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The Spiralling Pit

The Creative Mind & Depression

Let’s consider that the creative mind and depression are synonymous. This is not a new idea — even if depression is regarded as a disease of modernity. It doesn’t take much to cast back to common references of such stereotypes as the ‘mad scientist, ‘tortured artist’ throughout human history — there has to be some inherent truth in the link.
Personally speaking, there’s a maddening synchronicity to weaving art through mental ill-health. I loathe embracing this affliction as an illness; it’s an evil twin that’s attached itself to my core. But there’s no wavering — it is an illness. Maybe one of the soul as much as the brain. It torments the creative mind like a captor. For some of us, the relationship becomes a sort of Stockholm syndrome, an inescapable symbiotic horrorshow.
I abhor it, maybe as much as I was conditioned to despise myself. Then I wonder if that instinctual over-analytic contemplation, the drive to understand and develop answers and solutions — a catalyst of change, a fuel of creation has some essence that fills a need — even when it leads to nowhere on the external. With depression’s tightening hands around life and art’s (those too are synonymous) throat and no words, shapes or colour come in any sort of sense, with the abandon of insanity. And the heavy, sticky, tar-like stuckness of it. With maddening, head-bursting introspectiveness and reactionary to stimulus, even of a thoughtless kind. Those stimuli can be hardest to shake — that processing of depression, like art, can be sickeningly narcissistic to an observer. Beneath that appearance, it can be more from an altruistic nature, one that can never find peace from being consumed by so much needless suffering for deplorable reasoning. An internalised, ever-raging war of sadness, anxiety and frustration and their armies.
There’s a kindred spirit amongst those who suffer (I’m not keen on that word too, though it is accurate) at the hands of this demon. Depression; the stalker. It certainly tortures and bates like one. Of course, I point the finger at depression itself, but maybe that creative drive is too a demon of sorts; a need, compulsion, addiction. That need, that drive can be as desperate as the most basic needs to survive. Creativity is the thirst of the soul that demands quenching.
While there’s no hard, scientifically proven link that I know of (I could be entirely wrong), its long-running prevalence cannot be denied. Some of the most cherished artists have made their afflictions known; undeniable tales slithered through brush strokes and words and musical notes, pouring blood through ink. Van Gogh, Plath, Woolf, Fitzgerald, Cobain, Staley, Cornell… there’s an endless parade of those who’ve broken into utter submission to their affliction, how many more unknown names bound together alone? Scattering pieces of themselves before their demise, with vultures pecking at the bones for generations after, or they blow away ashes to the wind… forgotten. There is a desperate need to live in some form of immortality living in loops and repeats, words cascading through eyes in minds; breeding and living on when that mind has long ceased being. Depression when it dances with suicide and for those whom it jumps into bed with, it’s an oxymoron in a creative who scatters seeds that, for some outlive, that immortality craving, notes from the grave, the cry for help or the declaration of: this is just how it is, beneath it all.
Many years ago, a doctor (or therapist) remarked how maybe there was no way out for me, that my deep dark maddening downward spirals of self-torment and heavy sadness, the depression and suicidal ideations and (at times) planning, were a part of me… Victim blaming? Professional incompetence? She (like several) didn’t know how to help. I’m a hopeless case. Miraculously, therapy didn’t push me straight off the tightrope. I embraced that message to a degree, though. Therapy (for me) was utterly useless. (For some of those, the mentally unwell are fodder to their ego-mania of saviour, even if just in prescribed works, it lines their bellies enough.) More than that embracement, it added to the weight of hopelessness — even with professional intent, sometimes there’s no one to help but oneself — in that, I’ve had no choice in the toughest of times.
I sometimes lull around the button. The whisper has never ceased, it bides its time; the one that says, “you’ve fought long enough”, “waited long enough”, “it never gets better for long”, “just give up!”, give in”, “finally, make the pain stop….” Lifelong mental health battles have steeped into my bones, I’m almost convinced it’s the culprit for a multitude of ailments. Dancing with physical pain like a lover, spawning one chronic pain to another.
I have my tethers, strands that force my nostrils just above the murky water, choking and gagging with that whisper, taunting to submit to the deep.
It’s interesting, though — I mulled over this recently whilst amid a major dip. It’s funny the terms we use for mental ill-health, there’s a flippancy that almost minimises this beast’s brutality. When I hear the buzzword ‘wellbeing’, I feel the same way — it’s wishy-washy, a platitude coined by the utterly clueless desperate to appear to care. A painfully overused marketing ploy. Along with the flippancy, there’s still such stigma for when mental ill-health is discussed sincerely and from places of genuine life experience — not just a mere observer. Not that I dismiss the validity of good, unbiased observations! As a highly sensitive introvert type, I’m an observational questioner — constantly to the point of unbearably annoying.
Back to the point — yes, I’m almost sure the creative brain (certainly, my own grey-matter) is in an ever-constant dance-off with depression and her tormenting sisters… I’ve never been a good dancer, they toss me around like dead meat.

