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Hyper compartmentalising or hyper exposure?

I began writing about this some months back. It came to the forefront of my mind again recently, but from a personal angle, so I’m going to blend my tangent tangle; why the hell not? An attempt to de-compartmentalise the thoughts. Oh, the anarchy! My mind will not enjoy this. It’s a tangent—potentially incoherent at times. Just go with me on it.

Psychologically speaking, compartmentalising is a defence mechanism—an isolating process within the mind of thoughts and feelings that may conflict–this can have benefits, of course. It can help us focus on a task without being distracted. Given the nature of defence, I wonder if it’s beneficial that we are raised to compartmentalise how we are educated. As a home-educating parent, I’ve often considered this. In nature, for most, applying this to every aspect of life is stressful and unfulfilling and can make us appear inauthentic. I often worry about what parts to share, with whom and when. We naturally show different parts of ourselves to different audiences to suit boundaries and comfort levels. There’s a difference between natural compartmentalisation that protects us and the hyper compartmentalisation that seems so prevalent today. Have we all gone a little too far?

I think of the neurodivergent kid who masks all day while in a childcare or school environment and then has a meltdown at home, or the smiling and helpful cashier who spends his day helping and being patient with trying and rude customers but returns home exhausted, moody, and craving solitude from the hustle and bustle. 

In business, there’s little expectation for the heads of large organisations to share extracts of their personal selves and private lives with their customer base. I’ve never heard anyone ponder how interactive and personable James Daunt (Managing Director of Waterstones) or Roger White (CEO of AG Barr) are with his customers, for example. Few customers consider how these guys ‘made them feel’ or how personally engaged they are on social media before buying books from Waterstones or picking up a bottle of Irn Bru. It’s predominantly about the products and not the folks behind them. This doesn’t apply to independent businesses such as authors and artists like myself, who maintain complete creative and distribution control of their work. Yet, as an independent, I read and hear about this often. How folks must ‘buy in’ to the artist, and we must tirelessly engage—not too much or too little, just the right (arbitrary) amount to be ‘seen’ and be personable. In the online compartment, I’ve seen folks complain that authors only post about their work and their books, then, on the flip side, they share too much of their personal lives. There’s no pleasing everyone, even for people-pleasers, an epidemic primarily associated with women. Sadly, it is a piece of conditioning I am struggling to break free of, though I am trying! Even if not for myself, as an example to my younglings.

Again, this compartmentalisation, at its root, is a defensive process. One that can help separate and protect business from personal and facts from fiction. 

Personal compartmentalisation, on the other hand, isn’t as clear-cut either. In fact, for some of us, that’s even more of murky situation. When is it too much? When is it not enough? It’s now undeniable to me the more I’ve considered it that how I manage my personal relationships in this manner is a defensive and trauma response. I was raised to hide pieces of myself, from how I smiled to the questions I’d ask, so like the people pleaser, the hyper compartmentaliser was also created. Don’t let them see you, Natasha. Don’t let anyone see all of you because you’re a fucking mess. Your teeth are crooked, your accent isn’t right, your questions make everyone uncomfortable. Just stay quiet, and keep your mouth closed. But that’s not unique to me; I’m not special in any way, so many of us have this — our friends, family, co-workers, and acquaintances only see us from certain angles. A version just for you and them. And with this, I’ve always kept my social relationships pretty separate. I don’t mix family and friends or different friend groups. The idea of such social mixing sends me into an anxiety-ridden shambles envisioning the horror. There’s experience to support the separations—I mixed groups a bit in my youth, and lessons were learned, so the defences were erected in full force, and I haven’t thought about allowing passages between rooms in a couple of decades.

In recent months, I began considering my history with social compartmentalism when one of my closest friends noted I had uncharacteristically opened a door between rooms. She has perhaps been exposed to more of me than anyone else in my life, so her observation hit hard. In creating this invitation, which was uncharacteristically not thought out, it was strangely natural in contrast to my defensive conditioning. I’m here today overthinking or just thinking about how I may have created a draft. Shut the door, Natasha! The open door, even if the invited never passes through, is akin to an open wound. Have I thoughtlessly regressed or is it a progressive change of self? A seasonal shift that has to happen for a growth I’m yet to understand? I don’t know. It’s getting cold in here. Maybe I should close the door.

Rush-Hour

The heart thumps in my ears
Bodies squish closer
Brush my hand, my hip, my hair
I shiver
I can smell them
Intermingling molecules
All sweat and too much perfume
The smoke—I could choke
Heart in my throat
Where to look
I squeeze my own hands
Dig broken nails into the skin
Cracks fingers inside the palms
They’re cold and clammy
Another stop
More bodies pile in
I can taste his neck
Scratching stubble
I’ve nowhere to go
An eye catches mine
Don’t!
Please don’t
Don’t look at me
Another stop
More bodies
Less space
I can’t breathe
Her eye on mine again
I can feel the colour of her iris bleed into mine
Brown to blue; the earth to the sea
She can see every crease
How my skin is dead and withering
The corpse paint can’t fake life like it used to
I can’t see my feet
Only a stranger's ass
Her leggings are snagged
And the boots muddy
The heart keeps thudding
It’s in my throat
Get off!
Is it time to get off?!
Another stop
And more squeeze in—smiling clowns
Just breathe!
I feel the noise in my dry eyes
If I get off, I’ll have to do it again
Wait it out…
The majority push and shove off the stop before mine—grinning cat-rats
Departing they rush like my soul screaming to break free
Breathe
Breathe
It’s just a fucking train.

