
Southeast Asian Fantasy Drabbles is the second volume in the Insignia Drabbles series. This anthology includes 83 drabbles (100-word stories) …
Southeast Asian Fantasy Drabbles (#2)

Southeast Asian Fantasy Drabbles is the second volume in the Insignia Drabbles series. This anthology includes 83 drabbles (100-word stories) …
Southeast Asian Fantasy Drabbles (#2)
It’s been a little while since I’ve posted an update here so thought I should swing by!
The writing priority for 2020 was really to release Concoction V2 and focus on submitting pieces to other anthologies.
Subbing out is still very new for me, it’s been going well, considering all the hurdles 2020 has thrown so far!
Below are titles published in 2020 containing some of my short stories and drabbles. I’ve, naturally, been writing predominantly in the horror genre this year, and loving it.







Out with the already published works, including the 19 within the anthologies above, I have another 14 accepted pieces and 4 awaiting a response. A few of these are drabbles which will appear in Iron Faerie Publishing’s Four Horsemen of the Apocalypse series and a flash fiction dark fantasy tale in their Hexed Anthology.





I have also been dipping back into two ongoing pieces that seem to be continually evolving, so will have to see how they play out – they may evolve into an interconnected collection or novel. Their journeys are still being designed to the crazy soundtrack in my head!
Posts are more frequent on Facebook and Instagram, so feel free to pop over there; https://www.facebook.com/NatashaSinclair or https://www.instagram.com/clan_witch/
Natasha x

Discarded; damaged goods.
The lone whore bore foul, tainted, bastard fruit.
Shunned while still stunned from her whalers desertion.
Black lamb of the snow-white flock.
Abandoned for the call of the sea; another she.
Betty bid to follow suit with that ill seeded fruit.
As waves began to pour down her choking throat; peace called in tortured unforgiving song.
The final forbidden promise.
Lungs of fire burning; as blackened shadow blotted the sun.
A selfish rescue placed her back in hell; pulled from the mother’s largest well.
Need the ruined to give rest their good grace; a blinding disgrace.
© Natasha Sinclair. 2019.
A couple of writing and publishing projects are currently underway so I thought I would drop a brief update here.

The second ‘Concoction’ anthology is one which is scheduled for release December 2019. This time the prompts are most distinctly Scottish and will feature the same three writers as the first volume; G G Flavell, Natasha Sinclair and Andrew Taylor. As before it is open genre so we should expect a unique eclectic mix of stories. There is potential for a fourth writer to be added to the bill, will just have to see on that one. The initial story submissions have started coming in though and it’s looking pretty good! You can’t beat a good wee Ceilidh!

It is also very likely I will be releasing a mini collection of poetry and drabbles this year. These pieces have already been written, some have been published and some have never seen the light of day beyond the notebook. One again an eclectic little mix of material. Very organic in nature, as with my own style of writing. Themes running through those collected so far include; depression, relationships, politics, sex, freedom, nature and more.
Please look out for updates via here and on my Facebook page; https://www.facebook.com/NatashaSinclair/
Thank you, Natasha
Laying the last body down on the bed, I studied them both, side by side. My beautiful loyal white pups. They looked as if they were peacefully sleeping. Dreaming still. You’d never know by this sight that I had snapped their necks. Still warm, the serenity of death. My wrist hurt. It was almost over now. There was nothing left to hold me back. I stepped up on to the vintage blue weaved wooden stool. Reaching above I put the prepared noose over my head to my neck and jump forward. Swinging and choking, why didn’t my neck just snap?
©Natasha Sinclair

Firm steady grasp, I pulled the trigger. Proud and shaking from this first stun. The bolt punched hard at the confused bovine’s thick meat and skull. Dopamine rush from power. It’s a man’s job this; the provider, the killer. I’m the modern hunter in my murder house. Pupils dilate, silent screams from its desperate dying mouth. Just reflexes. Much too dumb to feel. Electrical impulses explode through this soon to be cadaver as it collapses. An almost dead weight thuds to the opening side of the cold steel box. Sticked, skinned, and disembowelled. High welfare organic steaks. It’s BBQ season.
© Natasha Sinclair


She was so incredibly vibrant, effervescent even. Life cascaded over her and she soaked it up; osmosis from grey to all illuminating colour.
They couldn’t know of the tortured girl hiding behind long straggly hair in the corner depths of her soul. Trying not to breathe, holding her head still between her hands and knees; frightened little anchoress within.
She painted the outside with hypnotic kaleidoscopic colour. Energy was electrifying and luminescent. Rich from living, a friend to everyone, my love.
After the years of youth though; too much mayhem and noise, too much of that painted face. Too many troubles to keep buried behind a smile, she ran all out of colour.
I see her try sometimes. Try to paint it on. Her skin only soaks it into the dead grey; cracking, peeling, painful and raw. Hermit grey, only shade in the shadows.
There’s barely any precious life left.
(C) Natasha Sinclair, All rights reserved
Sifting through tatty scrawled notes. Desperately furious hand; pouring forth perpetual cocktails of mind toxins in blotchy ink. Heavy watery explosions; dried time. Tasked to beat the drugs, the sad drab clinics, psychologically challenged specialists. Yeah, they sure were special all right; paid listeners who couldn’t shut up. It’s too easy to turn the tables on the professionally needy; care couldn’t care less. Unfamiliar hand between his own; Did I write that? Did I reply to myself? Goading himself to take the leap; the devil between the lines, teaser. The years trickle on; he somehow survived himself… For how long? © Natasha Sinclair