New Releases from KJK Publishing

It’s a tandem release from KJK Publishing! These two have been very much anticipated titles – from Kennedy, myself, the authors and readers in waiting, and I am thrilled that they are now available.

The Horror Collection: Ruby Edition celebrates the 10th book of the series! Featuring exciting and horrifying original stories from;

Tom DeadyCalvin DemmerLex H. JonesRonald KellyKevin J. KennedyChristopher MotzKyle M. ScottGuy N. Smith, and Steve Stred. As well as the horror, there is also a poem written by Kennedy’s father, John Kennedy, published in his memory.

Since its conception in 2018, The Horror Collection series has been a firm favourite amongst global horror readers.

With each edition, KJK Publishing has prided itself in bringing audiences new stories from a coalition of brilliant indie talent across the spectrum of horror literature. Putting these stories firmly in the hands of readers, these collections are perfect for those who enjoy shorter works of fiction, those seeking fresh talent in the horror genre and make great reads, as a break between devouring longer works. A novel break, we could say!

The Horror Collection: Extreme Edition has also landed!

This highly anticipated anthology from KJK Publishing is only the third in the series to be specifically themed.

Featuring established and new talent, each with vivid, sickening prowess in executing extreme, gut-churning, explicit, adult horror — Nic BradyMatthew A. ClarkeDavid Owain HughesKevin J. KennedyKyle M. ScottMatt Shaw and Natasha Sinclair have each contributed their slice of extreme in seven never-before-published stories, for your darkest pleasure! Extreme Edition is the unruly weirdo in the family who has no filter. The one that all the good crass, uncomfortable and disturbing stories come from — you wouldn’t trust them alone with your wife or kid! Hell, you don’t exactly want to be caught up alone with them yourself! This one has no boundaries. It’s the social anarchist of the relatively straight-laced bunch — that’s even with the freaky bizarro cousin interwoven through the THC books.

Grab your copies now! And as always, sharing your thoughts by leaving an honest review is always greatly appreciated.

If you are a reviewer of Horror Anthologies and fancy digging into either of the collections, drop me a message or reach out to Kennedy — we are always happy to build contacts in our dark little community.

27/07/2021

Horror Sleaze Trash

Live and free over on Horror Sleaze Trash today is a new filthy little flash story, Milked, from Natasha Sinclair and David Owain Hughes.

Check out our story and the many other dirty little words over there — tissues, lube and a sick bucket are reasonable condiments to have close by.

Enjoy! 😉

Murmur: Collected Horror

And the next release

Summer Solstice Book launch!
My solo collection of 9 short stories, Murmur: Collected Horror — the paperback and hardback are available now, the eBook lands tomorrow, 21st June!
For an indie, I am generally pretty reserved about sharing and shouting about my work. It is a form of absolute introvert torture but I’m trying to work through that — it’s a slow process!
Some of the contents have been published previously, these are spliced with a few never been printed pieces.
Writers are often asked where ideas come from or what prompted a story, so each piece in the collection is followed by a few brief words about that. This little personal touch has been received positively by my pre-readers — I hope you enjoy that little insight too.
I would love to share a read from the collection in the coming weeks. So, if you read it and have a favourite story — let me know in a review and/or by dropping me a message here, on Facebook or Instagram and I’ll pick the reader’s favourite to share!
In time I would love to build on my ARC (Advanced Reader Copy) team for future releases, who would receive a free ARC of my books to read and review before public release. If you read and enjoy my work and this is of interest to you — please drop me a message. I want to hear from you!


