I’ve considered doing some reading videos for a while now but only recently began sharing a few online. So far, I have shared a handful of poetry and short stories over on YouTube. Only one is a reading of one of my pieces. The rest are shares of other writers work that I enjoy. All are welcome to drop by, subscribe, share. Open to requests too, if you have a piece you’d like me to read, drop me a DM. I can’t guarantee I’ll do it or when, but I’ll be in touch nonetheless.
I started writing this post at the beginning of December. Then it got parked because, you know, December hit!
The last two years have been an uncomfortable and strange kind of chaos for so many the world over. Few things have felt light. My three daughters’ birthdays all fall within nine days during the last month. December also marks my grandmother’s birthday and death. The latter happened when I was juggling having my youngest in NICU and protecting my still vulnerable toddler from the stark risks of RSV season. I couldn’t see her before she died. December always feels heavy with gratitude, pain, trauma, distress, anger, conflict; it’s all a dizzying soul ache and more love than I can handle. I don’t want to get stuck when I glance at the clock at certain times through those days, marking deaths and births; the past is reflected in the clockface. But I inevitably, subconsciously glance — it’s always one of those times. Words ring through my mind, with alarms, rushing and deathly silent moments, sensations my body still feels. Muscle memories of energies change everything.
My daughters had such great birthdays this year, even with this shitshow of humanity and how we deal with pandemics. That’s given rise to so much I thought was in the past. There are too many egos putting lives at risk — for arrogance, superiority complexes of conspiracy theorists who think they are somehow in the know, and governments’ superiority complexes; projections of elitism. I have little tolerance for many such things these days. It’s all egocentric. Ego, I wonder what the picture would be like without its existence.
Anyway, I had writing to tie up this month, before the year’s close — a few short stories at the very least. My focus is off-kilter still, and the hours are so very full. The final hours are closing in, and I’ve barely caught a breath.
Solstice has now marked the rebirth of light on this hemisphere, and I’ve been marking out intentions in blood and ink for the moons ahead. This week I will release the ashes of the year behind, putting light into the seeds that can only grow.
The stages of this ailment wracks havoc through my body.
Vexatious attempts to conquer; become me.
It began as all things do, a spring birth nipping exposed skin; testing the fragility and limits of the becoming.
Little by little tentative blooming begins.
Through kissed, bitten and hard pinched skin.
Assaults on the juvenile unrelenting.
More than hormones, chemical reactions take the blame.
Flora sprouts through the hardened dark, softening sporadic perimeters, lashed by sharp spring-sight-steeling-rays - momentarily monumentally blinding.
Once this is over, it’ll be ok.
Fate awaits.
They said I had some years to change, some precious time before it was too late.
Wild horses tear thunderous lumps through my soul; stallions each gunning for control.
Endless war rages within; the battle of self.
The therapies, the drugs and carefully selected words.
None ever any good.
The rampant rage is on, no war is without bloodshed; relieves the pressure of dismissed, displaced youth.
One must be real if they bleed; alive even in fantastical Maiden daydreams.
Suppression of the whispering thugs a delicate parity; equilibrium of what?
One cannot be sure - what if there is no cure?
Fate never waits.
Time, she keeps flowing through the bottomless glass.
Smoke without mirrors; dense, dancing swirls too black to pass.
Maidenhood ends, scar tissue thickens not mends.
Strands tangle in knots unseen through the haze of smoked days.
The Mother is one which cannot be skipped; the fear of becoming the Maiden’s own too hulking to dismiss.
Summer’s heat pelts down like the belt; sporadic lashings through which you must stand, never waver.
Fane unfeeling through the weeping welts.
So many mistakes, learning aplenty with a war thirsty wraith wailing shrieks in the ear. Overshadowing youth whispers, the memory of what was terrorising for so long, now a quiet comfort of historical storm.
The dust of the battles must eventually settle; submit, surrender.
Breathe it through; she’s coming for you.
