands of publishers, including two invite-only opportunities. Though that send button has been hit, I’m never nervous about rejections. If truth be told, I anticipate those more than acceptance — it’s the waiting that drives me slightly loopy! I hope to share more about these stories once responses are in, as the creation of each one was rather fun! For now, just a few of the titles in wait! 😉
There’s been some writing and lots of editing on the go this month — one in which my home life has also hiked up the demands. Though that could be the cumulative effect of this year of, well, you know, it’s been mental for many of us! To say a balance has been tricky would be playing down how much of a riot things feel. The execution, thankfully not so much, but certainly my panster and parent brain are on the juggle, with at least one child jumping on top of it incessantly ringing the jester bells on the cap feels out of whack. Who am I kidding — it’s a shambles in there!
Moving on from that shambles ramble…
I was delighted to be enlisted by Kevin J Kennedy to edit his debut solo novella, Halloween Land. For which I also created some supporting promotional graphics and synopsis for the release.
Kennedy’s solo project has been a long time coming! Given how hard he works as an anthologist, engaging and gathering horror voices to present to eager horror fans – this solo piece is eagerly anticipated by fans of his writing. The super cool cover art was created by François Vaillancourt, internal artwork by Mar Garcia and a closing poem written by James Matthew Byers.
He kindly asked me to write the foreword introducing the book, which I was taken aback by. To introduce such an important work in a writer’s career is a tremendous honour, I was delighted to oblige.
Halloween Land is out now and is available to download worldwide from Amazon, and the paperback will be available in the coming days. If you pick up a copy, please do leave a review! Kennedy loves engaging with readers and fans of the genre — you can reach out to him directly via Facebook, Goodreads or Instagram.
Writing — I have two short stories I’m working on with deadlines looming, which I can’t share much about yet. Both horror, one is extreme, which I am at the idea outline stage — this one will be sleazy and gore-filled. The other is further underway and is an adult-horror spin on a children’s classic. Though the inspiring story, I would debate whether it’s ‘children’s’ at all. Certainly, lots of coming of age issues addressed, particularly the challenges of girlhood and adolescence. The original story is heavy in bizarro / fantasy. If anything, there’s too much inspiration to play with for creating a new short piece. So I am keeping my distance and tipping my mad hat to this beloved literary classic only.
Being invite only opportunities, it’s imperative that they each fit their retrospective bills, which adds a little bit more pressure to the creative process. That time has been more of a challenge than I anticipated this month. It’s getting into the flow with it when batting different characters and plots around. All that being said, I shall get there with them; the engine is revving, I just need a clear stretch to slam down on.
Time being so restricted for longer pieces, I have ended up playing with another writer, David Owain Hughes, this month and co-writing some drabbles, as well as throwing a few solos down. March procrastinating at its finest! Productive down another road, at least. So there’s a bunch of these little bad boys being published with Black Ink Fiction this summer.
I’ve also shared a few free quick-fic pieces right here for those who fancy a gander! That’s it for now. The sirens are wailing, I better skedaddle!
A little update since the sands are sure as hell quickening, if not entirely running away.
Reading this year has been pretty diverse, with an unintentional heavy focus on horror — of all flavours. I’ve also developed a taste for bizzaro horror, I’ve come across a few authors who have tickled me – a new (non) guilty pleasure for sure. If it’s gonna simultaneously grose me out and make me laugh my ass off, it’s a thumbs up! Outwith proofreading, editing support and competition reading my ‘just for fun’ list, in no particular order, have included:
Richard Laymon – The Beast House Chronicles Edward Lee – City Infernal (Series) Kevin J. Kennedy – The Horror Collection (Anthology Series) Jethro Punter – The Daydreamer Chronicles Eleanor Merry – Dead Aware (Series) RJ Roles – Girl’s Best Friend (Tangled Web Series) Steve Stred – Ritual (Father of Lies Trilogy) Matt Shaw – Deep Rooted Fetish (Short) Duncan Ralston – In Every Dark Corner (Shorts Collection) Darren Tarditi – Neigfrid (Novella) Natasha Mostert – The Midnight Side (Novel) Laurel K Hamilton – Anita Blake (Series) K Trap Jones – Welcome to the Splatter Club (Anthology) Ernest Cline – Ready Player One Ernest Cline – Armada Christine Morgan – Lakehouse Infernal Insignia Stories – Japanese Fantasy Drabbles Liian Varus – Is Stranged John Black – Growlers Iron Faerie Publishing – Hawthorn & Ash (Anthology Series) Iron Faerie Publishing – The Best of Iron Faerie Publishing 2019 Andrew Lennon – Life to Waste Tim Lebbon – Eden Saemund Sigfussion, Snorri Sturluson – The Poetic Edda & The Prose Edda
Writing wise, as per my previous posts, I’ve been subbing work out this year. When it comes to responding to open-calls and invites it can be a bit like having free time (which I never do) and swanning into a well stocked library – it’s easy to get lost and devoured by the stacks! Or, maybe a more precise analogy is the old ‘kid in a sweet shop!’
The submission opportunities out there are plentiful and you can’t write or, indeed, get accepted into them all.
I’ve naturally had a preference for small press/indie publishers. Responding to these opportunities is rather nice as it takes the work out of the book building/formatting side – which is an immense amount of work on the publishing side. I massively appreciate the work that goes on behind the scenes of a quality publication and am truly grateful to a part of each one who’ve warmly accepted my (often) warped little terrors into their fold.
Designing stories with specific open calls as a target has helped reign in the ideas by having a set genre or word count to meet. It’s been beneficial as I oftentimes overwhelm myself with too many ideas that get scattered around as notes and poetry that may evolve, or not. Needless to say, responding to some of the opportunities has put my other WIPs on pause, that’s not necessarily a bad thing, it gives those stories and characters more time to prove and maybe keeps the demon, Writers’ Block, at bay.
Some of my published (and to be published work) can be found within the catalogue of the below Publishers:
Those currently available are updated on my ‘Books’ page and links for those to come will make an appearance in due course. The below two titles are releasing in September 15th (Dark Celebration) and September 28th (Southeast Asian Fantasy Drabbles.) I am grateful to have two pieces in each alongside a TOC of talented international writers. Both anthologies are available to preorder now from Amazon, worldwide.