My next (tentatively planned) solo release will be that of my debut novel, working title, Backyard Asylum, this may very well change. I’ve been swamped with other projects this year, so it hasn’t had as much attention as I’d hoped by this point. Projects with deadlines have taken president over the novel, but I hope to delve back into this come Autumn and at least have a completed first draft by the end of the year. Genre wise, it’s working out to be a blend of horror sub-genres, with definite elements of psychological and extreme. The working title may suggest the Asylum being a main (trope) feature but it is merely a backdrop at certain points within the story.

That’s a wrap for just now, if you pick up Murmur, I truly hope you are entertained! Thank you for reading and supporting this wee Scottish indie writer!

Natasha )O(

Update 23rd June 2021

As well as being available via Amazon, linked above, my new release can also be found on Smashwords, Apple, Barnes & Noble, Kobo and Scribd!

Juicy June

A quick update on this busy month!

My solo collection, Murmur: Collected Horror, is up for pre-order. The paperback and hardback are set and will be available on 21st June! I am stoked that Kevin J. Kennedy, one of the UK’s most prominent horror anthologists, was kind enough to write the Foreword for the collection!

Pre-orders for several books that I have stories featured in have landed all at once, including Black Ink Fiction‘s first two books in their Legends of Night series — Infection and Bloodlust. I have ten drabbles between these two books, including my first time co-writing these micro-flash morsels with David Owain Hughes. How on earth do you go about co-writing a drabble?! Yes, I too wondered that — it was surprisingly fun and a touch addictive. Infection is officially released on 29th June, with Bloodlust at its heels on 13th July.

Next up to be available for pre-order is the highly anticipated, Gorefest from The Evil Cookie Publishing. This extreme anthology promises gross, humourous brutality — as a reader I cannot wait to read it! My contribution, Fuckin’ Maggots, is included in the line-up.

As the editor for KJK Publishing, I have also been working with Kennedy on finalising the next two The Horror Collection books, Ruby Edition and Extreme Edition. Some favourite contributors from previous THC books make the invite-only line-up, alongside some newer voices in the field. As always, Kennedy has his finger on the pulse of Indie Horror talent – if you’re a fan of horror and short fiction, these should absolutely be on your summer reading list! Release dates to be confirmed soon.

Fairy Tale Horrorshow

RJ Roles and Jason Myers of Crimson Pinnacle Press launched their inaugural CPP Anthology, Fairy Tale Horrorshow on June 4th!

This is a unique anthology of short stories, to say the least. Each invited author was tasked to contribute their twist on a beloved fairy tale.


The Table of Contents includes;


Piper — M Ennenbach
Midnight at the Glass Slipper — Ruthann Jagge
Always Time for Tea — Natasha Sinclair
She Saw Red: Once Upon a Crime part 1 — Jason Myers
Swine of Another Kind: Once Upon a Crime part 2 — RJ Roles
Pinnochio the Wooden Hoe — Matthew A. Clarke
The Vengeful Little Mermaid — Tara Losacano
What Goes into the Forest, Never Comes Out — Lance Dale
Tonight, Tonight — Denise Hargrove
It’s No Fairy Tale Out There — Kevin J. Kennedy

In celebration of the book launch, Crimson Pinnacle Press’ duo, along with a few of the contributing authors, are gathering for a blether live on Horror Talk Radio. It could be chaos — check it out on YouTube.

If you pick up the book, please leave an honest review!

A little bit about my contribution:

Always Time for Tea was inspired by Alice’s Adventures in wonderland.
While the inspiring story, by Lewis Carroll, is about the ‘normal’ turbulent journey of a young girl from childhood to adolescence, in whimsical, masterful, metaphorical prose.
Always Time for Tea only touches on that theme, along with some intolerance. Though at an older stage, as my MC’s story begins as a teenager and meanders through a journey of change — through a radically more alternative setting and situation. Led by the protagonist, Alicia Liddell’s adventure in a polyamorous, BDSM relationship and her subsequent initiation into the head table (the elite tea party) at a local fetish club. To which she was introduced to by one of her lovers (Red) and met the other (Chess).
This piece, as would be expected, does get rather trippy, thanks (in part) to the cornucopia of mushrooms served at the tea party and the eccentric host, Myrick Hatch — if readers get a mild Red Cap nod from him, you would not be wrong. He was a fusion character of lyrical eccentricity for sure, designed to create a little intense discomfort.
This story began with an idea I had pinned from a while back about tight-lacing. But almost reverting backwards from the modern use of steel boning to whalebone – though as opposed to whalebone, I considered how this could be fetishised and even cannibalistic in sourcing human ribs to restrain ribs. That was the original idea, but it became something else entirely when I returned to it for Fairy Tale Horrorshow. Nonetheless, it was loads of fun to write, and I felt freedom in writing this piece, thanks to the inspiring story and the awesome publishers who didn’t impose any boundaries on the submission invitation.