Autumn bleeds summers setting into winters webbed ebbing.
A witch must relinquish the right to fulfil natural potential when the hourglass quickens towards inevitable expiration.
The time of the Crone dawns and with it awash with insight previously unknown.
Suddenly the wonder uncoils and monstrous ponderous mysteries are starkly revealed before the last breath is sealed.
Fate never waits.
Any one day can be the day she whispers.
The voice of all time and fate entwined;
“Dear daughter, you are too late. You’ve relinquished your fate.”
Fate never waits.
It can be picked up from Smashwords at that price between now and December 10th!
I enjoyed writing each of the stories in this book. Each piece is followed by a few words about how it came to be. If you pick it up, I hope it brings you some entertainment!
Just a quick share. I was invited to interview over on Masters of Horror U.K. by David Kempf. We chat about writing inspiration, the popularity of horror, publishing and current projects. You can check that out by clicking the link. Apparently, I can be a bit of a blether! Much thanks to David Kempf, and those who take the time to check it out!
The final release from KJK in 2021 is out now and is available in eBook, paperback and hardback editions. It is the perfect read for fans of short horror fiction for the festive season, with a fantastic mix of holiday-themed indie horror from some of the best word weavers on the scene.
The book has been received well by readers and reviewers so far — a huge thanks to each and every one of you who have supported the new release from the indie horror community! If you haven’t picked it up yet — when you do, we hope you love the stories selected to inject a bit of horror into your holidays!
From the back of the book;
There’s no better way to celebrate the end of the year than with a seasonal mixtape with The Best of Indie Horror: Christmas Edition! Whether you love it or loathe it, Christmas brings out the best and worst in many people the world over — thus, lighting a fire in the bellies of storytellers who wish to strike warm fuzzies or tantalising terror in reader’s hearts. You won’t find the warm fuzzy feeling here; that’s not what we do!
This anthology will dance readers through an array of styles and horror sub-genres, including bizzaro through the looking glass of unique Christmas ornaments; such treats always come with a price. Discover the dark secrets between the Claus’ and Krampus that you’ll never forget. There’s a touch of sci-fi when a lone worker discovers a hidden department in a derelict store. There are family horror tales of obsessive tradition, reunion, and mayhem. This edition promises something festive to satisfy a cornucopia of horror pallets.
Their love Demanded a price Obedience Blood Sanity Unspoken (at times) Until she spoke up Raising from a whisper Unnoticed Unheard Unwelcome Pitchforks Faux assurances Platitudes Lies All of which she despised A continuous cycle Only she could break The black sheep The unwanted The failure Witch bitch Her death worth more than her life The life begrudged Cell division Damning their youth Sealing fates She to blame Because someone had to be She tried Talked Filtered Diluted herself Until there was barely anything left Shut up Medicate Put between some miles Time Distance not enough Their disdain plain As long as she exists It’s all Futile The failed investment It’s all too late Consummation sealed fate Abortion option too late You are your faults Your decisions She is not your scapegoat Anymore.
I now try to let such days pass by. There’s a day for everything, isn’t there? It’s impossible to acknowledge them all, thoughtfully, every year.
This year though, I’m dipping my toes in to share a little on the messy, sticky web.
For the lifetime of my first premature baby, I have struggled to acknowledge Prematurity Awareness without also acknowledging baby (and infant) loss.
I lost two before my two survivors.
Every birth affected me profoundly. Even the first, which I readily admit was a pregnancy I didn’t want. Yes. I admit that. I wasn’t ready to be a mother. I wasn’t in a supportive relationship. I was in an awful state of depression. Even with that, I still grieve for the life that formed inside my womb, those rapidly multiplying cells that suddenly stopped. I remember the pains ripping through my abdomen. I recall the loss as intimately as the babies I actively (desperately) tried to conceive years later.