Werewolf Movie Night

This wasn’t my idea… I don’t think.

Werewolves were mentioned, and it spiralled downhill, uphill, and Zoom!

I’ve never hosted a virtual watch party, so don’t expect this to be well organised. Maybe more attempted organised chaos?

As annoying as online stuff can be, it’s pretty cool to have international get-togethers. Sure, it’s not the same as picking up some videos from Blockbusters and grabbing a Dominoes, but it’s pretty good, eh?

If you fancy a sort of introverted anti-social social movie night, drop me a line (natashasinclairauthor@gmail.com) with your email, and I’ll throw your name on a list and send you the link on the day.

When: Saturday 25th May 2024

From: 8pm GMT

Where: Zoom

We’ll be watching (and chatting about):

🐺Ginger Snaps (8:15pm – 10:05pm)

🐺Dog Soldiers (10:20pm – 12:05am)

🐺Underworld (12:20am – 2:35am)

I’d like to stream the movies via Zoom but not sure if it’ll work—sometimes international calls can be a bit shoogily as is, so I recommend you have the three movies available and we ‘play’ at the same time. I know they are all on Amazon Prime and Apple to stream. Other services will have them too.

Also, what is your favourite werewolf movie?

Brazen Folk Horror Check in

Beltane rolled in with storms, humidity, hot and cold fronts colliding, fires, droughts, floods, and even a sinkhole! Literal and metaphorical …

Brazen Folk Horror Check in

Blip

I met you before
You wore another face
Another body
Same eyes that sparkle and die instantaneously
Warm love and cold hate fight to dominate
The soul fractured as hammered bones and rusted nails
I’m drawn to broken things; my reckless heart hurts with the need to lessen the pain.
Abandoned, I’m magnetised, hypnotised, bewitched
With everything to lose and nothing to gain
I’ll stab myself with all your broken pieces
You don’t notice the blood
You offer life and death in one smooth blink
Crimson reflections are of your face and hate
You play at more than you can give
Loveless devil of the dying heart
Your air is a replica
Like a vacuum in the presence
My mouth is dry
I can’t think straight.
There’s dewdrops on the blades and never Enough to quench
You’re never enough
I’m always left dying of drouth
Chasing the desert for a spring
I’ve known you before
I see how this plays out
Blood pools around my feet
You stand before me with a cool glass of water
A mirage of “I don’t lie.”
The “don’t” is silent
Your glass beyond reach of my parched lips—with those eyes of love-hate bemused.
It’s a filter
A lame game
I crave your touch like air
My skin is screaming
And I’ll die without it
All lies, and I made them
The drops of poisoned water
From a loveless lover
And you’ll fast forget my name
Player Boy and Cowboy—just the same
They love themselves and their toys
Fed from temporary validations
The ego always needs another hit
Obsessively compulsively dismiss and onto the next
Nothing sticks
Just a posed picture
There’s nothing else inside
Built up from superficial shit
Station your play
This time, I’ll stay away.

Love, Peace and All of That

The world is full of pain, ills and wrongs, and I am far from naive. The suffering could consume me, the anger that swells deep in the gut, and I have been in desperate agony and rampant with rage from what I’ve experienced and witnessed. This world is full of sharp edges. It can be ruthless and cruel more often than not. But that cannot and shouldn’t make a home inside the soul. At least not for long. It has to be managed, processed and let the fuck go. We’re only here for a little while. It simmers down to choice. Today, what do you choose?

Lead with love.

I have no right to judge you.

You have no right to judge me.

We don’t need to understand to accept.

Lead with love, not hate.

Lead with an open mind, not a closed one.

Lead with peace, not war.

Lead with love always.

Broken Home

This term was mentioned to me when my kids’ father and I split up. I knew it would come up but I’ve considered it a lot since. Honestly, I considered it many times before that. Here are my thoughts:

‘Broken Home’ when used as a label towards kids that don’t grow up with birth parents who are in a relationship or married to one another is mostly bullshit. I’ve experienced and know of many far more broken homes where the parents remain unhappily together. They stay together with sticky notes of excuses, ‘for the kids’, ‘for the vows of better and worse’, to ‘prove a point’, to not ‘disappoint family’, because they’ve become unhealthily co-dependent. They stay together for fear of loneliness, judgment, the unknown, financial reasons, practical excuses, and lies they tell themselves that it ‘might get better’ and ‘things will change’. They trap themselves and their kids into true broken homes. Even though I knew better, I did that too for a time. Kids see that. They feel it, even if they don’t say it to their parents, though, sometimes they do. And when they do, it hurts hard.

My kids are not of a broken home—we fixed that when we chose to raise them in two happy homes instead of one unhappy one.

Break those toxic fucking cycles and fuck those ignorant labels.