Murmur: Collected Horror

Earlier this year (and again this month), I shared that I aimed to release a short story collection this summer. Well, I’ve got major jitters — as always with publishing anything! Since I last posted about it, it’s progressed significantly — printed proofs have landed, and I’ve set up the eBook pre-order to force myself to suck it up and let it go!

The live date for Murmur is Summer Solstice – 21st June. The collection will be available in eBook, paperback and hardback. It consists of 8 short stories; 5 have appeared in print elsewhere, 1 has been published in an eZine, and 2 have never been published before. There is a Summer Solstice story in there to compliment the release date.

It’s been just over a year since I’ve published independently — Jumping back on that again has only heightened my gratitude to those who have accepted and published my work. Book building and formatting is a crazy business!

May Day

May has, so far, been a fairly empty month as far as writing is concerned. Consciously so, but I still feel like I should be, even with the lack of time — notes and scattered lines to come back to only.

Cover Consideration for ‘Murmur’ ©


I have been dipping into a collection that I was (semi) planning to release this summer and designing some cover-art options to help inspire the project and move it along. The collection (if I release it) will consist of previously published short stories, whose rights have reverted back to me, and a few pieces that haven’t been printed before. I’m still undecided on whether to release it or not when it’s complete. That project is still in the compiling stage.


Since my last post, two of my submissions have sold! Very pleased with those. My short stories, Collector’s Edition and Always Time for Tea, will be published this summer. These were both invite-only opportunities. Even with that faith from the publisher(s), the submission nerves are probably a little more pressurised than those from an open-call — so, yes! I am delighted the stories were each received well!
One is a horror fairytale twist inspired by Alice’s Adventures in Wonderland, and the other was (mildly) inspired by a documentary I watched a while back blended with the habits of a horror-fan collector. I’ll share more about those when the publishers have made their announcements and we have a release date.


Editing work has had my primary focus in May. This has been a good break from writing projects. Editing flexes a different creative muscle and is no less fun — especially when it’s not my own work! It’s nice to have a canoodle inside other creatives’ brains (words) and is an immense privilege, which I am always grateful to be entrusted with — especially developmental work.


Releasing this month is Mythical Creatures of Asia from INSIGNIA STORIES, in which I have three drabbles featured; To Be Unborn, Beneath the Mangoes and Seasoning Earth. I loved writing these little morsels. This eBook is available to pre-order now, dropping live on 10th May.

Beltane Creeps

Write, edit, send, wait…

This year, I vowed to drabble less and invest more time in short story writing and my two novels (in slow progress). In all honesty, with health and life’s curveballs I’ve struggled to find time, space and concentration. Running on empty as far as creativity is concerned, my general focus is pretty fragile and easily shattered — drowning in a sea of noise and clutter…
At least that’s how it’s felt, and I’ve beaten myself up about that. I didn’t want to respond to any drabble calls, but found myself veering over to that corner a fair bit since the start of 2021, with around 30 accepted drabbles in 2021 and a few blogged pieces. I’ve not yet decided if these are a comfortable micro distraction or kryptonite towards my brain’s ability to focus on bigger pieces. Regardless — if you enjoy micro-fiction, my little horrors will feature in upcoming publications from INSIGNIA STORIES, Black Ink Fiction and Raven & Drake, all to be released this year.

I currently have several short story submissions sitting in the hands of publishers, including two invite-only opportunities. Though that send button has been hit, I’m never nervous about rejections. If truth be told, I anticipate those more than acceptance — it’s the waiting that drives me slightly loopy! I hope to share more about these stories once responses are in, as the creation of each one was rather fun! For now, just a few of the titles in wait! 😉