The second pregnancy (baby) was very much wanted; every moment her heart beat, and every moment after — when it fell silent — is preciously held in my soul. My womb remembers her place there. Those horrendous words at the ultrasound, “I’m sorry, there’s no heartbeat,” still haunt me. Days of her silence within my body, knowing she was dead and willing her heart to (miraculously) start beating again, wishing for a mistake, they missed her fluttering. There was no mistake — her labour and birth in that silent hospital room and everything after is etched in my bones. The love is agony.
I didn’t trust my body. I felt betrayed by the perceived failure to protect and nurture the life within it.
My third pregnancy was riddled with anxiety. Words are frivolous when even professionals can’t give the answers. There’s no reassurance anyone can offer, just a wish for their life. Their existence. Hope through the torment and desperation.
My third child was born alive just 25 weeks into the pregnancy. The Neonatal Intensive Care journey that followed was another world entirely as was finally bringing her home. Writing about those initial four months was cathartic and not something I really planned on doing — it just happened and became something that I hoped may help other families thrown into that world feel a little less alone. It can be a deeply isolating experience — having a very premature / sick child — and the ongoing battles, fighting their corner and protecting them, making arduous decisions. All this carries on after they’ve been discharged from the unit — at least those fortunate enough to survive.
My last pregnancy ended when my baby was born at 28 weeks gestation. That Neonatal Intensive Care Journey was another experience altogether. Medically it was smoother, and the surroundings, staff, routines and procedures were familiar, comforting (in ways). It was no less difficult — additionally so with another young child to care for — a toddler who was still at risk of things such as RSV, and this birth like the one before was also bang-smack in the middle of winter. My soul was ripped down the middle — and I mean utterly eviscerated. I was a walking, talking, gaping wound that appeared on autopilot. And I don’t think there’s a way for those cracks ever to be restored.
I’ve accepted it all, each of those journeys, the losses, the trauma and the toll it took on our family.
I have let go of the crippling guilt of events I had no control over — advice for life. Learn and let them go.
So, November 17th is World Prematurity Awareness Day. It means something a little different to those who are aware through their own experiences.
I published my first book on my first prematurity survivor’s NICU journey. Having my children gave me more than I can ever put into words. They are my reason to not wilt quietly in a corner, my reason to speak up. They are my inspiration, my pain. They taught me a love that I never knew and so much more. They are my reason to keep going and try to set a positive example of self-worth even when I feel entirely worthless. My children are worth so much more. (All our children are.) They continue to do this every single minute of each day because they exist — against the odds (which were very beak at points).
I’m not going to spiral into talking about the impacts of the pandemic on all of this. It’s hard to refrain because it has had an impact. And knowing how tough those journeys in NICU were for families prior to all of this, let alone now. For those (medical staff and preemie families) having to manage those additional risks and contend with vaccine refusers and conspiracy theorists….
Anyway, it matters. Our actions have consequences that we cannot imagine.
I’m babbling now and trying to stem the flow so, here I sign off my (public) acknowledgement of World Prematurity Day 17/11/2021.💜
Instead of ploughing into the to-do list, which has a terrible habit of expanding, I am writing this. It helps to organise the brain, maybe. I opened up my submission spreadsheet and there’s hardly any writing submissions outstanding! It’s almost dry! This gave me a bit of a ‘must write, must submit’ moment. No, I shouldn’t. I’ve enough to keep going and hope to tie it all up to start 2022 with key priorities from which I will resist deviation. I will resist. I must resist! My wandering eye needs reigned in! Wrapping up 2021, so far, I’ve had stories published with Black Ink Fiction, Books of Horror, Crimson Pinnacle Press, Horror Sleaze Trash, Insignia Stories, Iron Faerie Publishing, KJK Publishing, The Evil Cookie Publishing, The Macabre Ladies, Sirens Call Publications and have published my collection, Murmur: Collected Horror. And I have a few pieces of work pinned — don’t we always?! Writing aside, I’ve been studying, proofread several titles, completed developmental editing work, created promotional materials including written copy and graphics, written forewords, completed interviews, edited KJK Publishing’s 2021 releases (The Horror Collection: Extreme Edition, The Horror Collection: Ruby Edition, The Horror Collection: Yellow Edition and Halloween Land) — with another two scheduled for release by the end of the year, and it’s not over yet! So, I’m back to trying to pull focus into what I MUST tie up, on top of editing before 2022, which includes finishing up a couple of writing projects. With less than three months left it’ll be over before we know it. I am going in firmer in 2022 with what I take on. My novel (that I had hoped to finish this year) didn’t get much attention due to other projects swaying my eye and life doing its curveball of mayhem routine, so that will be at the forefront of my list. I am starting a degree course in January, which will require much attention. I will be collaborating on two projects, one with another (damn talented) woman in horror, Ruthann Jagge (who, if you haven’t, you MUST check out) — I cannot wait to see what we create together. And another exciting collaboration with the one and only Kevin J. Kennedy, another indie story weaver who should be on your reading list. There’s more pencilled in, but the priorities are in bloody ink!
When propositioned to create a story based around an urban legend, I was keen to offer a Scottish framed piece for consideration to this popular anthology theme. With an abundance of folk tales around Scotland and its many isles to inspire, I decided to dip into what I’m more intimately aquatinted — Glasgow. The central belt is brimming with inspiration. Three urban legends immediately sprung to mind. However, when I began drafting a story, I hopped, unfocused between tales and my first attempt got pinned as I had a stronger pull towards another.
Children playing in Glasgow’s Southern Necropolis. Circa early 1950’s
Much can spiral from classroom whispers and the imagination and zest of children. The inspiring legend of The Gorbals Vampire (or Ir’n Jenni), which spawned hysteria, climaxing in September 1954, and Alexander Anderson’s poem, Jenny wi’ the Airn Teeth, led the way for my creation. The Gorbals Vampire incident brought much debate about censorship of literary material (from poetry in the classroom to imported American comics) to impressionable children, and the Children and Young Persons (Harmful Publications) Act 1955 was passed through the House of Commons. Censorship is an area that is still very much debated today through the arts, worldwide — and not just with children in mind — this deepened my draw to this particular event.
Sunday Mail article 26th September 1954
My story, City of the Dead, was created as a nod to the notorious child vampire hunt of 1954 in Glasgow’s Southern Necropolis and Alexander Anderson’s poem from 1870. I love a good cemetery setting (typical goth, I know), so taking on The Southern Necropolis — which is home to over 250,000 buried souls was a lot of fun. I enjoyed writing this one. It’s always satisfying to weave regional dialect through a piece — bringing authenticity to the characters and reverence to the urban legend’s roots.
I won’t share spoilers beyond the base inspiration for my own story, as City of the Dead was submitted and subsequently accepted by Crimson Pinnacle Press for their Twisted Legends anthology!
The book received a high volume of submissions of twisted takes on urban legends from around the globe. The editors chose the top 13 offerings, and I am thrilled to have made the cut, alongside; Thomas R Clark, Lance Dale, Lance Harkers, Stephen Johnson, Ruthann Jagge, Jae Mazer, Jason Myers, Pamela A. Parish, Chris Puzak, RJ Roles, Vic Kerry, and Robb T. White.
Graphic created by Lance Dale.
Having been published in Crimson Pinnacle Press’ (invite only) inaugural anthology, Fairy Tale Horrorshow, I am ecstatic to be accepted into their pages once again! The duo who run the press, RJ Roles and Jason Myers, certainly have the eye for unique, quality indie horror, I promise you that! You’ll have to pick that up to read my take on this urban legend from Scotland and the 12 other twisted legends, launching October 25th. The eBook pre-order is live.
Thanks for reading!
In addition, if you’d like to listen to me reading Anderson’s poem the video is below.
Clan Witch & Word Refinery 